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Alida Valli

Alida Valli.

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Alida Valli

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  1. Alida Valli Alida Valli (31 May 1921 – 22 April 2006), sometimes simply credited as Valli, was an Italian actress who appeared in more than 100 films, including Mario Soldati's Piccolo mondo antico, Alfred Hitchcock's The Paradine Case, Carol Reed's The Third Man, Michelangelo Antonioni's Il Grido, Luchino Visconti's Senso, Bernardo Bertolucci's 1900 and Dario Argento's Suspiria.

  2. Early Life Valli was born in Pola, Istria, Italy (today Pula, Croatia). Her paternal grandfather was the Baron Luigi Altenburger, an Austrian-Italian from Trento, a descendant of the Counts d'Arco; her paternal grandmother was Elisa Tomasi from Trento, a cousin of the Roman senator Ettore Tolomei. Valli's mother, Silvia Oberecker della Martina, born in Pola, was the daughter of Felix Oberecker from Laibach, Austria (now Ljubljana, Slovenia), her mother was Virginia della Martina from Pola, Istria (then part of Austria). Valli's maternal granduncle, Rodolfo, was a close friend of Gabriele d'Annunzio. Valli was christened Baroness Alida Maria Laura Altenburger von Marckenstein-Frauenberg of the Holy Roman Empire of the German Nation. She also gained the titles Dr.h.c. of the III. University of Rome, Chevalier of Arts of France and Cavaliere of the Italian Republic.

  3. Career At fifteen, she went to Rome, where she attended the Centro Sperimentale di Cinematografia, a school for film actors and directors. At that time, she lived with her uncle Ettore Tolomei. Valli started her movie career in 1934, in Il cappello a tre punte (The Three Cornered Hat) during the so called Telefoni Bianchi cinema era. Her first big success came with the movie Mille lire al mese. After many roles in a large number of comedies, she earned her success as dramatic actress in Piccolo mondo antico (1941), directed by Mario Soldati, for which she won a special Best Actress award at Venice Film Festival. During the Second World War, she starred in many movies including Stasera niente di nuovo (1942) (whose song "Ma l'amore no" became the leitmotif of the Italian forties) and the diptych Noi Vivi / Addio Kira! (1943) (based on Ayn Rand's novel We the Living). These latter two movies were nearly censored by the Italian government under Benito Mussolini, but they were finally permitted because the novel upon which were based was anti-Soviet. The films were successful, and the public easily realized that they were as much against Fascism as Communism.

  4. After several weeks, however, the films were pulled from theaters as the German and Italian governments, which abhorred communism, found out the story also carried an anti-fascist message.Valli had a career in English language films through David Selznick, who signed her to a contract, thinking that he had found a second Ingrid Bergman. In Hollywood, she performed in several movies: she was the murder suspect Maddalena Paradine in Alfred Hitchcock's The Paradine Case (1947), and the mysterious Czech refugee wanted by the Russians in post-war Vienna in Carol Reed's The Third Man (1949). But her foreign experience was not a great success due to the financial problems of Selznick's production company. She returned to Europe in the early 1950s, and starred in many French and Italian films. In 1954, she had great success in the melodrama Senso, directed by Luchino Visconti. In 1997 Venice Film Festival Alida Valli obtained the Golden Lion award for her career.

  5. Personal Life Valli's movie career suffered in 1953 from a scandal surrounding the death of Wilma Montesi, a fashion model. Alida Valli had two sons with her husband Oscar de Mejo. Valli's death at her home on 22 April 2006 was announced by the office of the mayor of Rome, Walter Veltroni, whose statement read, "The Italian cinema has lost one of its most intense and striking faces". Another official statement by the Italian President Carlo Azeglio Ciampi read, "La scomparsa di Alida Valli è una grave perdita per il cinema, il teatro e la cultura italiana" ("The death of Alida Valli is a great loss for Italian cinema, theatre and culture").

  6. Filmography • Cinema • The Paradine Case (1947) • The Third Man (1949) • The Miracle of the Bells (1948) • Television • L'altro Simenon (series, 1979) • Dramma d'amore (serial, 1983) • Theatre • I paraventi (1990), Jean Genet (Les paravents) • Improvvisamente l'estate scorsa (1991), Tennessee Williams (Suddenly Last Summer) (The Third Man)

  7. Made By : TarushiPathak and AagoshSaluja

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