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Baroque World. New Spirit. 1600s Roman Catholic Church Counter-Reformation Baroque. Baroque. French and Portuguese roots Affect all of Europe Cultural achievement Music Art Architecture Variety. General Characteristics. Strong emotional statements Psychology of Exploration
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New Spirit • 1600s • Roman Catholic Church • Counter-Reformation • Baroque
Baroque • French and Portuguese roots • Affect all of Europe • Cultural achievement • Music • Art • Architecture • Variety
General Characteristics • Strong emotional statements • Psychology of Exploration • Invention of new and daring techniques
Michelangelo Merisi, or Carravaggio (1573-1610) • Controversial in own lifetime • Drastically different style
Artemisia Gentileschi • 1597-1651 • 1612 – Tassi Trial • Great renown in her own lifetime • Dialog with artists of the day
Académie des Beaux Arts • 1st exhibition 1667 • Standards and values • Prizes offered
Nicolas Poussin • C.1594-1665 • Reject Caravaggio’s style • Work was a protest • Nostalgia in art
Hyacinthe Rigaud (1659-1743) • Popular & respected • Louis XIV, 1701 • Parody? • Extravagant lifestyle • Baroque ideal in France
Palace of Versailles • Famous palace of the French kings • Chief architects • Louis Le Vau • François d'Orbay • Architecture with an agenda
El Greco • 1541-1614 • Domeniko Theotokopoulos • Contrast in work
Diego Velázquez • (1599-1660) • Combines elements of French & Italian Baroque • Subject matter is diverse
Peter Paul Rubens • 1577-1640 • Universal painter • Active • Contented personal life
Vermeer • (1632-1675) • Art forgotten until 19th century • Inner depth of feeling prominent • Details
Rembrandt van Rijin • 1606-1666 • 1642 – artistic turning point • Famous for self portraits • Biblical subjects at end of life
Key Points • Familiarity & wide appeal • Pleasure for listener • Flexibility of style
Two women Male and female Opera • Universal appeal • Starts in Florence • Conceived intellectually • Camerata
Two women Male and female Opera • Universal appeal • Starts in Florence • Conceived intellectually • Camerata
Euridice • Earliest extant opera • Jacopo Peri • Performed at the wedding of Henry IV & Marie de Medici • Based on a classical myth
Claudio Monteverdi • 1567-1643 • L’Orfero • 1st popular opera • Sets the standard for later operas
Aria Oratorio Growth of the Opera • Italy primary but will spread throughout Europe • Melodrama & Sensation • Lavish spectacles • Arias, Oratorio, Sonata
Aria Oratorio Growth of the Opera • Italy primary but will spread throughout Europe • Melodrama & Sensation • Lavish spectacles • Arias, Oratorio, Sonata
George Frederick Handel • 1685-1759 • Messiah (1742)