Point

1. Point A. Campos

2. Point • United States Flag • The grouping of the red dots appear as the red lines of the US Flag. • The grouping of the white dots on the blue surface appear as the stars of the US Flag. • All of these points of colors relate together and ultimately appear to form the picture.

3. K. Foshee Point Out to Sea

4. 1. Point • Qualities demonstrated • Use of multiple points of various sizes and textures to create an image of a face • Gestalt laws of continuation, closure and Pragnanz in placement of points toassist in forming the illusion of a face • Additional qualities of point • One dimensional • Point on a surface • Gestalt phenomenon

5. Tracy Huselton Point

6. POINT The picture I choose to draw to represent “Point” includes a sail boat on water with a man steering it. I also drew in some clouds, the sun, birds, and fish. I based my drawing on “Gestalt” in which I grouped points together to represent a picture and I also used different colors to make it more visible and more realistic.

7. Elements of Design: 1. Point J.Holt • Demonstrates Gestalt theory: • The whole is understood as something more than the sum of the parts • The brain attributes meaning, relationship and order from these points and views an image Dog with Bone!

8. Point P. Sherigar

9. Element of Design—Point Y. Guan Squirrels playing with flowers and fruit by Xu Gu

10. Element of Design—Point 2 • The sum of the points on the paper became the squirrel—Gestalt • Whole is understood as something more than the sum of the parts

11. ELEMENTS OF DESIGN T. Fernando • Point • One dimensional • Points are grouped to form an image • Gestalt

12. Yuvaraj Mahendran Point • In this picture there is clear evidence of Proximity and Closure. • Though the picture just has just group of points, those elements are grouped together and made sense. • Also the missing parts of the figure are filled in to complete the figure, which causes Closure in the figure.

13. Line K. Foshee The Sunset

14. Line The Line element is represented by my drawing of a crop field with the sun setting in the background. The lines are an important aspect in this drawing because they vary in size and quality which gives you a feeling of direction. The vertical lines of the crop field are wider in the front to show closeness and smaller in the distance to show depth. The sun rest on a horizontal line which gives the feeling of being on the same level as us.

15. 2. Line • Qualities demonstrated • Use of expressive quality of horizontal, diagonal and vertical lines to present an abstract expression of “ordered chaos” • Use of diagonal and horizontal lines converging in a triangle shape to suggest motion around a center point • Use of variation of line thickness and quality to provide interest in the picture • Additional Qualities of Line • One dimensional • Continuous point or connected points • Expressive (horizontal, vertical, curved, straight)

16. Tracy Huselton Line

17. Prathip Sivaprakasam Line Elements of design – Line • This Picture depicts the Expressive quality of Line. • Whole lot of human expressions can be explicitly portrayed by different shapes of lines • Sharp,Deep curved lines as in this picture suggest Anger, Depression and Irritation

18. Prathip Sivaprakasam Shape Elements of design – Shape • Picture depicts the single dimension of Shape • The Floral diagram has a contrasting background of white which creates the sense of passiveness

19. 3. Shape • Qualities of shape demonstrated • Use of two dimensional shapes to create the illusion of a somewhat three dimensional seascape • Use of perspective by placing objects in front of other objects • Use of both organic and geometric shape

20. Tracy Huselton Shape

21. Description of SHAPE • Shapes are two-dimensional. Frank Lloyd Wright’s famous windows show the use of shapes beautifully. The window itself is a shape (rectangle) and it is composed of many shapes, all with different sizes and colors. • Frank Lloyd Wright, window triptych from the Avery Coonley Playhouse, Riverside,Illinois, 1912

22. Example of SHAPE H. Smith Rectangle Different Shapes: Half-circle Square Circle

23. Form A. Campos

24. Form • Iceburg • Organic form • The iceburg is irregular in outline and is asymmetrical. • The illusion is that the ice up front seems much larger than the ice on the right and left corners but is probably the same size. • The main iceburg consumes the picture.

25. Form J. Ham • Different geometrical forms are composed together to create a new form.

26. FORM A. Prasannan www.webshots.com

27. Form P. Sherigar www.getty.edu

28. Elements of Design: 5. Color J.Holt • This image contains many colors from the color spectrum • The bright flower gives an element of perspective by being nearer to the viewer

29. Color I. Terrell

30. ELEMENTS OF DESIGN T. Fernando • Color • Different values of primary color combinations used in the drawing

31. Dan Glass Element 5: Color

32. Element 5: Color • Color is the element that applies the selection, blending, and meaning of colors. A color’s hue can add to sense of perspective • The example shows how color can be used to create mood, and a sense of distance to the objects. The mist and snow, the far away peaks, and the forest in the foreground are easily identified because of their colors.

33. Mei Zhang Color

34. Colors • The Inner palace of Dalai Lama was in greater proportion dominated by color – Red. • Tend to create an holy atmosphere. • In the right picture, the room is in warm red color too. ( the walls and the floor) While the woman is in blue gown, it contrasts the primary warm environment, giving emphasis on her and it conveys a feeling of serenity. • There is also other comparison, such as the white vase, plate and table cloth with dark red floor and red walls. ( warm and cold color comparison)

35. Dan Glass Element 6: Value

36. Element 6: Value • Value is the lightness or darkness of the color in a work. It can enable an artist to create illusions such as distance and shape. • In the example, the abstract work has been split in two, the left side appears to be in the foreground, it’s colors almost bursting from the screen. The right half has an three-dimensional look to it, the darker colors disappearing behind the brighter colors.

37. 6. Value • Qualities of value demonstrated • Use of gradation and relative lightness and darkness to portray a night time landscape • Additional qualities of value • Contrast • Use in combination with hue for emphasis

38. Tracy Huselton Value

39. VALUE A. Prasannan 1 2

40. Element of Design—Value Y. Guan Scenery painting of Ming Dynasty

41. Element of Design—Value • The contrast of value (black) separates objects in space, while gradation of value suggests mass and contour of contiguous surface • Traditional Chinese artists like to use only one (usu. Black) or less five colors in their works, but they’re good at using different hue/value to represent objects.

42. Texture, 2 • Picture one • Has quality via touch but is illusional • Literal blocky surface • Can be imaginary

43. Sunil Patel Texture

44. Texture A. Campos

45. Texture • Diagonal Sand • Dry and smooth • The right side is less textured and gives a smooth illusion. Almost the sensation that it is wet. • Reality is that they both have the same feel through touch.

46. Element of Design—Texture Y. Guan A painting of door by Ma Yue

47. Element of Design—Texture 2 • This is a painting by modern Chinese artist • We can sense (imagine) the texture of the door, the brass hinge, and the mail box

48. Texture E. Kiang • Quality of an object which we sense through touch • Smooth, cold, hard • Stimulates the memory of a marble floor or tile

49. Texture J. Ham • Front façade of the building has different texture than the adjacent yellow façade. • Our memory refers to rough and soft textures.

50. Sunil Patel Space