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Rights Expression and management in the supply chain Multimedia Aggregator by Dr. Bill Ying

Rights Expression and management in the supply chain Multimedia Aggregator by Dr. Bill Ying. What is ARTstor?.

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Rights Expression and management in the supply chain Multimedia Aggregator by Dr. Bill Ying

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  1. Rights Expression and management in the supply chainMultimedia Aggregatorby Dr. Bill Ying

  2. What is ARTstor? • A not-for-profit organization created by The Andrew W. Mellon Foundation that is developing a digital library of art images to enhance scholarship, teaching and learning in the arts and humanities • A primary resource: online Image collections and descriptive data • A scholarly and pedagogical resource: software tools to enable active use of content • A non-profit resource: solely for non-commercial educational and scholarly use

  3. Overview of ARTstor Digital Library • What you can do with ARTstor • Search and Browse collections • Analyze images using zoom and pan • Save groups of images for personal use, group use or institution-wide access • Presentation / slide-show tools • What you will see in ARTstor • Digital images and descriptive data • Initial collections include art, architecture and archeology • Total number of images in charter collections: ~300,000

  4. Overview of ARTstor’s Collections

  5. The ARTstor Charter Collections:Research Objectives • Work with a variety of content providers • Libraries, museums, photo archives, publishers, slide libraries • Test a variety of approaches to building collections • Direct digital capture • Scanning photographic sources (transparencies, prints, slides) • Cost-benefit analysis • Assess the user’s experience • What approaches work best for a variety of users, a variety of uses, in a variety of institutional settings?

  6. The Image Gallery • The connecting fabric of the ARTstor Library • Ca 200,000 images, most made from color 35mm “copystand” slides • Teaching gallery based on relatively representative undergraduate curricula • Subset of 4,000 images based on key monuments illustrated in standard art history survey texts • Item level cataloging records available for all images, with topical subject access • Discourages redundancy and allows campuses to use limited resources judiciously • Point of departure for a collaborative image and data enhancement program

  7. The MoMA Architecture and Design Collection • Example of a digital museum collection catalog • 8,000 images from 6,200 objects • Digitized via direct digital capture • Extremely high resolution images

  8. The Mellon International Dunhuang Archive • Example of an archeological documentation project • 40 caves out of several hundred • Digitized via direct digital capture • Extremely high resolution • 3D virtual tours of the shrines • Working with major institutions in US, UK and France to digitize versions of materials originally located at Dunhuang

  9. The Illustrated Bartsch • Example of a digital art reference work • Ca 57,000 images of old master European prints, with rich cataloging and scholarly commentary • Based on 100 volume authoritative print publication • Digitized from 5x7 b/w prints

  10. Schlesinger History of Women in American Collection • This image has been made available by the Schlesinger Library, Radcliffe Institute, Harvard University solely for noncommercial educational and scholarly purposes. Your use of this image is restricted to those permitted uses specified in the ARTstor Digital Library Terms and Conditions of Use.To request permission for any other use, please contact the Schlesinger Library.

  11. Institution collection • A photographic collection of live insects from North and Central America • License – based on Creative Commons • http://creativecommons.org/licenses/by-nc-sa/2.0/

  12. Overview of ARTstor Interface and Tools • Web-based interface accessible from www.artstor.org • User-Friendly system to support teaching and research • Search and Browse collections • Analyze images using zoom and pan • Save groups of images for personal use, group use or institution-wide access • Presentation / slide-show tools

  13. Offline image viewer • User want an offline client based image viewer so Professors can teach and present offline independent of Internet connectivity

  14. Some of ARTstor’s Challenges • Building the ARTstor Digital Library • Managing a complex production process • Coordinating flow of images, text, and other resources from multiple sources and vendors • Absorbing collections with widely varying metadata structures and image quality • Working without universally accepted standards • Developing intuitive software tools to support a variety of uses • Making the ARTstor Digital Libraryavailable and useful • Understanding ARTstor’s users and potential audience • Identifying where ARTstor ‘lands’ within an institution organizationally • Developing scalable solutions for interoperability, access & authorization • Implementing effective digital rights management and actionable rights expressions

  15. Hierarchical Storage Management Systems Data warehouse ARTstor public site Asset Metadata IP rights Management System User With Browser Offline client External System Legal Metadata Production

  16. XML Export REL Final Derivatives TIFF Central Repository Image Production System Public Repository Mgmt/QC data Hierarchical Storage Management Systems Intellectual Property Rights Systems ARTstor Collections Institution Collections Near Line tape Backup tape MARC Records EXCEL Online disk ACCESS

  17. DSPACE JSTOR Standard Repository API Browser based Smart client FEDORA XML Gateway RLI API Blackboard, WebCT www.artstor.org IBCLMS Learning Mgmt System API (ZING SRW) Request/deliver Stable URL A & A ENDNOTE UCB Scholar Box Proprietary API XML Repository (ORACLE) JMU MDID 2.0 OAI Princeton Almagest

  18. Interoperability: What we know • ARTstor needs to be a centralized resource for the following reasons • To learn more about uses of digital images and users’ needs • To offer more interactivetools to those who want them • To create a regulated space for non-commercial use • Users will almost certainly want to use ARTstor content and tools along with other digital image resources and software platforms • Need to develop and implement a consistent expression and management of rights for all digital content in ARTstor

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