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2. Describe And Discuss The US- centric position of the term,take for granted the centrality of Hollywood as setting the standard against which all other cinemas must define themselves_Fail to take into account the great diversity of other cinemas or the different historical trajectories of their origins and developments

3. Cinema Pertained World cinema is pertained to the notion of Third Cinema, the theory that originated outside the US/European context. Coined in 1969 by Argentine filmmakers Fernando Solanas and OctavioGetino.

4. Aesthetic And Political Project Third Cinema is an aesthetic and political project that is revolutionary and militant in origin, nature and intent.

5. Cinema Films Third Cinema films question and challenge the structures of power and oppression in the world, be they related to Custom Essay Writing Services Australiaclass, race, ethnicity, gender or religion_Apart from the non-Western/non-Hollywood and Third cinema models, another way of conceiving world cinema is as the sum total of all the national cinemas in the world and also.

6. Contemporary Critics Some contemporary critics refer to Iran as the world’s most important national cinema, with an artistic significance that invites comparison to Italian neorealism

7. Based On Criteria Based on criteria such as types of production, distribution and exhibition, audiences, discourses, textuality, national-cultural specificity, Crofts distinguishes between eight varieties of nation-state cinema

8. Separate Art Film is now no longer a separate art but belongs to an enormous multinational system of TV networks, internet, international co-productions, being part of the digital convergence with other media 

9. Conceptualise Cinema With an attempt to conceptualise cinema beyond the nation-state, terms such as transnational, transvergent and accented cinema (Naficy 2001) have been employed.

10. Discussion Of World Cinema In a discussion of world cinema, the film-viewing subject also needs to be taken into consideration. In our age of globalization and increased migration of essay writing Services Australia, the spectator can no longer be regarded as a homogenous entity. 

11. Distributed Internationally Who decides what films should be distributed internationally under the “world cinema” label

12. Main Sites  The main sites of exhibition (world cities, international film festivals) have become hybrid and plural spaces so that the older dichotomies between West and non-West, self and the other are beginning to disappear.

13. Consequently They Propose Consequently they propose that world cinema be reconceptualised in terms of “hybridity, transculturation, border crossing, transnationalism and translation” (Dennison & Lim 2006:6) and be regarded separately as a discipline, a methodology and a perspective.

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