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Camera

‘NEW” I-PAD 2 / Laptops. Pro- Consumer Camera. Pocket Camera. Camera. How to shoot like a professional. Palm / Handy Camera. `Cellular Phone / FLIP Camera. The Digital Still Camera. The Digital Still Camera – How It Works. Before Example: - “Old School Camera ”. Exposure How it works.

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Camera

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  1. ‘NEW” I-PAD 2 / Laptops Pro- Consumer Camera Pocket Camera Camera How to shoot like a professional Palm / Handy Camera `Cellular Phone / FLIP Camera

  2. The Digital Still Camera The Digital Still Camera – How It Works Before Example: - “Old School Camera” Exposure How it works

  3. The Video Camera The Video Camera = Still Camera + Recording Deck + 30 still picture frames per second = 30fps 24 still picture frames per second = 24p

  4. The Digital Camera The Digital Camera – How It Works

  5. The Video Camera The Video Camera – How It Works Light (day light / Light blub / Studio light) enters the lens

  6. The Video Camera The Video Camera – How It Works Light enters the lens and strikes CCD (control couple device).

  7. The Video Camera The Video Camera – How It Works Light enters the lens and strikes CCD (control couple device). The CCD creates An electrical signal, based on light input.

  8. The Video Camera The Video Camera – How It Works Light enters the lens and strikes CCD (control couple device). The CCD creates An electrical signal, based on light input. The electrical signal is recorded onto a mini DVC Tape

  9. The Video Camera The Video Camera – How It Works VIDEO AND SOUND

  10. Tape (media) • MiniDV and Mini HDV tape. Outstanding picture and sound quality IEEE`1394 (firewire) connector.

  11. Flash Card (media) • MiniDV and Mini HDV tape. Outstanding picture and sound quality IEEE`1394 (firewire) connector.

  12. Tape Deck (media player) • Sony MiniDV and Mini HDV tape. Outstanding picture and sound quality IEEE`1394 (firewire) connector.

  13. The Camera Lens

  14. The Camera Lens (a) Lens come in different sizes… (b) Most have automatic focus …

  15. Iris(Aperture) Shutter controls the opening and closing of the camera lens. Low light = Large aperture Bright light = Medium aperture VERY Bright light = Small aperture

  16. Aperture – F-Stops • Controls the opening (aperture) of the lens. Purple part in the center is the shutter of the lens F-Stops The circle in the middle of the lens is the IRIS

  17. Iris (Aperture) APERTURE - is the measurement of the opening of the lens Shutter – is the door or black part that close and opens to let light in Iris - is the opening of the Lens. The Higher the Aperture Less light small Iris. Smaller the number the more light big Iris.

  18. Shutter – Shutter Speed The light measurement (shutter speed) that control how much light comes into the lens just like the aperture.

  19. Exposure Iris + Aperture + Shutter + Shutter Speed = (Photo Exposure) Exposure determines how light or dark an image is. Exposure Example

  20. Headphones Important for hearing audio while recording, especially if external microphone is attached. & Never record without headphones “NEVER” !

  21. Viewfinder and View Screen Viewfinder – small video monitor mounted on camcorder, accessible by eyepiece View Screen- larger (2”-3” ) LCD monitor mounted on the back of your SLR cameras & Viewfinder View screen Never record without headphones “NEVER” !

  22. Camera Accessories Tripod: Use a tripod for steady, stable picture. Three leg device Mono Pole: Use a mono pole like a tripod. One leg device

  23. Tripod Camcorder Movement • Truck “Truck Left” “Truck right” • Dolly “Dolly in” “Dolly out”

  24. Tripod Camcorder Movement • Crank: Raising and Lowering the tripod • Dolly “Crank up” “Crank down”

  25. Camera movements • Pan: • Pan Left • Pan right Tilt: Tilt up Tilt Down

  26. Camera Composition The Six Major Shots in Photography and Video Extreme Close-up Close –up / Head Shot Bust Shot Medium Shot Long Shot Establishment Shot / Wide Shot

  27. Camera Composition The Five Tips for Camera Compsition The Rule of Thirds (imaginary tic-tac-toe grid) Don’t Chop the Head/Chin (headroom) Compose the Nose (lookroom) Lead Them On (leadroom) Beware of Bad Backgrounds

  28. Camera Composition The Five Tips for Camera Compsition The Rule of Thirds (imaginary tic-tac-toe grid) Left vertical line Top right intersection Top horizontal Bottom horizontal

  29. Camera Composition The Five Tips for Camera Composition Don’t chop the head or the chin (head room)

  30. Camera Composition The Five Tips for Camera Compsition Compose the Nose (look room)

  31. Camera Composition The Five Tips for Camera Compsition Lead Them On (lead room)

  32. Camera Composition The Five Tips for Camera Compsition Beware of Bad Background

  33. Camera Composition The Five Tips for Shooting to Edit Set the Scene Cover your Cuts Shoot Multiple Takes Shoot Alternate Angles Make a Plan

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