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Traces of declamations in the Frottole of the “Quattrocento”

Traces of declamations in the Frottole of the “Quattrocento”. musical and poetical forms’ analysis of italian collections from the end of XVth C., in their link with Poliziano’s Orfeo. Outline. 1) musical sources 2) method of research 3) model: criteria of declamation 4) examples.

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Traces of declamations in the Frottole of the “Quattrocento”

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  1. Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their link with Poliziano’s Orfeo.

  2. Outline • 1) musical sources • 2) method of research • 3) model: criteria of declamation • 4) examples

  3. Declamatories forms of Orfeo

  4. repertory • main source : O. Petrucci, еdition: 11 Books of Frottole (1502-09) • Ms. Rés. VM 676, (1502), 51 unicae • Ms. Milano (Bibl. Trivulziana 55), ~1501 • later: A. Antico, édition: 5 Livres de Frottole (1510-1517) • О. Petrucci, edition: Franciscus Bossinensis, Tenori e contrabbassi… libro II (1511)

  5. Method:    • pre-model (beginning): • external: (liturgy, recitative, oral tradition, …)    • elementary or not carified Meta analysismeta working-out more elaborate model:criteria of declamation analysis analysis repertory model serveral rounds working-out affinement classification selected repertory :declaimed pieces’ collection

  6. model: Criteria of declamation • phrase’s structure : body of verse + cadence • cords (general case) • repeated notes (central particular cas) • syllabism + flowing recitation • diminutions • fixed structure (modo di cantar) / composed • criteria appropriate to a litterary genre: sadness • criteria appropriate to a form (oda, sonetto)

  7. Ex. 1: XII C. theatral declamation a) Filius Getronis: Adeodat’s motive

  8. Ex.1’: XII C. theatral declamation b. Filius Getronis: Euphrosine’s motive

  9. Ex. 1: Stramb. used in our perform. Il buon nochier, Poliziano’s stramb. in Petrucci “Bossinensis”

  10. Ex. 2: P.IV,Sonetti a) Va posa larcho b) “Modo di cantar sonetti”

  11. Ex. 2’: P.IV,Sonetti a) Va posa larcho b) “Modo di cantar sonetti”

  12. Ex. 3: P.IV, free flowing decl. a) Oda Scoltatime b) Extract Sonnet: P.IV 28 Pensa donna

  13. Statistics

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