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gcom343 |. gestalt. principles similarity continuation closure proximity figure/ground equilibrium isomorphic correspondence. gcom343 |. gestalt. similarity | continuation | closure | proximity | figure/ground | equilibrium | isomorphic correspondence.
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gcom343 | gestalt principles similarity continuation closure proximity figure/ground equilibrium isomorphic correspondence
gcom343 | gestalt similarity | continuation | closure | proximity | figure/ground | equilibrium | isomorphic correspondence Visual elements that are similar in shape, size, color, direction and motion are seen as part of a group
gcom343 | gestalt similarity | continuation | closure | proximity | figure/ground | equilibrium | isomorphic correspondence Occurs when the eye follow along a line or curve, even when it crosses over negative and positive shapes
gcom343 | gestalt similarity | continuation | closure | proximity | figure/ground | equilibrium | isomorphic correspondence Draws on the natural human tendency to visually close gaps in forms, especially familiar forms
gcom343 | gestalt similarity | continuation | closure | proximity | figure/ground | equilibrium | isomorphic correspondence Items that are spatially located near each other seem part of a group, or in contrast, items stand alone. Can denote depth and distance.
gcom343 | gestalt similarity | continuation | closure | proximity | figure/ground | equilibrium | isomorphic correspondence A fundamental law of perception that helps visually identify objects (figure) as distinct from their background (ground)
gcom343 | gestalt similarity | continuation | closure | proximity | figure/ground | equilibrium | isomorphic correspondence Explains our search for balance in everything we see
gcom343 | gestalt similarity | continuation | closure | proximity | figure/ground | equilibrium | isomorphic correspondence The interpretation of visual images (photos, paintings, etc.) based upon experience and memory