110 likes | 367 Views
Chapter 72. Early Jazz. Lecture Overview. Can jazz be defined? Origins of jazz: ragtime, blues, popular songs, dance music Ragtime: Scott Joplin and “Maple Leaf Rag” Blues: Bessie Smith and “Lost Your Head Blues” New Orleans jazz: King Oliver and “Dippermouth Blues”
E N D
Chapter 72 Early Jazz
Lecture Overview • Can jazz be defined? • Origins of jazz: ragtime, blues, popular songs, dance music • Ragtime: • Scott Joplin and “Maple Leaf Rag” • Blues: • Bessie Smith and “Lost Your Head Blues” • New Orleans jazz: • King Oliver and “Dippermouth Blues” • Louis Armstrong and “West End Blues • Review
Typical Characteristics of Piano Rags • moderate march tempo • duple meter • percussive treatment of the piano • syncopated melody, regular accompaniment • pieces composed and played as written • multithematic, multisectional form with contrasting trio sections
Typical Characteristics of Early Blues • flexible in medium (vocal or instrumental) • wide range of expression • use of blue notes • swinging, vocal rhythms • variations upon a 12-measure harmonic pattern
Typical Characteristics of the New Orleans Style of Early Jazz • small bands divided between melody and rhythm groups of instruments • any type of music (ragtime, popular songs, dance music, blues) • group improvisation
Scott Joplin, “Maple Leaf Rag,” 1899 Multithematic, multisectional form
James P. Johnson, “Carolina Shout,” 1921 Multithematic, multisectional form
Bessie Smith, “Lost Your Head Blues,” 1926 12-measure blues form (variational)
King Oliver, “Dippermouth Blues,” 1923 12-measure blues form
Louis Armstrong, “West End Blues,” 1928 12-measure blues form
Review Key Terms • jazz • ragtime • rag • Scott Joplin • syncopation • stride • walking bass • blues • blue notes • call-and-response • improvise • chorus • fill • spiritual • minstrel show • verse-and-refrain form • jazz standard • foxtrot • Charleston • James Reese Europe • rhythm section • New Orleans style • Joe “King” Oliver • stop time • break • Louis Armstrong • scat singing