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Exploring Cinematic Fundamentals: An In-depth Guide

Discover the key elements of filmmaking, including mise-en-scène, lighting, cinematography, sound, editing techniques, and classic Hollywood film structure. Gain insights into shot composition, scene organization, and continuity systems to enhance your understanding of the art of cinema.

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Exploring Cinematic Fundamentals: An In-depth Guide

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  1. Filmatiske grunnelementer

  2. Filmatiske grunnelementer • Mise-en-scène • Setting • Skuespill • Lys: hardt, mykt, front, side, mot, under, over, ”high key”, ”low key”, fargelegging

  3. Filmatiske grunnelementer • Mise-en-scène • Setting • Skuespill • Lys: hardt, mykt, front, side, mot, under, over, ”high key”, ”low key”, fargelegging • Kinematografi • Utsnitt: nær, halvnær, halvtotal, total (+ultranært, oversiktsbilde) • Format: academy, widescreen, cinemascope • Objektiv: 50mm-35mm, 35mm, 90-100mm • Hastighet • Perspektiv og bevegelse • Zoom

  4. Filmatiske grunnelementer • Filmlyd • Reallyd, dialog, musikk, effektlyd (+stillhet) • Diegetisk/ikke-diegetisk • Klipping • Klipp = Sammenspleising • Parallellklipping vs. kryss-klipping • Overganger: overtoning, uttoning, wipe/swish-pan, jump cut

  5. Filmatiske grunnelementer • Klassisk Hollywood-film: • Tre variabler: selv-bevissthet, kunnskap, kommunikasjon • Organisering i tid: titler, match-on-action-klipp (uten lydklipp), parallellklipping/kryssklipping • Organisering i rom: sentrerte komposisjoner (reframing, frame cut), personifisering av rom (eks. plan américain), eyeline match vs. POV (Point-of-view), analytisk klipping, shot/reverse shot, 180º-regelen

  6. Filmatiske grunnelementer

  7. Filmatiske grunnelementer • Inndelinger • Skudd = Den enkelte innstilling • Scene = fullfører årsak-virkningsforholdet og starter nytt (Bordwell et.al 1985) • Sekvens = enhet i tid, rom og handling (Bordwell et.al. 1985) • Kontinuitetssystemets tre formelle grunnpilarer: Etableringsskudd, analytisk klipping, karakter-bevegelse • De klassiske funksjoner: • 1) Definere rom • 2) Være en allvitende, ”utvelgende instans” - det er karakterens ønsker og psykologi som styrer handlingen

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