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Trial Exam post-mortem

Trial Exam post-mortem. Q: How does Salvatore Zofrea’ print The Death of my Grandfather represent ideas of loss and suffering? . Edvard Munch, Man’s head in woman’s hair, Woodblock print, 1896.

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Trial Exam post-mortem

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  1. Trial Exam post-mortem

  2. Q: How does Salvatore Zofrea’ print The Death of my Grandfather represent ideas of loss and suffering? Edvard Munch, Man’s head in woman’s hair, Woodblock print, 1896 Salvatore Zofrea, (b.1946, Australian) Death of my Grandfather, from the suite Appassionata, 1994-99 woodblock print on heavy Hitachi paper, 40.0 x 60.0cm blockmark; 84.0 x 63.6cm sheet Kathe Kollwitz, The widow, wood cut, 1922

  3. Q. 2: Look at Plates 2 & 3. Compare how each artist has interpreted the everyday world in their artwork. <<<<< Isidro Blasco (b. 1962, Spain) Courtyard, 2008, 3-D C print photographs, museum board, wood, hardware, 270 x 360 x 120cm. Charles Condor (English, Australian 1868-1909) Departure of the Orient – Circular Quay, 1888, oil on canvas, 45 x 50cm Hiroshige, Station of Otsu, woodblock print, 1848-9. (Refer to Modernism V PowerPoint if this looks new to you.)

  4. Jeff Koons (American b. 1955), Michael Jackson& Bubbles, 1988, from the Banality series. Porcelain, 106 x 179 x 82cm. (‘Banal’ means boring, unoriginal, ordinary.) Koons in his studio with assistants. Jeff Koons, Balloon Dog (Magenta).1994-2000, high chrome stainless steel with transparent colour coating. 307 x 363 x 114cm <<<< Michael Zavros, The New Round Room, 2012, 210 x 167cm.

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