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Intro to Video

Intro to Video. Multimedia Storytelling Spring 2014. Visual components. Frames Composition Angles Shots Shot types Shot length Shot sequences. Frames. Composition. Composition refers to the arrangement of elements within a frame Pay attention to: Rule of thirds

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Intro to Video

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  1. Intro to Video Multimedia Storytelling Spring 2014

  2. Visual components • Frames • Composition • Angles • Shots • Shot types • Shot length • Shot sequences

  3. Frames

  4. Composition • Composition refers to the arrangement of elements within a frame • Pay attention to: • Rule of thirds • Head, nose + lead room • Background elements

  5. Rule of thirds • Objects, people and the horizon should fall on a line or points that cross • Place the subject at one of the intersections • Interview composition tips: • One third of the frame should be above the person’s eyes • One third of the frame should be the person's face and shoulder area • One third of the frame should be the person's lower torso.

  6. Head, nose + lead room • Head room: Watch the space above your subject’s head to avoid chopping and sinking • Nose room: If a subject is looking to the side, add space in the direction in which the person is looking • Lead room: If a subject is moving, add space to the direction in which they’re moving so they can move through the frame

  7. Background elements • A simple background will draw more attention to your subject • An environmental background will tell the viewers more about your subject • If you’re working with a busier background, frame your subject between the background objects • Avoid poles, branches, etc. that run through people’s heads, etc.

  8. Simple backgrounds

  9. Environmental backgrounds

  10. Angles • A variety of angles + a variety of shot types = visually rich sequences • Angle review: • High angle • Low angle • Eye level • Bird’s eye/ant’s eye • Slanted

  11. High angle

  12. Low angle

  13. Eye Level

  14. Bird’s eye/ant’s eye

  15. Slanted

  16. Shots • A shot refers to a single, continuous take • Presenting a variety of shot types in each sequence is what keeps the viewer interested • Try collecting 25% wide, 25% tight & 50% medium shots • For each shot type, shoot at least 10-15 seconds of that shot

  17. Shot types • Extreme wide shots • Wide/long shots • Medium shots • Medium close-ups • Close-ups • Extreme close-ups • Two-shots • Over-the-shoulder • Point of view • Selective focus • Abstract

  18. Extreme wide shot

  19. Wide/Long shot

  20. Medium shot

  21. Medium close-up

  22. Close-up

  23. Extreme close-up

  24. Shot types: Two-shot

  25. Over-the-shoulder shot

  26. Point-of-view shot

  27. Selective focus shot

  28. Abstract shot

  29. Shot length • Shot length refers to the amount of time a shot appears on screen • Amount of time for which you show each shot will vary • At a minimum, gather 10-15 seconds of each shot • Keep in mind that the average edited shot length is between 4-5 seconds • Less is more, so when editing, edit down your shots to keep viewers moving

  30. One-shot videos

  31. Shot sequences • A sequence refers to a series of related shots • Sequences move the viewer through the story • Using variety in your shot sequences will hold the viewer’s attention • Gathering a variety of shot sequences for your story will give you more editing flexibility

  32. Film sequencing

  33. Documentary sequencing

  34. Sequencing in journalism

  35. Video 101: A-roll vs. B-roll • A-roll is your primary footage • Your interviews • B-roll is your secondary footage • Action • Details • Enriches the story by adding meaning/context to the sequence • Gives you more flexibility when editing by hiding or distracting from unwanted content

  36. Video 101: Working your camera • Use a tripod • Set your white balance • Set your exposure • Focus • Zoom • Capture movement

  37. Tripod • Tripods frame your shots, control your camera • Head: Steadies camera, allows for panning + tilting • Legs: Stabilize head, set height • Feet: Grounds tripod

  38. White balance • Color temperature of the shot • Test auto white balance before shooting • If WB is off when you test the auto function, manually adjust it by using your WB controls • Bring or find something neutral to shoot • Shoot the neutral object • Set your camera’s WB to match that neutral

  39. Exposure • Exposure is the brightness or darkness of a picture/video • Exposure is controlled by F-stops • Lower f-stop = wider lens opening = brighter picture • Higher f-stop = narrow lens opening = darker picture • Test automatic exposure before you rely on it

  40. Focus • Each shot needs to have something in focus, whether it be the subject or an object • When setting up a shot: • Zoom in to eyes/focal point of object • Focus • Zoom out • Frame the shot • Shoot

  41. Zoom • Set the zoom before the beginning of the recording session • When first starting with video, don’t zoom in the middle of your shot • If absolutely necessary, zoom as slowly as possible during a shot • If someone is talking do not zoom!

  42. Movement • Panning : Camera swivels to show scene • Moving shot: Camera swivels to follow action • When first starting out: • Camera should capture motion, not create it • Use camera movement sparingly • Remember that camera emotion draws attention to itself and away from the subject • Experiment with movement once you’ve collected all necessary shots for your sequence

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