1 / 7

Filipinas: Living in a Time of War

Explore the complex experiences of Filipina women as they navigate through a time of war, where they are commodified and their bodies become evidence of conflict. Discover the invisible wars within society and the struggles for liberation and freedom.

karenr
Download Presentation

Filipinas: Living in a Time of War

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. “Filipinas ‘Living in a Time of War’’’-NefertiXina M. Tadiar Melissa Pérez Lauren Mewshaw LTWL 155

  2. “You are a brief’s bottoma necktie, the embroidery on a handkerchief and an undershirt.Your beauty will be measured on the bed,your mind, by money earned.”--ElyniaMabanglo • Tadiar’s Main Argument: “to be a woman is to live in a time of war” (374) • Filipina women as global commodities • (i.e. “domestic belongings”) • signifier/signified: femininity, openness, hospitable • Applied to the “nation and women’s bodies”

  3. War: Invisible or All Around Us? Rosca’sState of War: • “War of development” • Island festival being co-opted • The land, women, and tradition as commodities • “Declaration of War” • Example: International Women’s Year by United Nations, International Decade for Women • Which women? Who is involved? (i.e. feminism in the U.S.– one woman’s liberation dependent on another woman’s domestic or other labors

  4. “This Bridge Called My Back” – CherríeMoraga and Gloria Anzaldúa, et. al • Filipina women bear the burden of linking the Philippines to the “international society”—378 • Nationalists coopting Filipina desires and dreams to fuel production (similar to Tadiar’sFantasy Production)

  5. Bodies as Evidence of War • Suicide/death rates of Filipina women • “Material testaments of wars” (376) • Tadiar’s initial point about people being implicit in these fantasies and also victims (The causalities but also the “weaponry”—376) • Link to colonialism: “Survived the rape but could not survive the shame and committed suicide” - Rosca (77)

  6. The “Eye” • “What and who something represents (as its value)” • “It is an infliction of pain, a violent insistence on difference in the face of sameness”—380 • Foucault, diffusion of power • Bearers of culture, icon of purity, mother building a nation(Yen Le Espiritu in Homebound) • Class differences • Andrés Bonafaciovs Emilio Aguinaldo

  7. Soldier of Love “How long have I studied the depths and extent of this war. In the end, I understand that to be a woman is a never-ceasing struggle to live and be free”--383

More Related