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Il cinema all’americana? Defining the Transnational “Popular”

Il cinema all’americana? Defining the Transnational “Popular”. Austin Fisher The University of Bedfordshire, UK. The “Peplum” (1958-1965). The Spaghetti Western (1964-1977). The “ Giallo ” (1970-1978). The “ Poliziesco ” (1971-1980). Le fatiche di Ercole / Hercules

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Il cinema all’americana? Defining the Transnational “Popular”

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  1. Il cinema all’americana? Defining the Transnational “Popular” Austin Fisher The University of Bedfordshire, UK

  2. The “Peplum” (1958-1965) The Spaghetti Western (1964-1977) The “Giallo” (1970-1978) The “Poliziesco” (1971-1980) Le fatiche di Ercole / Hercules (Pietro Francisci, 1958) Milano trema: la polizia vuole giustizia / Violent Professionals (Sergio Martino, 1973) L’uccello dalle piume di cristallo / The Bird with the Crystal Plumage (Dario Argento, 1970) Per un pugno di dollari / A Fistful of Dollars (Sergio Leone, 1964) Ercole e la regina di Lidia / Hercules Unchained (Pietro Francisci, 1959) Il grande racket / The Big Racket (Enzo G. Castellari, 1976) Django (Sergio Corbucci, 1966) Profondo rosso / Deep Red (Dario Argento, 1975)

  3. Popular Italian Cinema

  4. Popular Italian Cinema

  5. Popular Italian Cinema “mass culture” “of the people”

  6. Popular Italian Cinema La ragazza che sapeva troppo / The Evil Eye (Mario Bava, 1963)

  7. Popular Italian Cinema “mass culture” “of the people”

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