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The Photographer’s Eye John Szarkowski 1964

The Photographer’s Eye John Szarkowski 1964. Vantage Point Ehud Locker, 1960, Chase Manhattan Plaza Robert Frank, 1955-7 Chicago from the America’s. Detail David Duncan, 1950, Korea Timothy O’Sullivan, 1873, Historic Spanish Record.

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The Photographer’s Eye John Szarkowski 1964

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  1. The Photographer’s EyeJohn Szarkowski1964

  2. VantagePointEhud Locker, 1960,Chase Manhattan PlazaRobert Frank, 1955-7Chicago from the America’s

  3. Detail David Duncan, 1950, Korea Timothy O’Sullivan, 1873, Historic Spanish Record

  4. FrameJacques Henri Lartigue, 1906,Simone RousselAnonymous, 1910[ Women Ingarden with hats]

  5. Time Time EdwardMuybridge, 3 photos [horses] Anonymous [wedding] Peter Buckley, 1957 Manoletina Pass

  6. The Thing Itself Matthew Brady, 1863, Conspirator Payne DuCamp, 1851, Calotype, Temple of Kardassay

  7. Szarkowski’s Photography Formal and Conceptual Principles • vantage point • frame • time • detail • thing itself • depth of field • sharpness (focused/blurry)

  8. Basic Design Principles • line • weight • color • contrast • rhythm/repetition • balance • texture • use of language • shape

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