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CAROLEE SCHNEEMAN, Meat Joy, 1964. Photograph of performance at Judson Church, New York.

CAROLEE SCHNEEMAN, Meat Joy, 1964. Photograph of performance at Judson Church, New York. ANA MENDIETA, Flowers on Body, 1973. Color photograph of earth/body work with flowers, executed at El Yaagul, Oaxaca, Mexico.

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CAROLEE SCHNEEMAN, Meat Joy, 1964. Photograph of performance at Judson Church, New York.

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  1. CAROLEE SCHNEEMAN, Meat Joy, 1964. Photograph of performance at Judson Church, New York.

  2. ANA MENDIETA, Flowers on Body, 1973. Color photograph of earth/body work with flowers, executed at El Yaagul, Oaxaca, Mexico .

  3. ROBERT SMITHSON, Spiral Jetty, 1970. Black rock, salt crystals, earth, red water (algae) at Great Salt Lake, Utah. 1,500’ x 15’ x 3 1/2’. Estate of Robert Smithson; courtesy James Cohan Gallery, New York; collection of DIA Center for the Arts, New York.

  4. RICHARD SERRA, Tilted Arc, 1981. Cor-Ten steel, 12’ x 120’ x 2 1/2”. Installed Federal Plaza, New York City by the General Services Administration, Washington D.C. Removed by the U.S. Government 1989.

  5. DAVID HAMMONS, Public Enemy, installation at Museum of Modern Art, New York, 1991. Photographs, balloons, sandbags, guns, and other mixed media.

  6. David Hammons Higher Goals

  7. BILL VIOLA, The Crossing, 1996. Installation with two channels of color video projection onto screens 16’-high.

  8. http://www.wexarts.org/about/residencies/hamilton/index.php?mov=indigohttp://www.wexarts.org/about/residencies/hamilton/index.php?mov=indigo

  9. Mel Chin Revival Field

  10. TONY OURSLER, Mansheshe, 1997.Ceramic, glass, video player, videocassette, CPJ-200 video projector, sound, 11” x 7” x 8” each. Courtesy the artist and Metro Pictures, New York.

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