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The Color Wheel and Color schemes. Additive color. Subtractive colors. Hue: Color. The words hue and color can be used interchangeably as the name for a given color. Red is a hue, Red-Orange is a hue. Light green is not a hue. Brownish-pink is not a hue. Primary And Secondary Colors.
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Hue: Color The words hue and color can be used interchangeably as the name for a given color. Red is a hue, Red-Orange is a hue. Light green is not a hue. Brownish-pink is not a hue.
Primary And Secondary Colors • RED/ Green BLUE/ Orange Yellow/ Violet
Tertiary colors:Primary+secondary colors • Yellow-Green • Yellow-Orange • Red-Orange • Red-Violet • Blue-Violet • Blue-Green
Pierre Bonnard: Tertiary colors: yellow orange, blue violet,
Monochromatic color scheme Uses only one color and a variety of tints (white added) and shades (black or grey added) of that color
Analogous color schemes Uses colors that are next to each other on the color wheel. This creates a very unified design, but with more visual interest than in a monochromatic scheme.
Complementary color scheme Colors that are opposite one another on the color wheel are complements. Complementary Color schemes utilize one complementary dyad (pair). Red-----Green Blue-----orange Yellow----purple
These are very eye-catching designs, but have the potential to be very jarring. Your choice of saturation will be very important.
Split-complementary color scheme A color combined with the two colors surrounding it’s complement. slightly more sophisticated and less aggressive than a complementary scheme. Purple—Yellow-orange—Yellow-green
Kehinde Wiley Red-Orange; Blue; Green
Quadratic • Four colors, equally spaced in the color-wheel
Willem DeKooning Blue-violet---Yellow-Orange Green---Red
Triadic Color Scheme • 3 equally spaced colors
Bridget Riley Blue-green, Blue-Violet, Yellow-Orange
Warm Colors: what effect do warm colors have on a composition? EgonSchiele, Portrait of Paris von Gutersloh
Cool Cool colors: Blues, greens, some violets Helen Frankenthaler
TINTS: Color + White • Shades: Color + Black
Mary Cassatt, A kiss for baby Anne, ---How does the use of tints relate to the content of the piece?
Mark Rothko How does the use of SHADES affect our read of this piece? What is the emotional content?
Ryan McGinness Full Saturation, aka, HIGH KEY colors