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What is auteur?. Questions of Auteurism A Case Study of Peter Weir. What is auteur?. 1 A director who make films which reflect his/her personal vision and preoccupations. 2 A director who has a distinct style and consistent themes. François Truffaut, ‘Une Certaine
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What is auteur? Questions of Auteurism A Case Study of Peter Weir
What is auteur? 1 A director who make films which reflect his/her personal vision and preoccupations. 2 A director who has a distinct style and consistent themes. François Truffaut, ‘Une Certaine tendence du cinéma française’ (A Certain Tendency in the French Cinema) 1954
What is auteur? • Directors (auteurs) oversee all narrative, visual and audio elements of motion pictures. • SIGNATURE THEME AND STYLE • “The filmmaker/author writes with his camera as a writer writes with his pen.” ‘Caméra Stylo’ (camera-pen) Alexander Astruc, Naissance d’une nouvelle avant-garde, L’Ecran Français, 30th March, 1948
What is auteur? • Auteur or metteur-en-scène • Auteur - a director who expresses his/her unique preoccupation and holds on to signature style • Metteur-en-scène (one who puts it in the scene - theatre director) - a (highly) competent filmmaker but lacks ‘the consistency that betrayed the profound involvement of personality’
Who Are Auteurs? • Directors who have a distinct visual style … Alfred Hitchcock, Orson Wells …Stanley Kubrick, Wang Kar-wai • Directors Directors who have a consistent theme … Jean Renoir (humanism), Douglas Sirk (melodrama) … Theo Angelopoulos (modern Greek history), Ken Loach (socialist conscience)
Auteur Theory (Politique des auteurs) • Auteur theory - a critical attitude to consider a film as a product of a single person - director - auteur • Andrew Sarris, ‘Notes on the Auteur Theory’, 1964
Auteur Theory (Politique des auteurs) To analyse a film as a work of a single author (auteur) →auteurism / politique des autteurs To identify the characteristics of a director’s work which makes him a auteur →auteurism / politique des autteurs
Criticism against auteur theory • Filmmaking as collaborative and collective actions. • Making a film involves many other creative talents than director. • Scriptwriter, photographer, editor, art director, actor, etc.
Criticism against auteur theory Cesare Zavattini (1902-1989) Screenwriter for Vittorio De Sica and Luchino Visconti Shoeshines, Bicycle Thieves, Umberto D, Bellisima, etc.
Criticism against auteur theory • Ruth Prower Jhabvala (1927 - ) Screenwriter for James Ivory Room with a View, Howard’s End, Remains of the Day
Criticism against auteur theory • Gordon Wills Most important cinematographer in the 70s and 80s The Godfather, Annie Hall, Manhattan, All the President’s Men
Criticism against auteur theory • Miyagawa Kazuo (1908-1999) Greatest Japanese photographer, operated the camera and shot for Mizoguchi Kenji, Kurosawa Akira, Ichikawa Kon and Shinoda Masahiro Rashomon, Ugetsu, Yojinbo, Tokyo Olympiad, McArthur’s Children
Criticism against auteur theory • David Lean (1908-1991) British film director Established the classic editing techniques Edited for film directors such as Anthony Asquith and Michael Powell Pygmalion, Major Barbara, 49th Parallel
Criticism against auteur theory • Alexandre Trauner (1906-1993) French art and production designer Le Jour se léve, Les Enfants du paradis, Le Portes de la nuit, Kiss Me Stupid, Don Giovanni, Round Midnight, Subway
Criticism against auteur theory • Credit for Round Midnight (1986) Producer: Irwin Winkler Director: Bertrand Tavernier Writer: David Rayfiel, Bertrand Tavernier Music: Harbie Hancock Editor: Harmand Psenny Production Design: Alexandre Trauner
Criticism against auteur theory • Positif, founded one year after Cahiers du cinema in 1952 • Firm opposition to author theory • A signed article naming the most overrated directors: Fritz Lang, Nicholas Ray, Howard Hawkes and Alfred Hitchcock
Criticism against Auteur Theory • Legitimacy of privileging a director - can a director be more important than his film? • ‘There are no good or bad films, but there are only good or bad directors.’ François Truffaut
In the Case of Peter Weir • Peter Weir (1944 - ) • Australian born and now working in Hollywood • Worked in ATN-7 (a TV company in Sydney) • Made documentaries for CFU
In the Case of Peter Weir • Picnic at Hanging Rock (1975) • A tale of private-school girls who mysteriously disappear in the Australian outback.
In the Case of Peter Weir • Gallipoli (1981) Rural Australian boys are caught in the slaughter of WWI in Turkey.
In the Case of Peter Weir • The Year of Living Dangerously (1983), An Australian journalist is assisted by a local Indonesian cameraman while the third-world capital collapses.
In the Case of Peter Weir Witness (1985) It brings a city detective into the unfamiliar world of Pennsylvania’s Amish community.
In the Case of Peter Weir The Mosquito Coast (1986) An American with his family tries to establish civilization in a remote jungle and ending in a disaster.
In the Case of Peter Weir • Green Card (1990) A comedy in which a Frenchman tries to obtain a green card on bogus marriage with an American woman.
In the Case of Peter Weir • Truman Show (1998) • A story of one man’s life not knowing that he is a star of a 24 hour TV series.
Weir as an auteur Juxtaposition of : civilization and ‘primitiveness’; the knowable and the unknowable; culture and nature ‘Clashes’ of civilizations and cultures Erosion of humanity by civilization