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TERRY O’LEARY. FREQUENCY PLAN SYNTHESIS WHAT IT IS AND HOW IT WORKS THE BASICS. EBU TECHNICAL DEPARTMENT. PLAN SYNTHESIS. OVERVIEW. 1. The Problem 2. Beginning Concepts 3. Synthesis Methods 4. Inside the Computer 5. Summary. 1. THE PROBLEM. FREQUENCY ASSIGNMENT
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TERRY O’LEARY FREQUENCY PLAN SYNTHESISWHAT IT IS AND HOW IT WORKSTHE BASICS EBU TECHNICAL DEPARTMENT
PLAN SYNTHESIS OVERVIEW 1. The Problem 2. Beginning Concepts 3. Synthesis Methods 4. Inside the Computer 5. Summary
1. THE PROBLEM • FREQUENCY ASSIGNMENT • CAPACITY vs DESIRE • COMPATIBILITY vs CHAOS • MAGNITUDE vs MEANS
THE PROBLEM RRC 04-05 • Large demand : > 10 000 (?) reqs • Small supply : < 450 MHz, 60 CHANNELS • Frequency sharing / re-use • Interference potential DEFINITION OF PLAN SYNTHESIS: SYNTHESIS: PUTTING TOGETHER SEPARATE ELEMENTS INTO A CONNECTED WHOLE SEPARATE ELEMENTS: REQUIREMENTS, CHANNELS CONNECTED WHOLE :PLAN
req B req A req C THE PROBLEM VISUALISED req D req G req H SHARING A LIMITED RESOURCE SPECTRUM BAND III 174 – 230 MHz BAND IV/V 470 – 862 MHz req E req F
E (dB V/m) erp2, ht2 erp1, ht1 d (km) INTERFERENCE ZONE INTERFERENCE POTENTIAL CAN USE THE SAME CHANNEL CAN’T USE THE SAME CHANNEL
2. BEGINNING CONCEPTS • Interference Representations • A ‘Symple’ (partial*) Synthesis • * ‘ partial ’ meaning • ‘ in part ’ (because only started) • and/or • ‘ biased ’ (because done manually)
INTERFERENCE REPRESENTATIONS: 1 ‘GRAPH’ REPRESENTATION SCHEMATIC LINES = INTERFERENCE NODES = TX NETWORK-INTERFERENCE REPRESENTATION
d e a c b A ‘SYMPLE’ SYNTHESIS (aka Frequency Assignment) THIS IS A MANUAL SEQUENTIAL SYNTHESIS CH 1 CH 2 CH 3 CH 4
3. SYNTHESIS METHODS • Manual search • Size of the problem • Computer (aided) search • Exhaustive • Intensive • ‘Symple’ sequential
? ? A MESSY MANUAL MORASS? 4 channels 15 requirements THEN 6 CHANNELS WOULD BE NEEDED THEN 5 CHANNELS WOULD BE NEEDED FREQUENCY PLANNING 6 2 3 1 5 2 4 2 1 BUT WE ONLY HAVE 4 !! 4 2 4 3
… … = 415 > 1 000 000 000 THE SIZE OF THE PROBLEM? 3 1 3 1 4 2 4 2 4 X 4 POSSIBLE PLANS MASTRICHT 2002 : 16 CHANNELS 2000 REQUIREMENTS = 162000 > 102400 So … An ‘exhaustive’ search is probably not practical ! POSSIBLE PLANS
WHAT DOES THE COMPUTER DO? 4 2 1 4 2 4 2 1 3 1 4 3 1 3 2 ONLY 4 NEEDED!!
4. INSIDE THE COMPUTER • Importance of Assignment Order • Interference Representations: 2 • Sequential Ordering • Channel Selection
FINISH 1 2 1 4 2 2 1 2 1 3 2 1 2 2 2 1 2 1 2 1 1 2 1 1 IMPORTANCE OF ASSIGNMENT ORDER 1 START 4 Blocks 2 Blocks
5 6 6 7 4 7 5 ? ? 3 1 4 1 2 2 3 IMPORTANCE OF ASSIGNMENT ORDER 2 ?= [ 8 ] ?= 2, 3, 4, 5, 6 7 Blocks Available LARGEST FIRST? SMALLEST LAST?
INTERFERENCE REPRESENTATIONS: 2 H D C A G B E F I ‘MATRIX’ REPRESENTATION ‘1’ = interference ‘0’ = compatible ‘GRAPH’ REPRESENTATION
I H E J F G D C B A ORDERING METHODS: DESCENDING • Descending • Largest First • Smallest Last
I H E J F G D C B A ORDERING METHODS: LARGEST FIRST (1)
I H (E) J F G D C B A ORDERING METHODS: LARGEST FIRST (2)
I H (E) J F G D (C) B A ORDERING METHODS: LARGEST FIRST (3)
I H (E) J F (G) D (C) B A ORDERING METHODS: LARGEST FIRST (4)
I H (E) J F (G) D (C) B (A) ORDERING METHODS: LARGEST FIRST (5)
I H (E) J (F) (G) D (C) B (A) ORDERING METHODS: LARGEST FIRST (6)
I (H) (E) J (F) (G) D (C) B (A) ORDERING METHODS: LARGEST FIRST (7)
I H E J F G D C B A ORDERING METHODS: SUMMARY • Descending • Largest First • Smallest Last
5. SUMMARY • Comparison • EBU Work • Conclusion
[1 000 000 000 000 000 000 000 000 000 000 000 000 000 000 COMPARISON • ‘Manual’ methods : messy • ‘Exhaustive’ search : > 102400 • ‘Sequential’ search : fast, many available • ‘Intensive’ search* : lengthy?? • * “Simulated Annealing” , • “Great Deluge” , • “Ethereal Manifestation”, …
‘Grouped’ sequential algorithms ‘Forward’ algorithms ‘omniscient’ algorithm ‘Dynamic’ algorithms ‘Linear’ algorithms RRC’05 ? MA’02 ? WI’95 ? EBU SYNTHESIS PROGRAM NUMBER OUT NUMBER IN
CONCLUSION • Possible philosophy of plan synthesis has been described • Possible steps in a synthesis procedure have been outlined Definitive procedures will be decided at RRC
FREQUENCY PLAN SYNTHESIS • Terry O’Leary (Sept. 2003) NO MORE TIME THANK YOU!