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Q. What is necessary to effective reading, composing, and understanding of informational text structures? A. Five Kinds of Knowledge Five Kinds of Composing. Jeffrey D. Wilhelm Boise State University From the book GET IT DONE! Teaching the reading and writing of informational text
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Q. What is necessary to effective reading, composing, and understanding of informational text structures?A. Five Kinds of KnowledgeFive Kinds of Composing Jeffrey D. Wilhelm Boise State University From the book GET IT DONE! Teaching the reading and writing of informational text Heinemann Publishers
From “Reading Don’t Fix No Chevys” • “It’s like a teacher takes you out, throws you into the deep end of the pool . . . • Students want significant challenges but they want proactive help in meeting those challenges. • “I used to be smart, and then . . .” • 5th grade reading slump/McKenna studies
Preparing kids for success: think of a joke you didn’t understand • Motivation as the continuing impulse to learn • Be proactive instead of reactive • Reward risks and errors, as errors are a sign of growth • Provide students with heuristics that will assist them to expertise and guide them through their zones of proximal development to a new zone of actual development
A Teaching Heuristic: Five kinds of knowledge necessary to all reading and composing • Knowledge of purpose and context • Procedural knowledge of substance (knowing how to get the stuff) • Procedural knowledge of form (knowing how to shape and structure the stuff into a conventional form) • Declarative knowledge of substance • Declarative knowledge of form
5 Kinds of Knowledge • Purpose/Work that can be done in real life/disciplinary situations: • WHY and WHEN would we WRITE OR READ THIS KIND OF TEXT? • Procedural Knowledge of Substance: • HOW CAN WE GET THE “STUFF” TO WRITE OR READ THIS KIND OF TEXT? (INQUIRY) • Procedural Knowledge of Form: • WHAT DO WE HAVE TO DO WITH THE “STUFF” TO SHAPE IT INTO A CONVENTIONAL, RECOGNIZABLE ARGUMENT, SATIRE, FABLE, ETC.?
5 kinds of composing Informal Writing: • Composing to plan (purpose and substance) • Composing to practice (substance and form) (Conceptual/Declarative knowledge developed through Procedural knowledge) Formal Writing/Putting it all together: • Preliminary draft composing • Final draft composing (revise/edit/proofread) • Composing to transfer (reflect and consolidate all 5 kinds of knowledge)
HEURISTICS vs. Algorithms • Heuristics are flexible problem-solving repertoires based on principles so can be developed and transformed and transferred to new situations • Algorithms are inflexible, lock-step, one-size fits all protocols for use.
Connections to the CCSS and the next generation of standards/assessments • Focus on Informational/Explanatory and Argument text structures • Focus on Research and Inquiry (short and extended) • Focus on Rhetorical Stance: Authorial choice, purpose, voice, audience consideration • Focus on how authorial choices and text patterns lead to meaning and effect • Focus on production, revision, presentation
The What Comes through the Why and the How The declarative becomes conceptual and transferable when it is practiced in a meaningful context of use
Informational text structures mentioned in the CCSS • Naming/listing • Description/Process Description (How-to) • Summary • Definition/Extended Definition • Comparison • Classification (Grouping, Differentiatiion) • Cause and effect • Problem-solution
Knowledge of Purpose and Context Ask an essential question that requires and rewards thinking and composing in informational thought patterns/text structures: What makes and breaks a good relationship? Requires and rewards Argument of Judgment; reframe to: What is a good relationship? A healthy relationship? What is a good friend? (extended definition) What kinds of relationships are there? healthy relationships? (classification) What are the major causes relational problems? (Cause and effect) What could society do to promote good relationships/solve particular relational problems? (problem-solution)
Situated Cognition • Teach all strategies and concepts in service of addressing the essential question • What kinds of writing, multimedia composing, and social action would address the question and use what was learned about the question?
Knowledge of purpose and context • Brainstorm for a unit or text you already teach • What kind of essential question could you ask that would require and reward the reading and writing of informational thought patterns and text structures?
REQUIRING LISTING: “What do we need to survive and thrive?” can easily be adapted for use in all content areas: “What do we need to survive and thrive . . . on a camping trip, in outer space, in algebra class, in the future (e.g. in a career), in case of a terrorist attack, as a sustainable planet, while living in another culture, on a trip to Italy?" • REQUIRING DESCRIPTION: “What is the best possible school? ” “How can we become the best possible school?” (process description) • REQUIRING SUMMARY: What do we need to know to be an informed voter?
Knowledge of purpose and context • Brainstorm for a unit or text you already teach • What kind of essential question could you ask that would require and reward the reading and writing of informational thought patterns and text structures?
The Five Kinds • Are are both heuristics for developing heuristics – • for moving beyond algorithms and lockstep formulas • for developing a toolkit – a generative repertoire of tools that can be extended, further developed and flexibly used throughout a lifetime. • THAT’S WHY IT’S SO IMPORTANT THAT WE TEACH STUDENTS HOW TO ENGAGE IN THE FIVE KINDS OF COMPOSING AND HELP THEM DEVELOP THE FIVE KINDS OF KNOWLEDGE!
The five kinds helps me, AS A TEACHER, think about how to provide students with the planning tools and the practice to develop knowledge of purpose/context and procedural knowledge of substance and form. • Declarative knowledge naturally comes from and results from enacting the procedures – and when we did it this way the declarative knowledge becomes conceptual and toolish!
Let’s look at SUMMARY writing • Because everybody summarizes all the time and it is WAY WAY harder than we think to do it well
We typically • Help students to generate the substance of a summary through prompts • 60 second summary! Freewrite for 60 seconds about what was most important in this excerpt
Let’s do one • Reflect on your process
Task analysis: Booktalk summaries • The major character, Katniss, living in District 13 of the country of Panem, volunteers to replace her sister as the tribute to play in the Hunger Games. She is essentially a victim selected as a sacrifice by the tyrannical leaders to punish a past uprising and exert their oppressive will on the people . . . • The Hunger Games, a dystopian novel, examines how individuals can respond in the face of oppression by following the story of Katniss who resists the status quo by playing the game in such a way . . .
Which is better? • In a longer text you can recreate the things that the details add up to, but in a summary you have to articulate up front the whole so people know how to understand the pieces you are going to share because you have articulated the whole. • A good summary first articulates that which everything else in service of. • BUT the more a student likes at book the more apt they are to retell the story.
The task of a summary • is to share an abbreviated version of the kind of work that an experienced reader does in their encounter with a text. • First thing a literary reader or moviegoer does is place the work on an intertextualgrid - so you want to approximate this in a summary of a movie or book.
Procedural Knowledge of Form • Schema theory suggests that a summary should immediately provide a structure into which the reader will place the details that follow, that the reason this is important – and ways that summary works uniquely – is that in other texts there is time to develop and correct schematic understandings from the bottom up but a summary has to work from the top down.
Threshold moves – crux moves • Tellability • Gistability • Take-away-ability
The 5 kinds of Composing • is a way to think about activity, and what activities I need to do when to help students be successful with reading and composing specific kinds of texts. • It helps me see that classrooms need to be places of production and not consumption, places where students produce conversations, texts and meaning. In consumption, the teacher has control; in production the students are given control • Also creates a context for promoting the dynamic mindset –for kids to know what to work on to outgrow themselves and become more competent.
Principles of Sequencing • Move from easy to hard; close to home to further from home • Visual and visually supported to purely textual • Oral to written • Short to long/lots of repetition • Concrete to abstract • Directly stated to implicit meanings • Collaborative to independent • Scaffolded to independent • Build a heuristic - a problem solving repertoire - through repeated practice
More thoughts on sequencing • Sequence by complexity within type 1- Students likely to know evidence/data already 2- Teacher provides evidence/data 3- Students draw on single text 4- Students draw on range of secondary sources 5- Students draw on range of primary sources 6- Students generate new data through their own critical inquiry
From the forthcoming books: Oh Yeah? Teaching Argument Get it Done! Teaching Informational Texts Tell me a Story: Teaching Narrative By Jeff Wilhelm, Michael Smith and Jim Fredricksen Heinemann Publishers Available summer 2012
Think about it!!! • 4 postulates for change! • Unreasonable to expect to change much more than 10% a year • Unreasonable and unprofessional to change LESS than 10% of year • If you change 10% a year, you change much else because knowledge and practice much more because knowledge and practice is a network!
Achieving Flow • A clear Purpose, Goals, Reward for Risks and Immediate Feedback • A Challenge that requires an appropriate level of skill and Assistance to meet the challenge (as needed to be successful) • A sense of Control and Developing Competence -voice, opinion, identity staking, choice, naming growing competence • A focus on Immediate Experience -current relevance, make things, do things, immediate function, fun, humor • Importance of the Social -group work, peer assistance, social purpose