1 / 19

Uses of Humdrum

Uses of Humdrum. Music 253/CS 275A Stanford University. Perspectives on music analysis. Traditional means of analysis Harmony Counterpoint Melody Rhythm. Feature sets. Music analysis old and new. George Tzanetakis , computational ethnomusicology. Blair Johnson, MTO (2012).

emmett
Download Presentation

Uses of Humdrum

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Uses of Humdrum Music 253/CS 275A Stanford University

  2. Perspectives on music analysis • Traditional means of analysis • Harmony • Counterpoint • Melody • Rhythm Feature sets 2013 Eleanor Selfridge-Field

  3. Music analysis old and new George Tzanetakis, computational ethnomusicology Blair Johnson, MTO (2012) 2013 Eleanor Selfridge-Field

  4. Perspectives on music analysis: 1-2 • Traditional (theoretical, historical) means of analysis • Harmony • Counterpoint • Melody • Rhythm • Statistical (systematic) approaches Feature sets: results related to score Feature sets: results reported in tables, charts 2013 Eleanor Selfridge-Field

  5. Music analysis without music Tartini (sw) 2013 Eleanor Selfridge-Field

  6. Perspectives on music analysis: 3 • Imported procedures • Often procedural or structural • Borrowed from • Linguistics • Mathematics • Computer science • Engineering • Cognitive studies • Performance-based analysis • Data visualization 2013 Eleanor Selfridge-Field

  7. Other legitimate projects • Data translation, enrichment • Linking symbolic data with MIDI or audio • Style evaluation (and generation as proof of concept) 2013 Eleanor Selfridge-Field

  8. Sample Projects, Random Order 2013 Eleanor Selfridge-Field

  9. Algorithmic generation: 12-bar blues 2013 Eleanor Selfridge-Field

  10. Hierarchical systems: Lerdahl-Jackendoff Generative theories of musical grammar 2013 Eleanor Selfridge-Field

  11. Phrase families (centonization) • PanosMavromatis (2006) • N.B. Lerdahl-Jackendoff touch 2013 Eleanor Selfridge-Field

  12. Linear systems (species counterpoint) 2013 Eleanor Selfridge-Field

  13. Imitative systems (18th-century counterpoint) 2013 Eleanor Selfridge-Field

  14. Generative chorale variations • DominikHörnel (2005): Pachelbel • Keyboard elaboration generated from chorale melody 2013 Eleanor Selfridge-Field

  15. Rhythm, Meter, Tempo (performance) Simon Dixon, Gerhard Widmer, Walter Göbl (2004) 2013 Eleanor Selfridge-Field

  16. Geospatial mapping of musical features • Bret Aarden (1998) Minor mode Triple meter 2013 Eleanor Selfridge-Field

  17. Tabla drumming ParagChordia: bol processor (2006) 2013 Eleanor Selfridge-Field

  18. Themefinder(melodic search) • Huron, Kornstädt, Sapp, et al. (1996) themefinder.org 2013 Eleanor Selfridge-Field

  19. Haydn-Mozart Quartet Quiz (machine learning) Yi-Wen Liu, C. Sapp (2002-04) -entropy study (EE) [qq.themefinder.org] 2013 Eleanor Selfridge-Field

More Related