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TECHNICAL FICHE

L'ENFANT. TECHNICAL FICHE. Film and scenes directory:Jean-Pierre and Luc Dardenne Actors:Jèrèmie Renier,Débora François Photografy director:Alain Marcoen Operator:Benoit Dervaux Mixage:Thomas Gauder Productor:Jean-Pierre and Luc Dardenne,Denis Freyd. NEWS ABOUT….

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TECHNICAL FICHE

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  1. L'ENFANT TECHNICAL FICHE

  2. Film and scenes directory:Jean-Pierre and Luc Dardenne Actors:Jèrèmie Renier,Débora François Photografy director:Alain Marcoen Operator:Benoit Dervaux Mixage:Thomas Gauder Productor:Jean-Pierre and Luc Dardenne,Denis Freyd

  3. NEWS ABOUT… Jean Pierre Dardenne was born in 1951 in Angis,Belgium. Luc Dardenne was born in 1954 in Awirs,Belgium. Thanks to their DV “Devires” production factory they have realized more or less sixty documentaries .They start their career on the big screen with FALSCH (1987) followed by JE PENSE VOUS (1991) ,THE PROMISE (1996), ROSETTA(1999),L’ENFANT(2002),winner of the golden palmers of the 58°festival in Cannes.

  4. PLOT Bruno,aged 20,lives on his wits and small thefts.Sonia is 18 and has just got a baby;for the young mother that son represent her trophy, a muppet (baby-doll),but for the father doesn’t represent neither that.One day,while Sonia’s waiting for a queue have the unemployement benefit,Bruno takes his child and calls some criminals to sell him.An act that seems to break every complicity closeness,every love between them forever.Condemned to his foolish and hopeless life,finally Bruno starts to understand.

  5. STORY A camera undelines the two adolescent moving around an unknown and dark gray city. A perpetual motion, a camera that follows moving itself too, like tryig not to lose neithe a gesture just chalked out, these are the protagonists. But maybe he real protagonist of the stoy is the camera, that with absolute absence of judgement restricts itself to make the fects plain and real. The total absence of musi makes the few melodies more meaningful. Althoug it has a setting that coincides with the one of the documentary. This movie passes through a strand of signs which suggest what the protagonist don’t want to say. The end is a magic strong and meaningful moment.

  6. The film could be divaded into three blocks: • A “new” family • A vile gesture: Bruno a childisc faher • Bruno: finally a man

  7. THE CENTRAL IDEA “L’enfant” is a very hard, ummerciful film that knows how to photograph without hearts and flowers a youthful world, but that give some hopes or possibilities of redemption accurred just through private feelings and not for some acts of colletive solidariety.

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