1 / 31

OZONE Meeting, SIGGRAPH 2003

OZONE Meeting, SIGGRAPH 2003. mathematics & art. Carlo H. Séquin U.C. Berkeley. I am a Designer, Engineer …. CCD Camera, Bell Labs, 1973 Soda Hall, Berkeley, 1994. RISC chip, Berkeley, 1981 “Octa-Gear”, Berkeley, 2000. “Artistic Geometry”. The role of the computer in:

matthewford
Download Presentation

OZONE Meeting, SIGGRAPH 2003

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. OZONE Meeting, SIGGRAPH 2003 mathematics & art Carlo H. Séquin U.C. Berkeley

  2. I am a Designer, Engineer … CCD Camera, Bell Labs, 1973 Soda Hall, Berkeley, 1994 RISC chip, Berkeley, 1981 “Octa-Gear”, Berkeley, 2000

  3. “Artistic Geometry” The role of the computer in: • the creative process, • aesthetic optimization. Collaboration with…

  4. Virtual Model Making for Mathematically Inspired SculpturesArt-Math'97, SUNY, Albany, 1997. B. Collins “Hyperbolic Hexagon II ”

  5. Closing the Loop straight or twisted

  6. Brent Collins’ Prototyping Process Mockup for the "Saddle Trefoil" Armature for the "Hyperbolic Heptagon" Time-consuming ! (1-3 weeks)

  7. “Sculpture Generator I”, GUI

  8. V-art VirtualGlassScherkTowerwith MonkeySaddles(Radiance 40 hours) Jane Yen

  9. Art, Math, and ComputersBRIDGES’98, Winfield KS, July 29, 1998

  10. Virtual Prototyping of Geom. SculpturesComputers & Sculpture, Chicago,1998. Solar Arch (with Brent Collins)

  11. Collins’ Fabrication Process Wood master patternfor sculpture Layered laminated main shape Example: “Vox Solis”

  12. Slices through “Minimal Trefoil” 50% 30% 23% 10% 45% 27% 20% 5% 35% 25% 15% 2%

  13. Profiled Slice through “Heptoroid” • One thick slicethru sculpture,from which Brent can cut boards and assemble a rough shape. • Traces represent: top and bottom,as well as cuts at 1/4, 1/2, 3/4of one board.

  14. Emergence of the “Heptoroid” (1) Assembly of the precut boards

  15. Emergence of the “Heptoroid” (2) Forming a continuous smooth edge

  16. Emergence of the “Heptoroid” (3) Smoothing the whole surface

  17. The Finished “Heptoroid” • at Fermi Lab Art Gallery (1998).

  18. Various “Scherk-Collins” Sculptures

  19. Hyper-Sculpture: “Family of 12 Trefoils” W=2 W=1 B=1 B=2 B=3 B=4

  20. Computer-Augmented InspirationISAMA 99, San Sebastian, 1999. Doubly-wound Scherk-Collins Toroid

  21. “Cohesion” SIGGRAPH’2003 Art Gallery

  22. Analogies from 2D to 3D: Exercises in Disciplined CreativityBRIDGES, Winfield KS, 1999. 3D Yin-Yang

  23. Turning Math Models into SculpturesMOSAIC 2000, Seattle, 2000. Triply Twisted Figure-8 Klein Bottle

  24. Symmetries on the SphereISIS Symmetry Congress, Sydney, 2001. 60 Butterflies

  25. Viae Globi - Pathways on a SphereMathematics and Design, Geelong, 2001.

  26. Sculpture DesignVirtual Systems & Multimedia,Berkeley, 2001 Galapagos (version 5), inspired by Brent Collins

  27. 3D Visualization Models of the RegularPolytopes in  4 DBRIDGES_5, Towson MD, 2002. 4D “120-Cell”

  28. Volution’s EvolutionMeeting Alhambra, Granada, 2003

  29. Modular Minimal Surfaces of Increasing Genus, Embedded in a Cube Volution_0 Volution_5

  30. Whirled White Web: Art & Math in SnowSnow-sculpting,Breckenridge, CO, 2003

  31. The Winners 1st: Canada – B.C., 2nd: USA – Minnesota, 3rd: USA – Breckenridge “… sacred geometry … very intricate … very 21st century !”

More Related