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1. Constructing Childhood: A Brief History of Early Children’s Literature and the Picture Book English 504
Dr. Karen Roggenkamp
3. Analyze children’s literature in order to . . . Uncover culture’s views of “childhood”—or ideal view
Examine society’s concept of self
Interrogate individual author’s relationship to broader cultural contexts
Viewed across time, provides insight into our own concepts of childhood and “normalcy”
Image: Arthur B. Houghton, Mother and Children Reading, 1860
4. What did “childhood” mean? Historical Highlights of Western Civilizations
400 years ago: children born in state of sin ; childhood reading about religious guidance, indoctrination
250-300 years ago: “invention” of childhood as modern concept; children’s minds “a blank slate”—fill with proper information
200 years ago: children naturally innocent; moral compass to society
40 years ago: children need to read about harsh realities of life
5. “Children’s Lit” in Ancient World (roughly 50 BCE / BC - 500 CE / AD) Oral tales – heard, not read
Tales of war, gods, goddesses, history—children & adults alike
Aesop’s Fables—animal tales with pointed morals—not just for children
Guide/shape citizenry
Image: The Fables of Aesop, John Ogilby, 1673-75
6. Middle Ages(500 – 1500) Low literacy—class-based
Childhood generally ignored—short and not so sweet
Medieval epics, romances, histories for adults also held children’s interest (e.g. Beowulf, King Arthur, Robin Hood, lives of saints, historical legends, etc.) Mingle “reality” with magic, fantasy, enchantment; animal characters
Gesta Romanorum (Deeds of the Romans), late 13th century: moral tales; animal tales; familiar story plots for centuries to come (Boccaccio, Chaucer, Shakespeare)
7. European Renaissance; Christian Reformation (1500 – 1650) Printing Press (mid 15th century):
Most important technical innovation since wheel
Print books in quantity—reduce time, labor, cost
New merchant middle classes—value education, literacy
European exploration of “New World”—records needed
Protestantism
Image: Replica of early Gutenberg press
8. Protestantism & Roots of “Modern Childhood” (Puritans--17th & early 18th centuries) Ideal of universal literacy
Children products of original sin; a time to prepare for adult religious experience
Instructional books, conduct books
Primers: teach reading, but also turn innately sinful children into spiritual beings
Themes of death, damnation, conversion
Image: From New England Primer, circa 1690
9. A little light bedtime reading . . . Popular reading for Protestant children: Book of Martyrs (1563); The Day of Doom (1662)
Anti-Catholic account of “Bloody Mary” reign
Poem of damnation of world
Horrific scenes of violence, mutilation, murder
Images: Thomas Foxe, Book of Martyrs, 1563; Michael WIgglesworth, The Day of Doom, 1662
10. The Enlightenment (17th & 18th centuries): Enter Modern Childhood John Locke (1632-1704), Some Thoughts Concerning Education (1693)
Young mind as tabula rasa (blank slate)
Children not burdened by original sin
Logical beings awaiting proper education
More nurturing, rational writings
Whole new construction of childhood—distinct and special phase of life
Image: John Locke
11. First Picture Book? Orbis Sensalium Pictus (1659) http://education.umn.edu/EdPA/iconics/orbis/orbis.htm
12. Another “first” John Newbery
Bookseller/publisher
Little Pretty Pocket Book (1744) — first significant story book specifically for children
Songs, poems, moral tales, illustrations
Instruct AND entertain
Image: John Newbery, Little Pretty Pocket Book, 1744
13. Shifting ideologies of childhood: from didactic to imaginative Most children’s books of 17th through 19th century extremely DIDACTIC
“Why should the mind be filled with fantastic visions, instead of useful knowledge? Why should so much valuable time be lost? Why should we vitiate their taste, and spoil their appetite, by suffering them to feed upon sweetmeats?”
--Maria Edgeworth, The Parent’s Assistant (1796)
14. Romanticism (late 18th/early19th centuries) Children naturally innocent—neither creatures of sin nor cold logic
Children naturally innocent, moral – “The child is the father of the man” (William Wordsworth)
Books should free children’s imaginations
Jean-Jacques Rousseau, Emile (1755)—Children should be raised in natural settings, free to imagine
Image: Jean-Jacques Rousseau
15. The “Golden Age” of Children’s Literature (mid 19th-early 20th centuries) Ideology of the nuclear family takes shape in early 19th century
Home & family as haven in heartless world—source of emotional stability in increasingly materialistic, fractious world
Powerful “cult of childhood”—child as icon of “lost” innocence, emblematic of past golden age of humanity
Technologies that nurture production of picture book—beyond woodcuts/steel engravings
16. Nothing Simple About It What is a “picture book?” What’s the point?
Why not just tell the story in WORDS? What, in other words, does pictorial narrative do and add to written text?
How is an illustration in a picture book a “text” that must be read in conjunction with the written word, a text that in fact CHANGES the written word?
Never divorced from ideology: “agendas” of adults in regard to gender, class, race, religion, economics, etc.
A kind of textual form unlike any other!