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Reflect and Revise: Evaluative Thinking for Program Success. Tom DeCaigny and Leah Goldstein Moses. Topics to guide our discussion. Benefits of evaluation and assessment to staff, program participants and the organization as a whole Building on existing knowledge and resources for evaluation
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Reflect and Revise: Evaluative Thinking for Program Success Tom DeCaigny and Leah Goldstein Moses
Topics to guide our discussion • Benefits of evaluation and assessment to staff, program participants and the organization as a whole • Building on existing knowledge and resources for evaluation • Launching evaluation and assessment efforts • Choosing the right methods of assessment and evaluation • Learning from other organizations to integrate evaluative thinking and use evaluation to support programs
Let’s get to know each other • Your presenters: Leah Goldstein Moses and Tom DeCaigny • How comfortable are you with evaluation? • What comes to mind when someone asks you to evaluate and/or assess your work? • What are your challenges with evaluation?
First, some definitions • Assessment: The act of determining the standing of an object on some variable of interest, for example, testing students and reporting scores. • Evaluation: Systematic investigation of the worth or merit of an object; e.g., a program, project, or instructional material. • Source Joint Committee on Standards for Educational Evaluation. (1994). The Program Evaluation Standards, 2nd ed. Thousand Oaks, CA: Sage. (used with permission of publisher)
Benefits of evaluation and assessment • Be accountable to important stakeholders • Professional and organizational development – learn how you are doing • Program management – see where your programs need continued support or improvement • Investigation and learning • Feeds curiosity and fosters innovation
Stories of evaluation benefits • Utilizing evaluation results to identify a need and develop a new project (special needs - ARISE case study) • Utilizing evaluation results to improve program quality and design (teaching artist training case study) • Evaluation and assessment as part of reflective artistic practice (A Cycle of Artistic Inquiry case study)
A Cycle of Artistic InquiryPerforming Arts Workshop and Dr. Richard Siegesmund (2000)
Ensuring evaluation benefits are shared • Evaluation, at its best, is “engaged in”, not “done to”. • When developing or improving evaluation systems, think about who will be doing the work for the evaluation (distributing surveys, gathering information, analyzing the data): • Is there a way to decrease the burden? • Is there a way to provide benefits? • Examples of evaluation efficiency and incentives
Build on existing knowledge and resources • Internal insights can really support a new evaluation effort. Determine: • What do we collect already? • What does the information we already have tell us? • What can we report on just from our own internal record keeping or observations? • What can we gather in the course of our work – during existing programs, contact, etc. • Example in ARISE: student achievement – test scores..
Build on existing knowledge and resources • Use external information, such as reports done by organizations you admire: • What did they study? • How did they gather information? • Can you apply any of their tools or methods? • Can you infer/generalize anything from their findings so you don’t have to replicate their effort?
Getting started in evaluation and assessment • Logic models are incredibly useful. They help you: • Determine how your efforts are related to your expected impact • Map out what you want to measure, and why • You can determine what data you already have and what you are lacking during the logic model process
Getting started in evaluation and assessment • After you have created a logic model and/or identified data gaps, you can determine what you are going to collect, when, and in what format • Surveys are great; but in the arts, you might want to use an artistic process or other valid alternative assessments • Illustrative rubrics • Observation • Portfolios
Learning from others’ experiences • Notes from our discussion: • What evaluation approaches have worked well for you? Electronic portfolios in classroom. Reflects project-based learning. Can see progression over course of year. Parents, administrators can also see. Time to reflect can be challenging but is important. “Level Best” is a good resource. Tried to find things that existed and could be used in the organization. Festin “Theater Communications Group” is a good resource. Anecdotal information, journals can have a bigger impact on Boards and other audiences that don’t care much for quantitative. Site visits for Board members are required as part of their responsibilities. Having tools at your fingertips – did anything good happen today? Did any challenges happen? Right at time they are needed. Using incentives – crayola pencils were good for parents. • Where have you struggled? Finding time for reflection. Having right tool for evaluation. Logic models- can be cumbersome or difficult to use. Having a way to capture, understand and communicate unexpected outcomes. Avoiding bias through body language, tone – need to make sure to encourage honesty. Board can ignore quantitative. Finding sophistication/depth in questions has been hard when they are in a survey.
Our contact information Tom DeCaigny, Executive Director, Performing Arts Workshop T: (415) 673-2634 x207 / F: (415) 776-3644 E: tom@PerformingArtsWorkshop.org www.PerformingArtsWorkshop.org Leah Goldstein Moses, President, The Improve Group T: (877) 467-7847 x11 / F: (612) 656-1731 E: leah@theimprovegroup.com www.theimprovegroup.com