1 / 21

陳珊妮的ㄐㄧㄢ視

陳珊妮的ㄐㄧㄢ視. I. General Introduction II. (Sarah) Introduction to Sandee and her music style. III. Interpretation Of Lyrics And Its Connections With Music Video ( Cerita & Trammy) IV. Interpretation of symbolic meaning in Sandee ’ s Music Video (Sharon & Anissa) V. Leading Question .

jaclyn
Download Presentation

陳珊妮的ㄐㄧㄢ視

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. 陳珊妮的ㄐㄧㄢ視 I. General Introduction II. (Sarah) Introduction to Sandee and her music style. III. Interpretation Of Lyrics And Its Connections With Music Video ( Cerita & Trammy) IV. Interpretation of symbolic meaning in Sandee’s Music Video (Sharon & Anissa) V. Leading Question

  2. General Introduction: (Stacy, Mavis) • Argument: • The assertion that women have the autonomy of their own body, and indignation of male voyeurism from female spectatorship in the lyrics and music video of “voyeur.”

  3. Introduction (2) • I. From the growing fashion of voyeurism, pinhole lens and spectator in our society to the issue of male voyeurism and female spectatorship. • II. The explanation of voyeurism.

  4. Introduction (3) • III. The nude in traditional oil paintings. • The spectator-owners relationship. • The nude women looked at the mirror. • The nude shows sign of submissiveness. • 1.The nude women were languid, passive and thus available.

  5. 在一般人印象中 台灣成名歌手和商業宣傳包裝幾乎是同義詞唯有陳珊妮例外陳珊妮不是台灣流行樂壇的產物 而是一個憑自身才能成為創作歌手與製作人的音樂工作者 Introduction to Sandee and her music style.

  6. Introduction to Sandee and her music style. • 她以新詩形式的歌詞敏銳的思考邏輯單純直接的演唱技巧真實地記錄生活中愉快 哀傷的體驗

  7. Introduction to Sandee and her music style. • 第一張專輯華盛頓砍倒櫻桃樹便可窺見陳珊妮不願遵循國語歌曲市場創作機制第二張專輯乘噴射機離去舉凡Sub-Grunge 的找一雙鞋Industrial Dance 的嘔吐Electric-Pop 窗戶上的貓咪很無聊乃至史詩搖滾架構的乘噴機離去都掌握得恰到好處

  8. Introduction to Sandee and her music style. • 第三張專輯 四季將創作拉回了生活層面在吉他 貝斯 鼓的基本架構下進行創作 • 第四張專輯 1997 Live以城市觀察為創作主題在作品中溶入深沈的思考並直接收錄女巫店的現場演唱是首創的新專輯發表形式

  9. Introduction to Sandee and her music style. 97年專輯的主題與創作方向:這次的方向比較大,不像以前的專輯那麼personal它比較貼近所有的人,希望這些創作情緒能與聽的人分享可以在對當中的不滿有共鳴時和我一起"幹樵" 並以手稿為每首新歌加入一兩句話的說明

  10. ㄐ一ㄢ視作詞:陳珊妮 作曲:陳珊妮 • 你看我的眼神 到底是什麼顏色 • 你熱愛我的身體 卻不能更靠近 • 我為胸罩喘氣 他為女人窒息 • 你為誰而流汗 全不由得自己 • 我被狠狠的撥開 流的血沒有自由的色彩 • 你做你愛做的事 用你的眼袋 • 在你的眼裡看來 我只有黑白那麼簡單 • 頭大到被你看穿 身體小的跑不快 • 全憑你的喜愛

  11. Lyrics And Its Connections With Music Video • I Title of the song • The word of the title is used with Mandarin phonetic symbols, which can be interpreted as “監”or “姦”.

  12. Lyrics And Its Connections With Music Video • II Content of the lyrics • A.Men are usually used to look at women from the sexual perspectives. • B.Women have no rights and liberties to stop those amorous sights from men. • C.Men are only interested in women’s physical appearances, but not their attitudes in minds. • D.The naked women are shown as sexual symbols on the webs or paintings.

  13. Lyrics And Its Connections With Music Video • III The lyrics connect with music video • A.During the intermezzo, Sandee used chewing gun, smiling doll and hand stock the camera. • B.Sandee used sexual body language and sights.

  14. Lyrics And Its Connections With Music Video • C.The final part lyrics in the music video, Sandee looked depressed and could resist no longer when she crouched on the toilet. • Women regarded as “the color of black and white” in the lyrics. It was ironic when the background of the voyeur became black and white immediately.

  15. symbolic meanings in Sandee’s Music Video • I. The whole image in Sandee’s music videoA. How does the image of “web site” present in thismusic video associate with nowadays phenomenon?B. How it implies the term “jien (姦/監視) andvoyeur?

  16. symbolic meanings in Sandee’s Music Video • II. Four main colors presented in Sandee’s musicvideo symbolize the different thoughts of both voyeur and the object to belooked-at-ness. • A. Green color gives a feeling of dark, secret andimmoral, just like peeping through the pin hole len. • B. Yellow color represents the ambiguity and amorousfeeling.

  17. symbolic meanings in Sandee’s Music Video • C. Red associate with women and passionate, while grayassociate with dulls, helpless and desperate. Compareboth red and gray colors in this music video.

  18. symbolic meanings in Sandee’s Music Video • III. Eyes function as an important element in thismusic video. • A. It gives a strong and erotic sight. • B. Voyeur uses their eyes to see the object as a wayof reaching sexual stimulation and orgasm through theeyes sight.

  19. symbolic meanings in Sandee’s Music Video • C. The different interpretations of eyes in Sandee’smusic video : • 1. The seductive expression of Sandee’s. • 2. The changing colors of eyes reflect the feeling ofanxiety. • 3. Spectators, voyeurs and to be looked-at-ness can bedefined as “Voyeurism” 

  20. Music Video • IV. Sandee’s interacting on her music video. • A. The “water” on the floor gives an uneasy anduncomfortable feeling to spectators. • B. The tears Sandee sprays on the wall reflect hercomplex feeling.

  21. Discussion: • 1.如果今天男性從偷窺可以得到滿足,那如果女性自己讓他們看的話,是否也可以達到同樣的滿足? • 2. 偷窺難道是男人的權力?

More Related