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Antti Ahlava VALISTUKSEN KAUPUNKISUUNNITTELU 1700-luku valistus valistuksen kaupunkisuunnittelu

Antti Ahlava VALISTUKSEN KAUPUNKISUUNNITTELU 1700-luku valistus valistuksen kaupunkisuunnittelu valistuksen jälkimaininkeja. 1. 1700-luku. John Soane 1753-1837 /Bank of England /tapasi Piranesin /rakenne ja täyttö integroitu = laskuvarjoholvit. 2. valistus.

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Antti Ahlava VALISTUKSEN KAUPUNKISUUNNITTELU 1700-luku valistus valistuksen kaupunkisuunnittelu

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  1. Antti Ahlava VALISTUKSEN KAUPUNKISUUNNITTELU 1700-luku valistus valistuksen kaupunkisuunnittelu valistuksen jälkimaininkeja

  2. 1. 1700-luku

  3. John Soane 1753-1837 /Bank of England /tapasi Piranesin /rakenne ja täyttö integroitu = laskuvarjoholvit

  4. 2. valistus

  5. 3. valistuksen kaupunkisuunnittelu

  6. Etienne Louis Boullée 1728-1799 /vallankumousarkkitehti /visionäärinen paperiarkkitehti /klassismia /Newtonin hautamuistomerkki 1764

  7. Jean Nicholas Louis Durand 1760-1834 /pienoiskaupungit: sairaala, maatalo, teurastamo, pörssi - vrt. antiikin Rooman kylpylät

  8. Friedrich Gilly 1772-1800 /perusmuotoihin perustuva doorilainen klassismi /Fredrik Suuren muistomerkki, Berliini = ontto Akropolis /Kylpylä: näköakselit, kulku mutkitteleva

  9. Edinburgh New Town (Skotlanti, Iso-Britannia)

  10. Claude Nicolas Ledoux 1736-1806 /vallankumousarkkitehti /puhuvaa arkkitehtuuria /Pariisin tullipaviljongit, suolakaupungit /ei klassismia vaan manieristista kikkailua - valiomuotojen käyttö /Newtonin hautamuistomerkki 1764 /Suolakaupunki Chaux 1804

  11. 5. valistuksen jälkimaininkeja

  12. Le Corbusier: "Architecture and film are the only true arts of our time. In my work I seem to think as Eisenstein does in his films"

  13. Le Corbusier’s relationship to film was threefold: 1) Indirect Eisenstein influence through Auguste Choisy's concepts parallax and Greek picturescue, 2) direct contact with Eisenstein and 3) the aesthetics of the modern machine and movement, of which film machinery was part.

  14. Auguste Choisy’s Historie de l'Architecture, had impact on both Le Corbusier's and Eisenstein's work. Choisy re-introduced the notion of picturescue in ancient Greek architecture. The picturesque was attained through multiple different viewpoints as the idea in architecture, insteadf of one total vision. The phenomena is called parallax. Parallax means the impression created by multiple or moving viewpoints. Choisy saw that this principle was inherent in Greek architecture, like the composition of Acropolis, as well as in Piranesi's engravings, which consequently fascinated Eisenstein.

  15. Eisenstein saw that architecture embodies the principles of montage and that Acropolis of Athens was the first motion picture ever made.

  16. Le Corbusier realised the Greek picturescue in his concept promenade architecturale. –Carpenter Center for the Visual Arts with its outside ramp is often mentioned in connection to the promenade architecturale. –Le Corbusier first mentioned this concept concerning the La Roche maison (1923), and again with Villa Savoye (1929-31). –For Le Corbusier, architectural promenade was the very substance of the architectural experience, forming parallax as hundreds of successive perceptions.

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