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LOGLINES. FVP 12. Definition. a logline conveys the dramatic story of a screenplay in the most abbreviated manner possible m ore complicated screenplays may need a two sentence logline. How is a logline used?. to form the dramatic narrative
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LOGLINES FVP 12
Definition a logline conveys the dramatic story of a screenplay in the most abbreviated manner possible more complicated screenplays may need a two sentence logline
How is a logline used? to form the dramatic narrative to keep the scribe on track during the writing process to market the screenplay in e-mails, casting minutes, cover letters to investors and financiers to lure talent in press packages, and will eventually be seen on DVD boxes and in the TV Guide
How to construct a logline A logline must present: who the story is about (protagonist) what s/he strives for (goal) what stands in his/her way (antagonistic force).
Protagonist do not use a character name use an occupation or life-status like politician or teenager, brain surgeon or homeless man Use a well-chosen adjective, like “liberal” politician or an “angst ridden” teenager. The adjective should be accurate in describing who the character is.
Goal The character’s major goal is the engine of a screenplay, and it must be present in the logline. A screenplay’s major goal is most often found at the end of the FIRST ACT. If more than half the story sets up the character goal, then the dramatic narrative is about the set-up itself and not the goal. In THE WIZARD OF OZ, Dorothy has many goals. She must protect the ruby slippers; she must meet the wizard; she must retrieve the broomstick of the wicked witch. But her major goal is to return to Kansas.
Antagonistic Force the story element that prevents the protagonist from reaching his/her goal mentioning another character in the logline can crowd it For example, the Wizard of Oz logline may read: After a twister transports a lonely Kansas farm girl to a magical land, she sets out on a dangerous journey to find a wizard with the power to send her home.
Set-Up some screenplays have complicated worlds (like sci-fi), and it may be necessary to describe that world For instance, it is imperative to include the concept of “precrime” in a logline for MINORITY REPORT. In a future where criminals are arrested before the crime occurs, a despondent cop struggles on the lam to prove his innocence for a murder he has not yet committed.
A logline should…. • raise questions that evoke curiosity and stir up potentiality • avoid revealing the script’s conclusion • convey the action of the story • convey visual/external aesthetics • Keep the protagonist on the front burner • For example, which of these two loglines most accurately represents The Sixth Sense? A disturbed boy seeks the help of a psychologist as he struggles to free himself of a bizarre affliction – he sees dead people. OR A psychologist struggles to cure a troubled boy who is haunted by a bizarre affliction – he sees dead people.
Not a tagline! Also, do not confuse a movie poster tagline with a logline. A tagline is a catch phrase used in advertising. One of the most famous was created for JAWS II: “Just when you thought it was safe to go back into the water….” a tagline does not demonstrate the necessary story elements to allow the reader to see the dramatic narrative. A tagline fails to educate the reader on the story essentials. The Jaws logline might read: After a series of grisly shark attacks, a sheriff struggles to protect his small beach community against the bloodthirsty monster, in spite of the greedy chamber of commerce.
Examples: CHICAGO: After murdering her lover, an aspiring singer struggles for stardom by using her crime as a stepping-stone to fame and fortune. HAMLET : After learning his father was murdered, a brooding prince struggles with whether or not to kill the culprit, his uncle - the new king. THE FUGITIVE: A doctor - falsely accused of murdering his wife - struggles on the lam as he desperately searches for the killer with a relentless federal agent hot on his trail. LIAR LIAR: When his son wishes he will only tell the truth, an attorney, and pathological liar, is magically compelled to be honest for one day and struggles to win the biggest case of his career - without telling a lie. In groups of 2 or 3: Find the protagonist, goal, and antagonistic force for each of the above loglines. *all information from http://www.twoadverbs.com/loglinearticle.htm Author: Christopher Lockhart