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IVSA, San Francisco, 11-13 August 2004 White man, black neighbourhood: 30 years of photography Dr Max Farrar School of Social Science Leeds Metropolitan University, UK m.farrar@leedsmet.ac.uk. Theoretical framework. My sociology: structures and interactions
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IVSA, San Francisco, 11-13 August 2004 White man, black neighbourhood: 30 years of photography Dr Max Farrar School of Social Science Leeds Metropolitan University, UK m.farrar@leedsmet.ac.uk
Theoretical framework • My sociology: structures and interactions • Structures of alienation, exclusion, oppression • Human subjects in value-driven social interactions • Marx/Weber/Sartre/Levinas • My inner-city, multi-ethnic photography: • Negotiating/reducing social distance; photography as a social relationship • Representing the possibilities for ethical, inclusive social relationships
1970s: politics is personal • Self: white, twenty-something, graduate student, middle class, male, libertarian socialist • The Others: South Asian, African-Caribbean, white European, all ages, male, female, all ages, all politics • Black Power militants || “White radicals” “missionaries” • Photography (for Chapeltown News): distance (in spatial/social relations)
Linton Kwesi Johnson, dub poetUhuru Arts event at Cowper Street School, Chapeltown, Leeds, June 1974
The 1980s: personal politics • Self: still white, now thirty-something, local legal advice worker, plenty of cultural capital, not much economic capital, male but pro-feminist, lib-soc but losing faith • The Others: as before; but segmenting, communal politics is growing • For some, new personal and political alliances develop, across ethnic boundaries • Photography: campaigning (distance); and personal (in closer)
1990s, 21st C . . . post-sociology; the radical politics of representation • Thatcher/Regan: the dominance of narcissistic individualism • The new radical politics of ethical, embodied subjectivity • “The photographer’s assistants”; and our children: bridging social distance • Levinas’ ethics: responsibility for the Other is called up by his/her face • Social documentary photography as an incitement to ethical responsibility
Children, families, friendshipsSarah, Ros, Michelle, Claudia, Rose, our house, September 1990
Levinas: an ethics called into play by the encounter with a human face “The presentation of the face puts me in relation with being. The existing of this being . . . Is effectuated in the non-postponable urgency with which he (sic) requires a response. The face in its nakedness as a face presents to me the destitution of the poor one and the stranger . . . [who] presents himself as an equal . . . It is my responsibility before a face looking at me . . . that constitutes the original fact of fraternity . . . Equality is produced where the other commands the same and reveals himself to the same in responsibility . . . It cannot be detached from the welcoming of the face . . . Society must be a fraternal community to be commensurate with the straightforwardness, the primary proximity, in which the face presents itself to my welcome.” Levinas, E ‘Useless Suffering’ in Bernasconi, R and Woods, D (eds) (1988) The Provocation of Levinas, London: Routledge
Culture T, Community Radio DeeJay Making photo opportunities, an apartment in Chapeltown, September 1989
Nerious Joseph & Stone Roots in rehearsal Another Chapeltown apartment, July 1990
“A” family wedding: scars and YardiesLeeds Register Office, October 1995
Linton Kwesi JohnsonInternational Radical Black Book Fair, Leeds, November 1995
Michelle’s dad and other friends: our summer party just north of Chapeltown, July 2004
Conclusion: faces, friendship, photos, ethics A wedding party, near Chapeltown, July 2001
Academic narcissism . . . My book: The Struggle for ‘Community’ in a British Multi-Ethnic Inner-city Area (Edwin Mellen, 2002) My web-site: www.maxfarrar.org.uk