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Suprematist painting (Malevich)

Suprematist painting (Malevich). Death of Marat (David). Do they have something in common?. Painting ?. 호두까기 인형 - 클라라. 생 라자르 역 뒤 ( 앙리 까르띠에 브레숑 ). Do they have something in common?. The Art ?. What is webart ?. What is netart ?. What is net.art ?. Network?. Internet?.

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Suprematist painting (Malevich)

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  1. Suprematist painting (Malevich) Death of Marat (David)

  2. Do they have something in common? Painting ?

  3. 호두까기 인형-클라라 생 라자르 역 뒤(앙리 까르띠에 브레숑)

  4. Do they have something in common? The Art ?

  5. What is webart ? What is netart ?

  6. What is net.art ? Network? Internet? net.art is used to describe an art and communications activity on the internet. 넷아트는 인터넷을 기반으로 하는 예술과 커뮤니케이션 활동을 의미한다. Natalie Bookchin

  7. then, What is WebArt? NetArt >WebArt Net.art : communication WebArt : more graphic communication

  8. Net.art vs art on the web • Art on the Web : • 예술 작품이나 관련자료의 홍보등을 목적으로 웹이 올리는 경우 • 미술관이나 갤러리에서 웹사이트를 만들어 전시를 소개하거나 • 작가가 개인적으로 작품을 웹에 올리는 경우 • Netart : Net의 특성을 작품에 적극적으로 반영하거나 실험함 net의 언어를 가지고 표현하는 것 그룹/개인이 다른 사람들과 함께 시스템을 디자인하는 것 Key concept – collaboration/participation Joachim Blank, What is net.art

  9. The origin of WebArt 60s conceptual art & Fluxus • to create multiplied, democratic, Non-commercial and planetary art • based on international communication among artist who exchanged ideas, art works and cooperation projects • 80s mail art • Majority of works were created as a reaction to received works • World wide circulation of text, images collages, audio and video tapes • International projects Web.art’s nature, by Andrejef Tisma

  10. Special Features of WebArt (I) • Interactivity • Viewer chooses the paths and links • To build into the work his own text/visual/other contents • Final form of work thanks to the viewer’s activity • Unpredictable direction • Hyperdimentionality • A work is unlimited in time and space • Work is connected to numerous web pages • A constant exchange going on among creative people around world • Global spiritual categories

  11. Special Features of WebArt (II) • Immeteriality • Web work does not exist in real space and material • Visualization of the creators and user’s ideas • Reflection of minds

  12. the origin of the term “net.art” December. 1995 Vuk Cosic [...] J8~g#|\;Net. Art{-^s1 [...] Net.Art- the origin By Alexi Shulgin

  13. What is specific features of net art ?

  14. Specific features of net.art (I) - Formation of communities of artists across nations and disciplines - Investment without material interest - Collaboration without consideration of appropriation of ideas - Privielging communication over representation - Immediacy - Immateriality - Temporality • Process based action

  15. Specific features of net.art (II) - Vanishing boundaries between private and public • - All in one • Internet as a medium • for production, publication, distribution, promotion, • dialogue, consumption and critique • Disintegration and mutation of artist, curator, • pen-pal, audience, gallery, theorist, art collector, and museum Web Art’s nature, by Andrej Tisma

  16. Mode of net.art Contents based Formal Ironic Poetic Activist

  17. Mode_Irony Chang young-hae

  18. Mode_Poetic Blindlane : team project http://www.blindlane.com

  19. Genres of net art CUSeeMe, IRC, Email, ICQ, Mailing List Art Subversive ASCII Art Net as Object Form Art Interaction Interface Production/Deconstuction Streaming Pranks and Fake Identity Construction Travel Log Telepresent Collaboration Search Engine Sex Browser Art, On-line Software Art Storytelling Multi-user Interactive Environments From : Introduction to net.art (1994-1999)

  20. Form & Contents Identity Construction Human Right Environment Community Race War Sex Form ASCII Art Flash/Java Search Engine Streming Telepresent Collaboration Interface Production/Deconstruction Form Art Multi-user Interactive Environments CUSeeMe, IRC, Email, ICQ, MailingList Contents

  21. Telegarden : tele-robotic installation Aug.1995 The University of South California 1996-1997, Linz, Austria, Ars Electronica center http://telegarden.aec.at/

  22. Collaboration project : long player By art angel http://www.longplayer.org/

  23. E_poetry Electronic poetry center http://epc.buffalo.edu/e-poetry/

  24. Form : Ralational architecture Rafael Lozano-Hemmer, 1999 - 2000 http://www.alzado.net/eintro.html

  25. Form_browser : jodi.org Jordi.co.kr (total museum exhibition) http://www.jordi.org

  26. Form_browser :Garden of Eden By Entrophy8Zuper http://eden.garden1.0.projects.sfmoma.org/

  27. From_browser I/O/D :Web stalker

  28. Form_Java John Maeda http://www.maedastudio.com/

  29. Form_kinetic typography Peter Cho http://acg.media.mit.edu/people/pcho/

  30. Form : anemone http://acg.media.mit.edu/people/fry/anemone/applet/

  31. Contents_Information society Remedy for information disease http://basis.desk.nl/~you/remedy/

  32. Contents_body : bodies incoporate Victoria Vesna http://www.bodiesinc.ucla.edu/

  33. mw2mw : apartment M a r e k W a l c z a k & M a r t i n W a t t e n b e r g http://www.mw2mw.com

  34. Contents_Sex : Public Genital Project Sandy stone & others http://home.actlab.utexas.edu/pgp/main.html

  35. 남은 이야기 새로운 장르로 새롭게 볼 것인가? 아니면, 미술사의 연장에서 해석할 것인가? • 만일,새로운 장르로 새롭게 본다면 • - 해석을 위한 비평언어 연구 • 미디어의 특성에 대한 좀 더 첨예한 이해 • 가 필요하다.

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