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Beethoven. A Short Biography. Childhood and Upbringing. Beethoven’s Early Years. No one knows for sure, but it is widely accepted his birth was around December 17 th , 1770. Had only two brothers that survived birth Their names were Casper and Johann. First Experiences With Music.
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Beethoven A Short Biography
Beethoven’s Early Years • No one knows for sure, but it is widely accepted his birth was around December 17th, 1770. • Had only two brothers that survived birth • Their names were Casper and Johann
Introduction to Music • First teacher was his father. • Studied many different instruments • First to learn was the violin and organ • Most important teach of this time was Christian Neefe • Neefe taught him composition • In 1784 began working as Neefe’sassistant organist
Furthering Musical Skill • Beethoven decided to further develop musical skill • Moved to Vienna in hopes of studying with Mozart • Tried out and Mozart supposedly commented “Keep your eyes on him” • Shortly after, Beethoven’s mother become ill and passed away
Beethoven’s father also being in decline, left him to be the caretaker of his two younger siblings. • Being back home, Beethoven still managed to make the best of it. • While there, he met several people who would help him along his musical career. • He was introduced to the von Breuning household
He could be found there on many occasions and even taught piano to the children residing there • During this time he also caome to know the Count of Ferdinand von Wadstein who provided financial support throughout his career.
By 1793, Beethoven had successfully established his reputation as a piano virtuoso. • Foreseeing this, he withheld works from publication so they would have greater impact later • First public piano performance in Vienna was on March 1795. • Composed first six string quartet between 1798 and 1800
These quartets were published in 1801 • He quickly became regarded as one of the most important your composers • During this time he also created one of his important works known as “Moonlight Sonata” • This time wasn’t all positive as it is also when Beethoven started losing his hearing.
Began losing hearing in 1796 • He described it as a ringing in his ears • The cause of his hearing loss is ultimately unknown. • Despite this, he did not let this prevent him from composing music. • This would certainly make conducting symphonies more difficult.
Years later, Beethoven began an in depth study of older music • These works included J.S. Bach and Handel • Around this time he then composed the overture The Consecration of the House • This would be his first attempt to apply the new style • After this, he returned to his keyboard to compose his first piano sonata in almost a decade.
Financial Assistance and Gain • The Philharmonic Society of London offered Beethoven a commission for a symphony. • Prince Nikolas Golitsinalso offered to pay him for a number of string quartets. • These opportunities inspired him to finish the 9th symphony and perform it for the first time
Early Stage • Career divided into 3 stages. • Early, Middle, and Late periods • His early period is considered to be up to 1802 • Most of his works during this time were heavily influenced by those he studied with being Haydn and Mozart
Middle Stage • Began shortly after impending deafness • Included large works that express heroism and struggle • Took place around 1815 • Pieces largely based on intense and personal expression
Beethoven’s Influence • Just about every person recognizes his name, knows who he was and what he did. • He was very pivotal in the transition from 18th century to the 19th century romanticism. • Beethoven composed several musical genres and many instrument combinations. • He wrote 9 symphonies • Also wrote 32 piano sonatas and many shorter pieces.
Moonlight Sonata Composition History • Composed in the summer of 1801 on the Brunswick family estate. • Published in 1802 • Supposedly dedicated to a pupil at the time that was also rumored to be a love interest. • Wasn’t originally called Moonlight Sonata • Was given that name in 1836 by poet Ludwig Rellstab
This piece was popular upon its introduction • To this day is still the most popular and downloaded piece of classical music • Does not follow traditional sonata form • This piece showcases Beethoven’s second phase. This being victory over tragedy. • Also contained strong links between movements
This has been interpreted as beethoven beginning to overcome his deafness. • All of the emotional evidence in this piece could be his way of expressing how he felt about this affliction. • Many masterpieces would follow the ‘Sonata Quasi Una Fantasia’ as it was originally called
Moonlight SonataListening Guide • 0:00-0:30 Min. First Movement • Starts slower and feels as though its slowly building. • Sounds almost like a dark • Right hand plays melody in long notes • 0:30-0:55 • Still carries that sound of sadness. • Melody being played more forcefully • Somewhat soothing along with these other elements Youtube Link to Monnlight Sonata: https://www.youtube.com/watch?v=4Tr0otuiQuU
0:55-2:05 • The second phrase continues but with a different melody in triplets. • Both treble and bass alternate being dominant. • Melody slows slightly • 2:05-4:00 • The melody moves up and down the keyboard. • Rise in emotion • Mysterious feel returns • Melody is again woven throughout • 4:00-5:00 • First phrase plays in the same pitch as introduced in beginning • Melody then takes higher pitch • Half way through second phrase returns and the bass notes are also played higher.
5:00-6:00 End of First Movement • Phrase 2 repeats • The bass moves to be the most noticeable with strong chords that resonate. • The harmony stretches • also pauses finishing of the movement with drawn out bass chords. • 6:00- 6:28 Beginning of Second Movement • This begins at a faster pace • cheerful bridge to connect the first and third movements together. • The melody takes on new • The dynamic of this part is louder
6:30- 8:05 • More repetitive than first or third movement. • Repeats roughly 20 times • There are three beats per measure • Beginning of 3rd Movement • 8:06- 8:17 • Begins in same movements as first movement • Starts with arpeggios • Notes are very fast • Played in the bass treble clef • 8:18- 8:28 • Left hand holds notes • Very accented notes • Right hand plays the runs
8:29- 8:36 • Replaying first section in lower octave • 8:37-8:49 • Played in treble bass clef • Played slower • Gradually speeds up • 8:50- 8:55 • Plays two runs consisting of five notes • 8:56- 9:27 • Right hand plays runs • Left hand plays chords • Chords begin playing in unison • 9:28- 9:38 • Changes down to A flat • Plays 8 beats in a measure • Tune an octave higher
9:38- 10:03 • Repeats beginning of movement • Begins very quickly with arpeggios • Also very accented • Both hands playing bass clef • 10:04- 11:30 • Repeat of previous sections. Sonata form • 11:31- 11:47 • Starts in bass clef • Lower notes • Pace quickens • Changes to chords • 11:48- 12:15 • Softens • Gradually speeds up • Left had repeats 2 notes
12:16- 13:51 • This section repeats the first • Follows sanata form • 13:52- 14:23 • Pedal held down for more resonated notes • Back to arpeggios • Slows down, then speeds up • Dynamic grows • 14:24- 14:40 • Left hand runs up keyboard • Next measure starts slowly/sustained notes • Both hands play low bass clef • 14:41- 15:00 • Repeat of earlier sections • Finishes with strong accented notes
Bibliography • Bibliography • All About Beethoven: The Moonlight Sonata • http://www.all-about-beethoven.com/moonsonata.html • Kirblog: The Moonlight Sonata by Beethoven, October 12, 2012 • http://klrblog.wordpress.com/2012/10/12/the-moonlight-sonata-by-beethoven/ • Favorite Composers: Beethoven’s moonlight Sonata- Profundity and Grace • http://www.favorite-classical-composers.com/beethoven-moonlight-sonata.html