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“There was something in her attitude, in her whole appearance…which suggested the regal woman, the one who rules, who looks on, who stands alone†(Page 84).
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“There was something in her attitude, in her whole appearance…which suggested the regal woman, the one who rules, who looks on, who stands alone”(Page 84)
More context in previous sentence(s)At Edna’s twenty-ninth birthday dinner party, “There was something in her attitude, in her whole appearance…which suggested the regal woman, the one who rules, who looks on, who stands alone” (Chopin 84).
At Edna’s twenty-ninth birthday dinner party, she appears reborn: “There was something in her attitude, in her whole appearance…which suggested the regal woman, the one who rules, who looks on, who stands alone” (Chopin 84).
At Edna’s twenty-ninth birthday dinner party, she appears reborn: “There [is] something in her attitude, in her whole appearance…which suggest[s] the regal woman, the one who rules, who looks on, who stands alone” (Chopin 84)
At Edna’s twenty-ninth birthday dinner party, she appears reborn: “There [is] something in her attitude, in her whole appearance…which suggest[s] the regal woman, the one who rules, who looks on, who stands alone” (Chopin 84). In this moment, Edna is not depicted as just any member of royalty, but as female royalty, “a woman” and “regal” queen, “stand[ing]” strong and ruling over her subjects, or guests.
At Edna’s twenty-ninth birthday dinner party, she appears reborn: “There [is] something in her attitude, in her whole appearance…which suggest[s] the regal woman, the one who rules, who looks on, who stands alone” (Chopin 84). Chopin emphasizes that it is not only Edna’s “attitude” but also her “appearance” which conveys this aura of royalty, suggesting that Edna has undergone a complete change of being—one that is both emotional and physical.
At Edna’s twenty-ninth birthday dinner party, she appears reborn: “There [is] something in her attitude, in her whole appearance…which suggest[s] the regal woman, the one who rules, who looks on, who stands alone” (Chopin 84). Chopin’s use of repetition when describing Edna as “the one who rules, who looks on, who stands alone” highlights Edna’s newfound transcendence and independence.
At Edna’s twenty-ninth birthday dinner party, she appears reborn: “There [is] something in her attitude, in her whole appearance…which suggest[s] the regal woman, the one who rules, who looks on, who stands alone” (Chopin 84). In this moment, Edna is not depicted as just any member of royalty, but as female royalty, “a woman” and “regal” queen, “stand[ing]” strong and ruling over her subjects, or guests. Chopin emphasizes that it is not only Edna’s “attitude” but also her “appearance” which conveys this aura of royalty, suggesting that Edna has undergone a complete change of being—one that is both emotional and physical. Moreover, Chopin’s use of repetition when describing Edna as “the one who rules, who looks on, who stands alone” serves to highlight Edna’s newfound transcendence and independence.