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Department of English and Comparative Literary Studies. EN121: Medieval to Renaissance English Literature Chaucer’s Fabliaux: The Miller’s Tale and The Reeve’s Tale. ‘Now telleth on, sir Monk, if that ye konne Somwhat to quite with the Knyghtes tale.’ (I [A] 3118–19).
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Department of Englishand Comparative Literary Studies EN121: Medieval to Renaissance English Literature Chaucer’s Fabliaux: The Miller’s Tale and The Reeve’s Tale
‘Now telleth on, sir Monk, if that ye konne Somwhat to quite with the Knyghtes tale.’ (I [A] 3118–19) ‘I kan a noble tale for the nones, With which I wol now quite the Knyghtes tale.’ (I [A] 3126–27)
Quiten requite unrequited love
‘I woltelle a legende and a lyf Bothe of a carpenter and of his wyf, How that a clerk hath set the wrightescappe.’ (I [A] 3141–43) ‘It is a synne and eek a greet folye To apeyren any man or hym defame, injure And eek to bryngenwyves in swich fame.’ I [A] 3146–48)
‘So theek,’ quod he, ‘fulwelkoude I thee quite, With bleryng of a proud milleres eye, If that me listespeke of ribaudye.’ (I [A] 3864–66) ‘This dronkeMillere hath ytoold us heer, How that bigyled was a Carpenteer, Peraventure in scorn, for I am oon. And by youreleve I shalhymquiteanoon; Right in his cherlestermeswol I speke.’ (I [A] 3913–17)
And therfore every gentilwight I preye, For goddes love, demethnat that I seye Of yvel entente, but for I moot reherce Hir tales alle, be they bettre or werse, Or ellesfalsensom of my mateere. And therfore, whoso list it natyheere, Turne over the leef and chese another tale; For he shalfyndeynowe, grete and smale, Of storialthyng that touchethgentillesse, And eek moralitee and hoolynesse. Blamethnat me if that ye cheseamys. (I [A], 3171–81) ‘cherles tale’ (I [A], 3169)
He kiste hire sweete and taketh his sawtrie* And pleyethfaste, and makethmelodie. (I [A], 3305–06). * Medieval stringed instrument, played with the fingers… Ther was the revel and the melodye; And thus lith Alison and Nicholas, In bisynesse of myrthe and of solas, Til that the belle of laudesgan to rynge, And freres in the chauncelgonnesynge. (I [A], 3652–56)
Knight’s Tale Miller’s Tale
ycomen of noble kyn; The person of the tounhir fader was. With hire he yafful many a panne of bras, For that Symkynsholde in his blood allye. She was yfostred in a nonnerye; For Symkynwolde no wyf, as he sayde, But she were welynorissed and a mayde, To saven his estaat of yomanrye. And she was proud, and peert as is a pye. (I [A] 3942–50)
This person of the toun, for she was feir, In purpos was to maken hire his heir, Bothe of his catel and his mesuage, And straunge he made it of hirmariage. His purpos was for to bistowe hire hye Into som worthy blood of auncetrye; For hoolychirches good moot been despended On hoolychirches blood, that is descended. Therfore he wolde his hooly blood honoure, Though that he hoolychirchesholdedevoure. (I [A] 3977–86) a child that was of half yeer age; In cradel it lay and was a propre page. (I [A] 3971–72) ‘somdeelsquaymous/ Of fartyng’ (I [A], 3337–38)
heeld hire narwe in cage, For she was wylde and yong, and he was old And demedhymself been lik a cokewold. (I [A] 3224–26) ‘Allas, my wyf! And shal she drenche? Allas, mynAlisoun!’(I [A] 5522–23) There dorste no wightclepen hire but ‘dame’; Was noon so hardy that went by the weye That with hire dorste rage or ones pleye, But if he wolde be slayn of Symkyn With pande, or with knyf, or boidekyn, For jalous folk ben perilous everemo – Algate they wolde hire wyveswenden so. (I [A], 3956–62)
‘Who dorste be so boold to disparage My doghter, that is come of swichlynage?’ (I [A], 4271–72) As leene was his hors as is a rake, And he nasnat right fat, I undertake, But looked holwe… (I [A] 287–89) thries in this shortenyght Swyved the miller’s doghter (I [A], 4265-6) wax wery in the dawenynge, For he had swonken al the longenyght. (I [A], 4234–35)
Bibliography Primary Texts Chaucer, Geoffrey, The Canterbury Tales, in The Riverside Chaucer, ed. by Larry D. Benson et al, 3rd edn (Oxford: Oxford University Press, 1988), pp. 3–328, Secondary Sources and Suggested Further Reading Allman, W. W. and D. Thomas Hanks, Jr., ‘Rough Love: Towards an Erotics of the Canterbury Tales’, The Chaucer Review, 38 (2003), 36–65 Brewer, D. S., ‘Class Distinction in Chaucer’, Speculum 43 (1968), 290–305 Burrow, J. A., Medieval Writers and Their Work: Middle English Literature and its Background, 1100-1500 (Oxford: Oxford University Press, 1982) Bédier, Joseph, Les Fabliaux. Bibliothèque de l’École des Hautes Études, fasc. 98 (Paris: Emile Bouillon, 1893) Cooper, Helen, Oxford Guides to Chaucer: The Canterbury Tales, 2nd edn (Oxford: Oxford University Press, 1996) Delahoyde, Michael, ‘The Plan of The Canterbury Tales’, Chaucer (Washington State University, 2004, <http://www.wsu.edu/~delahoyd/chaucer/CTplan.html> [accessed 22 September, 2013] Delany, Sheila, ‘Sexual Economics, Chaucer’s Wife of Bath’s Tale and The Book of Margery Kemp’, in Feminist Readings in Middle English Literature: The Wife of Bath and All her Sect, ed. by Ruth Evans and Lesley Johnson (London and New York: Routledge, 1994), pp. 72–87 Hines, John, The Fabliau in English. Longman Medieval and Renaissance Library (Harlow: Longman, 1993) Middle English Dictionary, ed. Frances McSparran et al. (Ann Arbor, MI: University of Michigan, 2001). Stable URL: <http://quod.lib.umich.edu/m/med/> Muscatine, Charles, The Old French Fabliaux (New Haven, CT: Yale University Press, 1986) Nykrog, Per, Les Fabliaux: étude d’histoire littéraire et de stylistique médiévale New edn. (Geneva: Librairie Droz, 1973) Oxford English Dictionary, ed. by John Simpson et al. OED Online, 2013. Stable URL <http://0-www.oed.com.pugwash.lib.warwick.ac.uk/> Rychner, Jean, Contribution à l’étude des fabliaux: variantes, remaniements, dégradations. 2 vols. (Genève: Droz, 1960) Saunders, Corinne, Rape and Ravishment in the Literature of Medieval England (Cambridge: Brewer, 2001) Schenck, Mary Jane Stearns, The Fabliaux: Tales of Wit and Deception. Purdue University Monographs in Romance Languages, 24 (Amsterdam: John Benjamins, 1987) Vitz, Evelyn Burge, ‘Rereading Rape in Medieval Literature: Literary, Historical, and Theoretical Reflections’, The Romanic Review 88 (1997), 1–26 Weisl, Angela Jane, ‘“Quiting” Eve: Violence against Women in The Canterbury Tales’, in Violence against Women in Medieval Texts, ed. by Anna Roberts (Gainesville: University Press of Florida, 1998), pp. 115–36 Wright, Glenn, ‘The Fabliau Ethos in the French and English Octavian Romances’, Modern Philology, 102 (2005), 478–500 Zieman, Katherine, ‘Chaucer’s Voys’, Representations, 60 (1997), 70–91 Illuminations included in the lecture slideshow are taken from the ‘Ellesmere Chaucer’: Huntington Library, MS EL 26 C 9, Henry E. Huntington Library and Art Gallery, San Marino, CA, <http://sunsite3.berkeley.edu/hehweb/EL26C9.html> [accessed 24 September, 2013], except for the joust scene, which comes from Jean Froissart, ‘Jousts of Betanzos’, Chronicles, Paris: Bibliothèque Nationale de France, FR 2645, from Luminarium.org, <http://www.luminarium.org/medlit/betanzos.jpg> [accessed 24 September, 2013].