1 / 52

Language, Music and Rhythm

Language, Music and Rhythm. Cyrille Magne Psychology Department Program in Literacy Studies. Layout. Background Purpose Music Training & Speech Rhythm Awareness Music Aptitude and 2 nd Language Learning Music Aptitude and Speech Rhythm Sensitivity Implications and Current Research.

hide
Download Presentation

Language, Music and Rhythm

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Language, Music and Rhythm Cyrille Magne Psychology Department Program in Literacy Studies

  2. Layout • Background • Purpose • Music Training & Speech Rhythm Awareness • Music Aptitude and 2nd Language Learning • Music Aptitude and Speech Rhythm Sensitivity • Implications and Current Research

  3. Background • Language vs Music

  4. Background • Language vs Music

  5. Background • Language vs Music

  6. Background • Language vs Music

  7. Background • Language vs Music

  8. Background • Language vs Music

  9. Background • Language vs Music

  10. Background • Language vs Music

  11. Background • Language vsMusic

  12. Background • Music, Language and the Brain (Brown, Martinez, Parsons, 2006)

  13. Background • Music, Language and the Brain Speech Vocalize Song LH RH (Schön, Gordon, Campagne, Magne, Astésano, Anton, Besson, 2010)

  14. Background • Musical Training & Language Processing • Transfer of learning? • Enhanced speech perception in adults (Schön, Magne, Besson, 2004) and children (Magne, Schön, Besson, 2006) • Finnish children and adults with high music aptitudes showed more accurate reproductions of English phonemes (Milovanov et al., 2008; 2010) • Enhanced development of syntactic processing in children (Jentschke & Koelsch, 2009)

  15. Purpose • What about Speech Rhythm?

  16. Purpose • What about Speech Rhythm? • English as a stress-timed language • Emphasis given to syllables in a word • Increased duration, intensity and pitch • Reduced unstressed syllables Dollar Today

  17. Purpose • What about Speech Rhythm? • English as a stress-timed language • Emphasis given to syllables in a word • Increased duration, intensity and pitch • Reduced unstressed syllables Dollar Today Trochaic

  18. Purpose • What about Speech Rhythm? • English as a stress-timed language • Emphasis given to syllables in a word • Increased duration, intensity and pitch • Reduced unstressed syllables Dollar Today Trochaic Iambic

  19. Purpose • What about Speech Rhythm? • Importance of rhythm in infant-directed speech and for language acquisition • 9-month-old American infants showed preference for listening to trochaic words (Jusczyk et al., 1993) • French newborns discriminate between languages from different rhythmic classes (Nazzi et al., 1998) (Tincoff et al., 2005)

  20. Purpose • What about Speech Rhythm? • Importance of rhythm for language comprehension in adults • Detection of new information in conversational context (Magne et al., 2005) • Listeners’ attention may be differentially allocated to stressed syllables (Pitt & Samuel, 1990)

  21. Electroencephalography (EEG)

  22. Electroencephalography (EEG)

  23. Event-Related Potentials (ERPs) EEG

  24. Event-Related Potentials (ERPs) EEG

  25. Event-Related Potentials (ERPs) EEG EEG

  26. Event-Related Potentials (ERPs) EEG EEG

  27. Event-Related Potentials (ERPs) EEG EEG ERP P 300

  28. Event-Related Potentials (ERPs) EEG EEG

  29. Music Training & Speech Rhythm Awareness • French described as having a final accent • Lengthening of this last syllable x x Can- di- x x dat (candidate) (Magne et al., 2007; Marie, Magne, Besson, 2011)

  30. Music Training & Speech Rhythm Awareness • French described as having a final accent • Lengthening of this last syllable x x x Can- di- x x dat (candidate) (Magne et al., 2007; Marie, Magne, Besson, 2011)

  31. Music Training & Speech Rhythm Awareness • Stimuli (Magne et al., 2007; Marie, Magne, Besson, 2011)

  32. Music Training & Speech Rhythm Awareness • Methods • 30 adult native speakers of French • 16 with less than 1 year of musical training • 14 with average of 17 years of musical training • EEG recording • 32 electrodes placed in the scalp (Magne et al., 2007; Marie, Magne, Besson, 2011)

  33. Music Training & Speech Rhythm Awareness • Behavioral Data Non-Musicians vs Musicians – Error Rates (%) * * Rhythm + Rhythm - (Magne et al., 2007; Marie, Magne, Besson, 2011)

  34. Music Training & Speech Rhythm Awareness • ERP data Non-Musicians Musicians Cz Cz -5 µV -5 µV N400 Cz N400 1500 ms 1500 ms Pz Pz Pz P800 Rhythmically Congruous P2 Rhythmically Incongruous P800 (Magne et al., 2007; Marie, Magne, Besson, 2011)

  35. Music Training & Speech Rhythm Awareness • Conclusion • Rhythmically incongruous words recruits additional brain processes in musicians • Musicians perceive rhythmic violations in speech better than non-musicians • Rhythmically incongruous words detected faster by musicians’ brain (Magne et al., 2007; Marie, Magne, Besson, 2011)

  36. Music Aptitude and 2nd Language Learning • Purpose • Electrophysiological responses to speech rhythm incongruities in second language of a different rhythmic class. • Relationship between level of music aptitude and degree of speech rhythm sensitivity in second language? (Emerson & Magne, 2010)

  37. Music Aptitude and 2nd Language Learning • Methods • 12 Native English speakers • Learning French as a second language (mean=4.6 years) • Music aptitude assessed using AMMA • Tests rhythmic and tonal discrimination abilities [S] [R] [T] (Emerson & Magne, 2010)

  38. Music Aptitude and 2nd Language Learning • ERP Data Rhythmic Incongruity Effect F3 Fz F4 High Music Aptitude Low Music Aptitude C3 Cz C4 P3 Pz P4 m -5 V ms F3 F4 Fz 400 800 C3 Cz C4 Pz P3 P4 (Emerson & Magne, 2010)

  39. Music Aptitude and 2nd Language Learning • Conclusion • Individuals with high music aptitudes more sensitive to the rhythmic structure of learned foreign languages • HMA individuals better at acquiring native-like accents? (Emerson & Magne, 2010)

  40. Music Aptitude & Metrical Expectancy • Purpose • Does Rhythm create expectations in continuous speech stream? • Link between level of music aptitude and sensitivity to speech rhythm regularities? (Magne, Jordan, Gordon, in preparation)

  41. Music Aptitude & Metrical Expectancy • Stimuli (Magne, Jordan, Gordon, in preparation)

  42. Music Aptitude & Metrical Expectancy • Methods • 20 non-musicians • Advanced Measure of Music Audiation (AMMA) • Statistical Analysis • Cluster-based permutation tests (Fieldtrip Toolbox) • Correlations between size ERP effect and AMMA scores (Magne, Jordan, Gordon, in preparation)

  43. Music Aptitude & Metrical Expectancy • ERPs to Trochaic Target Words High Music Aptitude Group Low Music Aptitude Group 294 to 468 ms P < 0.001 362 to 488 ms P = 0.03 496 to 718 ms p = 0.006 -4 -4 -4 -4 C3 C4 C3 C4 -3 -3 -3 -3 -2 -2 -2 -2 -1 -1 -1 -1 0 0 0 0 1 1 1 1 2 2 2 2 0 300 600 900 0 300 600 900 0 300 600 900 0 300 600 900 (Magne, Jordan, Gordon, in preparation)

  44. Music Aptitude & Metrical Expectancy • ERPs to Iambic Target words High Music Aptitude Group Low Music Aptitude Group 344 to 418 ms P= 0.05 448 to 520 ms P = 0.04 550 to 654 ms P = 0.02 No Significant Cluster -4 -4 -4 -4 C3 C3 C4 C4 -3 -3 -3 -3 -2 -2 -2 -2 -1 -1 -1 -1 0 0 0 0 1 1 1 1 2 2 2 2 0 300 600 900 0 300 600 900 0 300 600 900 0 300 600 900 (Magne, Jordan, Gordon, in preparation)

  45. Music Aptitude & Metrical Expectancy • Unexpected Iambic vs AMMA Correlations (Magne, Jordan, Gordon, in preparation)

  46. Music Aptitude & Metrical Expectancy Low Music Aptitude Group High Music Aptitude Group (Magne, Jordan, Gordon, in preparation)

  47. Music Aptitude & Metrical Expectancy “Cortical speech processing unplugged: a timely subcortico-cortical framework” (Kotz & Schwartze, 2010)

  48. Music Aptitude & Metrical Expectancy • Conclusion • Increased negativity for metrically unexpected words • In line with previous studies in French • The higher an individual’s music aptitude, the larger the unexpected iambic ERP effect. • Low frequency of Iambic pattern in English. • In infants, sensitivity to the predominant trochaic stress pattern develops first (7.5 vs 10.5 month olds).

  49. Summary So Far… • Shared neural resources for rhythmic processing in language and music • Influence of music training on speech rhythm processing • Correlation between music aptitude and speech rhythm Sensitivity

  50. Implications and Current Research • Link between rhythm awareness and reading skills (Magne & Brock, 2012): • Speech rhythm reactivated during silent reading (Fodor 1998, Ashby & Clifton, 2005) • Correlation between rhythm sensitivity and acquisition of good reading skills (Goswami et al., 2002; Holliman et al., 2012)

More Related