1 / 15

MP3 Overview

MP3 Overview. John Ehrhardt Elena Silenok CSE228 – Spring 03. Where did MP3 come from?. In 1987 the Fraunhofer IIS (Institut Integreierte Schaltungen) started work on audio encoding

leekelly
Download Presentation

MP3 Overview

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. MP3 Overview John Ehrhardt Elena Silenok CSE228 – Spring 03

  2. Where did MP3 come from? • In 1987 the Fraunhofer IIS (Institut Integreierte Schaltungen) started work on audio encoding • In 1991 with Prof. Deiter Seitzler from the University of Erlangen they devised a very powerful algorithm that was standardized as ISO-MPEG Audio Layer-3

  3. Why “MP3” and what is MP3? • Windows introduced the .mp3 file extension for MPEG-1 Layer III encoder and decoder software • Files encoded with the MPEG-2 lower sampling rate extension of Layer III are also known as mp3s

  4. MPEG Audio In MPEG audio, one may achieve a typical data reduction of 1:4 by Layer 1 (corresponds to 384 kbps for a stereo signal), 1:6...1:8 by Layer 2 (corresponds to 256..192 kbps for a stereo signal), 1:10...1:12 by Layer 3 (corresponds to 128..112 kbps for a stereo signal), While maintaining CD quality sound.

  5. MP3Encoding • Much more than just reducing the sampling rate and the resolution of the samples • Consists of 3 major stages: • Hybrid Filter Bank Analysis • Perceptual Modeling • Quantization & Coding

  6. Hybrid Filter Bank Analysis • Polyphase filter bank • Divides the audio signal into 32 equal-width frequency subbands • Correlates subbands according to human perception of sound frequencies • Modified Discrete Cosine Transform • Since it’s not 64 values, the DCT has been modified to be used for 32. • Increases the frequency resolution 18 times higher than that of layer 2 • Hybrid was chosen for compatibility with layers 1 & 2 that do not use the MDCT.

  7. Perceptual Modeling • Provides a masking threshold that allows the quantization and coding step to know if the results are perceptually indistinguishable from the original signal. • A strong tonal signal in one subband will mask weak noise in close frequencies • Most important aspect when determining the quality of an encoder.

  8. Quantization & Coding • Quantization • Power-law: larger values have less accuracy • Huffman coding • Coding • Attempts to quantize the resulting MDCT from the Filter Bank at level that meets both the bitrate and the masking requirements • Huffman Coding and Quantization level provide feedback for bitrate • Scale factors for each subband are adjusted until they meet the masking threshold.

  9. Bitstream Layout • Divided into 1152 samples per block • One block is encoded within one MPEG-1 audio frame (header and data.) • Header (First 4 bytes of a frame) • No file header • Contains: Frame Sync, MPEG Layer, Sampling Frequency, Number of Channels, CRC, etc. • Variable bit rate mp3’s switch bitrate between frames

  10. Audio Tag: ID3v1 • Contains information about the artist, title, published year, genre, etc. • The last 128 bytes of the MPEG audio file. • ID3v2 much more complicated • See www.id3.org for more details

  11. Watermarking • Set of secondary digital data embedded in the primary digital media • Provides ownership protection, copy control, fingerprinting, authentication, and control over information • Robust vs. fragile, invisible vs. visible, public vs. private (detection w/ or w/o the original unmarked image)

  12. Current State of MP3 • 3 million of MP3 tracks downloaded every day (International Federation of Phonographic Industries) – mostly pirated • Forrester Research says MP3/other online music sales have reached 7% by 2003 - $1.1bn a year • MP3 alternative launched in December 1998: the Secure Digital Music Initiative

  13. Secure Digital Music Initiative • Started in 1998, currently over 200 members • Spearheaded by RIAA, IFPI, RIAJ and major recording companies • SDMI intended to secure music in all forms, across all delivery channels • 2 phases, to finally incorporate dual watermarking or other protection scheme

  14. References • http://www.stanford.edu/~udara/SOCO/lossy/mp3 • http://www.iis.fraunhofer.de/amm/techinf/layer3/index.html • http://www.tnt.uni-hannover.de/project/mpeg/audio/faq/mpeg1.html • http://www.dv.co.yu/mpgscript/mpeghdr.htm • “MP3 And AAC Explained,” Karlheinz Brandenburg, Fraunhofer Institute for Integrated Circuits FhG-IIS A, Erlangen, Germany • http://www.sdmi.org

  15. Thank you for your attention!

More Related