1 / 12

RTV 322 Camera use: Shooting to Edit

RTV 322 Camera use: Shooting to Edit. Film and Video. Project 1. Training and certification Sign up now See syllabus and outline directions. Illusion of Movement. Persistence of vision 24 vs. 30 fps (transfers) Shoot only in 30 fps ‘shutter speed’. Our cameras. Canon XH A1 (mini DV)

javen
Download Presentation

RTV 322 Camera use: Shooting to Edit

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. RTV 322 Camera use: Shooting to Edit Film and Video

  2. Project 1 Training and certification Sign up now See syllabus and outline directions

  3. Illusion of Movement • Persistence of vision • 24 vs. 30 fps (transfers) • Shoot only in 30 fps • ‘shutter speed’

  4. Our cameras • Canon XH A1 (mini DV) • Manual mode • ‘point and shoot’ • JVC HM 150 (SDXC card) • Class 6 or above • Brand matters • Georgia tutorial • Our settings: • SD(DV), QuickTime, 16:9 • (GL1)

  5. Lenses • Camera body vs. lens • Zoom or fixed (prime) -- critical focus • Optical vs. Digital zoom • Diaphragm / aperture -- f-stops / t-stops / number means what? • Manual vs. autofocus • Sharp focus, Selective focus, follow focus, rack focus, soft focus, swimming focus • Depth of field is affected by focal length, aperture, and the distance of objects from the camera.

  6. Video Shooting Tips • http://multimedia.journalism.berkeley.edu/tutorials/shooting_tips/

  7. Camera mounts • Tripod and pedestal • Friction head / Fluid Head • Crane vs. jib • Dolly / track • SteadiCam vs. Handheld • Image stabilization • Robotics, follow me, Segue, ‘copter, cable mount, etc.

  8. Shot Composition • Rule of Thirds • Point of View • Angle • High angle, low angle, high level, low level, bird’s eye view, canted / Dutch angle • Cut off lines, look space, lead room, head room, eye line • Terms: WS, OTS, 2/S, etc.

  9. Transitions • What is a shot? • Fade / cut / Diss / Wipe / DVE • ‘Changing shots’ in a one-shot • Multi cam shoots vs. film style • Real time to Filmic time • Invisible / seamless edits • Sequences • Master Shot / cover shot • Jump cuts / pop cuts

  10. Camera movements • Pan, tilt, truck, dolly, arc, zoom, boom/pedestal • DVE • Crane, tracking, feather, 360 shot, follow, swish pan, snap zoom

  11. The Static Frame • Storytelling involves interplay of blocking, lighting, costumes, and setting -- as captured by the camera • Balanced shots? • Edge of the frame / off-screen space

  12. Technical vs. aesthetics • What kind of camera? What kind of lighting? What kind of lens? • Consumer vs. Prosumer vs. professional cameras • How the story is told? ‘Language’ of visual storytelling -- Hollywood style, home movies style, new media style, NPPA / news style • ###

More Related