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Painterly vs . Linear. Self Portrait (with B lack Beret), 1660 Rembrandt. The Starry Night, 1889 Vincent van Gogh. Evangelist Mathaus and Angel, 1661 Rembrandt. Musee d’Orsay, 1876 Renior. Stop, 2008 Andrew Wyeth. Paint applied in a less-controlled manner.
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Self Portrait (with Black Beret), 1660 Rembrandt
The Starry Night, 1889 Vincent van Gogh
Evangelist Mathaus and Angel, 1661 Rembrandt
Musee d’Orsay, 1876 Renior
Stop, 2008 Andrew Wyeth
Paint applied in a less-controlled manner No closely drawn (guide)lines to follow/fill in Visible brushstrokes Separation in transition of hues/tones – impulsive application of color Dyanism – energy or movement can be felt
Birth of Venus, 1484-86 Botticelli
Birth of Venus, 1484-86 Botticelli
Creates the illusion of 3-dimensionality Modeling of the form and objects Drawing/shading academic rather than impulsive No visible brushstrokes – smooth, rendered image Possible visual outline of forms/objects
Self Portrait (with Black Beret), 1660 Rembrandt