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LINE

LINE. A point in motion. A point in motion or A series of adjacent points or A connection between points or An implied connection between points. A point in motion http://youtu.be/ ow7eEWh37iU. A series of adjacent points. A connection between points.

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LINE

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  1. LINE

  2. A point in motion A point in motion or A series of adjacent points or A connection between points or An implied connection between points

  3. A point in motion • http://youtu.be/ow7eEWh37iU

  4. A series of adjacent points

  5. A connection between points

  6. Implied lines: direct our attention through an image without drawing a literal line. Perugino

  7. Broken Lines

  8. Line Orientation • How line relates to the page: Horizontal lines Vertical lines Diagonal lines Curved lines Diagonal and Curved lines are the most dynamic, suggestive of movement

  9. Horizontal lines are the most stable

  10. Vertical lines are more dynamic

  11. Gustav Klimt

  12. Horizontal lines placed on vertical lines suggest, power and stability. Greek Temple

  13. Horizontal lines suggest movement, are most dynamic

  14. Sol Lewitt, Wall Drawing

  15. Line can give the impression of movement JMW Turner, Snow storm

  16. Mehretu, Stadia I

  17. Julie Mehretu, Rise of the New

  18. Line might define a shape, be an outline. Be simply implied by the composition. Convey a mood or a feeling.

  19. Contour Lines suggest the edges of planes and forms Cross-contour lines

  20. Alex Katz, Alex and Ada

  21. Contour Lines differ from outlines

  22. EgonSchiele, Untitled

  23. Alice Neel, Reclining Nude

  24. Jackson Pollock, Untitled Gestural lines suggest movement

  25. Leonardo DaVinci, Drawing Line can be used to suggest shadows or three dimensional forms by CROSS- HATCHING, creating overlapping lines.

  26. Sol LeWitt, Wall Drawing

  27. Matthew Ritchie, Mainline

  28. Line weight: is the thickness of a line and pressure used to make that line.

  29. R. Crumb, Self-Portrait and Untitled

  30. Varying the Line Weight can make similar lines stand out from one another Van Gogh, Trees Drawing

  31. Line Quality • Describes the expressive potential for lines. • How do these lines differ in what they communicate?

  32. Kathe Kollwitz, Death

  33. Paul Klee, The Comedian’s Handbill

  34. Watteau

  35. Cy Twombly, Untitled

  36. Twombly, Leda and the Swan

  37. Edgar Degas, Dancer Line Weight also suggests space, thicker lines seem to move forward, thinner lines recede backward

  38. Janine Antoni, Loving Care

  39. Janine Antoni, To Draw a Line

  40. Christo, Running Fence

  41. Christo, Umbrellas

  42. Robert Smithson, Spiral Jetty

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