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Broadcast Basics. Week 13. ICS 620. BROADCAST BASICS. ICS 620 Week 13. Introduction. Video Basics (Analog Systems) Transmission Systems Wireless (terrestrial) Wired (cable television) Digital Video (Two Weeks). Video Standards. Standards and Principals Persistence of Vision
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Broadcast Basics Week 13 ICS 620
BROADCAST BASICS ICS 620 Week 13
Introduction • Video Basics (Analog Systems) • Transmission Systems • Wireless (terrestrial) • Wired (cable television) • Digital Video (Two Weeks)
Video Standards • Standards and Principals • Persistence of Vision The rapid presentation of frames of video information to give you the illusion of smooth motion.
Frequency StandardsFrame Frequency • 16 Frames per Second (fps) Black and White • 24 fps SOF • Continuity of Action • Problem of Flicker • The gross alteration of light and dark
Frame Frequency x 2 Continuity of Illumination Frequency StandardsField Frequency
Film Vs. Video • Film - Project a complete picture • Video - Scan, line by line, at a high rate of speed - 6 million bits per second
How do we describe a picture? • A picture element (“pel” or “pixel”) one at a time • For each pel we need to somehow describe: • Brightness (luminance) • Hue (phase, “tint”) • Saturation (color intensity, “chroma”)
Vertical Resolution • The picture quality associated with the number of dots (pixels) used to construct the picture. • 367,000 dots • on 525 rows (vertical)
Film vs. NTSC Specs Aspect Ratio
Electronic Scan (Camera Pickup Tube) Object Lens Target Electron Beam Video Signal
Scanning • Progressive • Interlace/Offset Interlace Example NTSC: 525 lines, 30 frames/sec, 60 fields/sec
Differences Between Horizontal and Vertical Synch Pulses RateDuration Vertical 59.94/sec 1:3 Horizontal 15,734.264/sec 3:1
A simple videowaveform One Line
Vertical Blanking Interval (VBI) • Lines 1-21 of each field • Vertical Interval Test Signal (VITS) • Vertical Interval Reference Signal (VIRS) • Lines 1-9 V-sync and Equalizing Pulses • Lines 12-14 SMPTE Time Code • Lines 17-19 VITS and VIRS • Line 20 Network Source Code (field 1) • Line 21 Closed captioning (field 1)
Kell Factor The Ratio of effective resolution to the theoretical resolution is known as the Kell Factor.
Vertical Resolution Summary • Max Lines/Frame = 525 • Lost for Vertical Blanking = 42 (21 lines per field) • Visible = 525-42 = 483 • Kell Factor = 72.5% • Effective Resolution = 350 lines
Horizontal Resolution Summary (4.2 MHz Video Bandwidth) = 4.2 cycles per microsecond x 52 microseconds (active scan) x 2 pixels per cycle = 436 pixels per line
Television Transmission • Picture Information • Blanking pulses • Sync pulses • Audio information
Color Television R = Red G = Green B = Blue B + G = Cyan G + R = Yellow B + R = Magenta
Gamma G A measurement of contrast, gamma correction is required because the brightness output of a camera does not correspond to the brightness recognition of the human eye.
Composite Color • Y = Luminance Signal Y =30% red + 59% green + 11% blue • C = Chrominance Signal C = I Q Matrix
Color Matrix • Saturation = Amplitude of the I and Q signals • Hue = Phase developed by the difference in amplitude between the I and Q signals
TV Frequency Allocations 2 - 4 VHF-Lo 54 MHz - 72 MHz 5 - 6 VHF-Lo 76 MHz - 88 MHz 7 – 13 VHF-Hi 174 MHz – 216 MHz 14 – 59 UHF 470 MHz – 746 MHz NOTE: Natural breaks occur between channels 4 and 5; channels 6 and 7; and channels 13 and 14. Each channel is 6 MHz wide.
Worldwide Standards • National Television System Committee - NTSC (1953) • Phase Alternation Line -PAL (1967) • Sequentiel Couleur Avec Memoire - SECAM (1967)