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neo dada. yves klein. nimeta sinine monokroom (IKB 82) 1959 puitlaastplaat, švammid, pigment, kustvaik 36 1/4 x 28 1/4 x 1 1/4 inc. yves klein. sinine pesukäsn 1959 kuiv pigment, sünteetiline käsn, metall, kivi 35 x 12 x 10. yves klein. reljeef ja sinine käsn No. SG 1254 1960
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yves klein • nimeta sinine monokroom (IKB 82) • 1959 • puitlaastplaat, švammid, pigment, kustvaik • 36 1/4 x 28 1/4 x 1 1/4 inc
yves klein • sinine pesukäsn • 1959 • kuiv pigment, sünteetiline käsn, metall, kivi • 35 x 12 x 10
yves klein • reljeef ja sinine käsn No. SG 1254 • 1960 • puitlaastplaat, švammid, pigment, kustvaik • 145/116
yves klein • Anthropométrie à Campagne-Première, 1960. 14, rue Campagne-Première, Paris • (antropomeetria)
yves klein • antropomeetria • 1960
yves klein • sinise epohhi antropomeetria (ANT 82) • 1960 • 155 x 281
yves klein • antropomeetria: printsess Helena • 1960 • õli paberil ja puul • 198/128,2
yves klein • antropomeetria • 1960
yves klein • antropomeetria (ANT 101) • 1960 • õli paberil ja puul • 420/200
yves klein • manifesto dell’Hotel Chelsea • 1961
yves klein • Peintures de Feu • 1961
yves klein • hüpe tühjusesse • trükk • 35/27
Jasper Johns • Flag • 1954–55 • Encaustic, oil, and collage on fabric mounted on plywood (three panels) • 107.3 x 154 cm • The Museum of Modern Art, New York
Jasper Johns • White Flag • 1955 • Encaustic, oil, newsprint, and charcoal on canvas • 198.9 x 306.7 • The Metropolitan Museum of Art, NY
Jasper Johns • Flag above White with Collage • 1955 • Encaustic and collage on canvas • Kunstmuseum Basel
Jasper Johns • Target with Four Faces • 1955 • encaustic on newspaper and cloth over canvas surmounted by four tinted-plaster faces in wood box with hinged front • The Museum of Modern Art, New York
Jasper Johns • Target with Plaster casts • 1955 • encaustic on canvas with plaster casts • 129,5x111,8x8,9 • Leo Castelli Gallery, New York
Jasper Johns • Green Target • 1955 • Encaustic and collage on canvas • 152.4 x 152.4 cm • The Museum of Modern Art, New York
Jasper Johns • Flag on Orange Field • 1957 • Encaustic on canvas • 66 x 49 in. • Museum Ludwig, Cologne
Jasper Johns • Three Flags • 1958 • Encaustic on canvas • 78,4x115,6x12,7 • Whitney Museum of American Art, New York
Jasper Johns • False Start • 1959 • Oil on canvas • 170.8 x 137.2 cm • Collection David Geffen, Los Angeles
Jasper Johns • Painted Bronze • 1960 • Oil on bronze • Overall: 14 x 20.3 x 12 cm • Museum Ludwig, Ludwig Donation, Cologne
Jasper Johns • Painted Bronze • 1960 • Painted bronze • 34.3 x 20.3 cm diameter • Collection the artist
Jasper Johns • Map • 1961 • 198.1 x 312.7 cm • Encaustic, oil, and collage • Museum of Modern Art, New York
Jasper Johns • Device • 1961-62 • Oil on canvas with objects • 182.9 x 122.5 cm • Dallas Museum of Fine Arts
Jasper Johns • Diver • 1962 • Oil on canvas with objects (five panels) • 228.6 x 431.8 cm • Collection Norman and Irma Braman
Jasper Johns • Fool's House • 1962 • Oil on canvas with objects • 182.9 x 91.4 cm • Collection Mr. Juan Christophe Castelli
Jasper Johns • Map • 1963 • Encaustic and collage on canvas • 152.4 x 236.2 cm • Private collection
Jasper Johns • Periscope (Hart Crane) • 1963 • Oil on canvas • 170.2 x 121.9 cm • Collection the artist
Jasper Johns • Souvenir 2 • 1964 • Oil and collage on canvas with objects • 73 x 53.3 cm • Collection Mr. and Mrs. Victor W. Ganz
Jasper Johns • Watchman • 1964 • Oil on canvas with objects • 215.9 x 153 cm • Collection Mr. Hiroshi Teshigahara, Tokyo
Jasper Johns • Untitled • 1972 • Oil, encaustic, and collage on canvas with objects (four panels) • 183 x 490 cm • Museum Ludwig, Ludwig Donation, Cologne
Robert Rauschenberg • Red Painting • 1953 • Oil, fabric, and newspaper on canvas, with wood • 73,7x84,7 • Guggenheim Museum, NY
Robert Rauschenberg • Collection • 1954 • Combine painting • San Fransisco Museum of Modern Art
Robert Rauschenberg • Bed • 1955 • 191.1 x 80 x 20.3 • Combine painting: oil and pencil on pillow, quilt, and sheet on wood supports • Museum of Modern Art, New York
Robert Rauschenberg • Lincoln • 1958 • Combine painting • Art Institute of Chicago
Robert Rauschenberg • Coca-Cola Plain • 1958 • Combine painting • The Museum of Contemporary Art, Los Angeles
Robert Rauschenberg • Odalisque • 1955-58 • 205x44x44 cm • Combine Painting: wood, material, wire, grass, photographs, metal, stuffed rooster, 4 lightbulls • Museum Ludwig, Cologne
Robert Rauschenberg • Monogram • 1955-59 • Freestanding combine • 42 x 64 x 64 1/2 in • Moderna Museet, Stockholm
Robert Rauschenberg • Canyon • 1959 • Combine on canvas • 219,7x179,1x57,8 • Sonnabend Gallery, NY
Robert Rauschenberg • Pilgrim • 1960 • mixed mediums with wooden chair • 79 x 54 x 19 in. • Hamburger Kunsthalle
Robert Rauschenberg • Black Market • 1961 • Combine painting: canvas, wood, metal, oil • 152x127 • Museum Ludwig, Cologne
Robert Rauschenberg • First Landing Jump • 1961 • Combine painting: cloth, metal, leather, electric fixture, cable, and oil paint on composition board, with automobile tire and wooden plank • 226.3 x 182.8 x 22.5 The Museum of Modern art, NY
Robert Rauschenberg • Almanac • 1962 • Oil, acrylic and silkscreen on canvas • 244,3 x 152,4 cm • Tate Gallery, London
Robert Rauschenberg • Brace • 1962 • Oil and silkscreen ink on canvas • 152.4 x 152.4 • Collection of Robert and Jane Meyerhoff
Robert Rauschenberg • Untitled • 1963 • 208,3x121,9 • Oil, silkscreened ink, metal, and plastic on canvas • Guggenheim Museum, NY
Robert Rauschenberg • Estate • 1963 • Oil and silkscreen ink on canvas • 243.8 x 177.8 • Philadelphia Museum of Art
Robert Rauschenberg • Kite • 1963 • Oil and colour serigraphied on cancas • 213x152 • Rovereto MART
Robert Rauschenberg • Retroactive I • 1964 • Oil and silkscreen ink on canvas • 213.4 x 152.4 cm • Wadsworth Athenuem, Hartford, Connecticut