260 likes | 560 Views
Giorgione, Bellini and Titian’s Venice. Titian Bacchanal of the Andrians 1523-25 Museo del Prado, Madrid. Raphael and the Renaissance Ideal: La Belle Jardinière. Raphaël 1483-1520 The Virgin and Child with St . John the Baptist , known as La Belle Jardinière 1507 Wood H 1.22 m; W 0.80 m.
E N D
Giorgione, Bellini and Titian’s Venice TitianBacchanal of the Andrians1523-25Museo del Prado, Madrid
Raphael and the Renaissance Ideal:La Belle Jardinière Raphaël1483-1520The Virgin and Child with St. John the Baptist, known as La Belle Jardinière 1507 Wood H 1.22 m; W 0.80 m
LeonardoA Smile for the Ages: Leonardo's famous portrait of Mona Lisa shows a half-length figure seated in a loggia with columns against the backdrop of a mysterious uninhabited landscape. Leonardo uses a smoky chiaroscuro (sfumato) and atmospheric perspective to enhance the figure's ambiguous facial expression, which serves to conceal or mask her psychic identity from the viewer. LEONARDO DA VINCI, Mona Lisa, ca. 1503–1505. Oil on wood, approx. 2'6" x 1'9". Louvre, Paris.
Raphael and the Renaissance Ideal:St. Catherine RaphaelSt Catherinec. 1507Oil on panel71 x 56 cmNational Gallery, London
Raphael and the Renaissance Ideal:The Cowper Madonna RaphaelThe small Cowper Madonnac. 1505Oil on wood23 3/8 x 17 3/8 in. (59.5 x 44 cm)National Gallery of Art, Washington
Botticelli, SandroThe Birth of Venus c. 1485Tempera on canvas Uffizi, Florence
Botticelli, SandroThe birth of VenusDETAIL OF the face of Venusc. 1485Tempera on canvas172.5 x 278.5 cm (67 7/8 x 109 5/8 in.)Uffizi, Florence
Botticelli, SandroPrimavera (detail)c. 1482Tempera on wood203 x 314 cmGalleria degli Uffizi, Florence
Botticelli, SandroPrimavera c. 1482Tempera on wood 203 x 314 cm Galleria degli Uffizi, Florence
Early 16th Century Venetian Art The commercial and political power enjoyed by Venice during the 15th century declined in the 16th century due largely to the discoveries in the New World and the economic shift from Italy to Hapsburg Germany and the Netherlands. Moreover, since the Turkish conquest of Constantinople, Venice had lost control of the eastern Mediterranean. Venice remained independent despite attacks by the League of Cambrai, composed of Spain, France, the Holy Roman Empire, and the Papal States.
TitianPortrait of a Man in a Red Cap c. 1516Oil on canvas32 3/8 x 28 in. (82.3 x 71.1 cm)Frick Collection, New York
TitianPortrait of Doge Andrea Gritti 1544-45Oil on canvas133.6 x 103.2 cmNational Gallery of Art, Washington
The Feast of the Gods Bellini, Dosso, and Titian, painted 1514-1529, oil on canvas, 170.2 cm x 188 cm, National Gallery of Art Web Exhibit, Washington
TITIAN, Meeting of Bacchus and Ariadne Titian's great painting shows Bacchus, accompanied by his boisterous and noisy retinue, arriving to save Ariadne, who had been abandoned by Theseus on the island of Naxos. The rich, luminous colors add to the painting's sensuous appeal. 1522–1523. Oil on canvas, 5' 9" x 6' 3". National Gallery, London.
Titian The Three Ages of Man 1513-14 Oil on canvas 90 x 151 cmNational Gallery of Scotland, Edinburgh
GIORGIONE DA CASTELFRANCO, The Tempest Giorgione's enigmatic painting The Tempest shows a lush landscape with human figures in the foreground threatened by stormy skies and lightning. ca. 1510. Oil on canvas, 2'7" x 2'43/4". Galleria dell'Accademia, Venice
GIORGIONE DA CASTELFRANCO, Pastoral Symphony Giorgione's so-called Pastoral Symphony, which shows two voluptuous nude females accompanied by two clothed young men in a landscape with a shepherd, exemplifies the Venetian poetic manner in its eloquent though enigmatic evocation of a dreamy, tranquil, pastoral mood. ca. 1508. Oil on canvas, approx. 3'7" x 4'6". Louvre, Paris.
Giorgione, Giorgio da Castelfranco Venus Asleep c. 1510Oil on canvas 108 x 175 cm Gemaeldegallerie Alte Meister, Dresden
TITIAN, Venus of Urbino, 1538. Oil on canvas, approx. 4' x 5'6". Galleria degli Uffizi, Florence .
Titian Sacred and Profane Love1514 118 x 279 cm Borghese Gallery, Rome
TitianVenus Anadyomene (Venus Emerging from the Sea)c. 1525National Gallery of Scotland, Edinburgh
TitianWoman in a Fur Coatc. 1536-38Kunsthistorisches Museum, Vienna
TitianPenitent Mary Magdalen1560sOil on canvas46 1/2 x 38 in. (118 x 97 cm)Hermitage, St. Petersburg
Titian Venus and Cupid with an Organist c. 1548-49 Gemaeldegalerie, Berlin
Titian Diana and Actaeon 1559Oil on canvas 190.3 x 207 cmNational Gallery of Scotland, Edinburgh
TitianRape of Europa1559-62Oil on canvas185 x 205 cmIsabella Stewart Gardner Museum, Boston