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Building CineGrid on GLIF

Building CineGrid on GLIF . Tom DeFanti Research Scientist California Institute for Telecommunications and Information Technology University of California, San Diego Distinguished Professor Emeritus of Computer Science University of Illinois at Chicago Laurin Herr Pacific Interface, Inc.

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Building CineGrid on GLIF

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  1. Building CineGrid on GLIF Tom DeFanti Research Scientist California Institute for Telecommunications and Information Technology University of California, San Diego Distinguished Professor Emeritus of Computer Science University of Illinois at Chicago Laurin Herr Pacific Interface, Inc.

  2. Digital Movies and Beyond 10s to 100’s of Megapixels Tiled Displays 10 - 100’s Gbps 8K (projector) 1 - 24 Gbps 8K x 60 500 Mbps - 15.2 Gbps Stereo 4K 4K2 x 24/30 4K x 24 250 Mbps - 7.6 Gbps Digital Cinema 2K2 x 24 2K x 24 Stereo HD 200 Mbps - 3 Gbps HD2 x 30 HDTV 100 Mbps - 1.5 Gbps HD x 24 - 60 25 Mbps Consumer HD HDV x 24 - 60 Source: Laurin Herr

  3. Economic Impact of Cinema in California Major Employment from Movie Industry in California by County In 2005, movie production provided employment for over 245,000 Californians, with an associated payroll of more than $17 billion A 2-hour movie digitally scanned and compressed at 500Mb/s takes 450 GBytes Hollywood alone makes 250 movies a year http://www.google.com/maps?q=http://research.calit2.net/a2i/ca.kmz Source: Laurin Herr and Jerry Sheehan

  4. CiscoWave: New Capacity for CineGrid Members PacificWave 1000 Denny Way (Westin Bldg.) Seattle StarLight Northwestern Univ Chicago Level3 1360 Kifer Rd. Sunnyvale McLean Equinix 818 W. 7th St. Los Angeles Cisco has built 10 GigE waves on NLR and installed big 6506 switches for access points in San Diego, Los Angeles, Sunnyvale, Seattle, Chicago and McLean for CineGrid Members Some of these points are also GLIF GOLEs CENIC Wave Calit2 San Diego CiscoWave core PoP 10GE waves on NLR and CENIC (LA to SD) Source: John (JJ) Jamison

  5. What is CineGrid? CineGrid is a non-profit international membership organization established in 2007 based on collaborative efforts, since iGrid 2002 in Amsterdam, of leaders in the fields of advanced networking and digital media technology from Japan, America, Canada, and Europe. CineGrid is building an interdisciplinary community for the research, development, and demonstration of networked collaborative tools to enable the production, use, and exchange of very high-quality digital media over photonic networks. CineGrid is built on GLIF links by GLIF members. CineGrid organizes major demonstrations with many GLIF users.

  6. Historic Convergence Motivates CineGrid • State of the art of visualization is always driven by three communities • Entertainment, media, art and culture • Science, medicine, education and research • Military, intelligence, security and police • All three communities are converting to digital media with converging requirements • Fast networking with similar profiles • Access shared instruments, specialized computers and massive storage • Collaboration tools for distributed, remote teams • Robust security for their intellectual property • Upgraded systems to allow higher visual quality, greater speed, more distributed applications • A next generation of trained professionals

  7. CineGrid Founding Members • Keio University DMC • Lucasfilm Ltd. • NTT Network Innovation Laboratories • Pacific Interface Inc. • Ryerson University/Rogers Communications Centre • San Francisco State University/INGI • Sony Electronics America • University of Amsterdam • University of California San Diego/Calit2/CRCA • University of Illinois Chicago/EVL • University of Illinois at Urbana-Champaign/NCSA • University of Southern California/School of Cinematic Arts • University of Washington/Research Channel The Founding Members of CineGrid are an extraordinary mix of media arts schools, research universities, and scientific laboratories connected by 1GE and 10GE networks used for research and education

  8. CineGrid Institutional Members • California Academy of Sciences • Dark Strand • JVC America • Louisiana State University CCT • Nortel Networks • Renaissance Computing Institute (RENCI) • Sharp Labs USA • Sharp Corporation • Tohoku University/Kawamata Laboratory • Waag Society CineGrid members operate their own digital media facilities and cyberinfrastructure for digital cinema and HDTV production, post-production, distribution and exhibition distributed on a global scale, as well as for telepresence, distance learning and scientific visualization.

  9. CineGrid Network / Exchange Members • CANARIE • CENIC • CESNET • Cisco Systems • CzechLight • Japan Gigabit Network 2 • National LambdaRail • NetherLight • PacificWave • Pacific North West GigaPOP • StarLight • SURFnet • WIDE CineGrid Network/Exchange Members are GLIF Members too

  10. CineGrid Members’ Research • Live performance streaming/video conferencing in 4K and HD with multi-channel sound, point-to-point, one-to-many, and many-to-one • Remote recording of uncompressed 4K camera output in real-time • Stereoscopic motion pictures - acquisition, computer generation and display • Networked multi-channel audio solutions with low latency, accurate sync • Remote collaboration workflows and interactive creative tools • Use of dynamic optical networks • Collaboration on tiled displays to 100s of megapixels • Digital archiving, long-term preservation, and secure distribution • Digital media format conversion, compression and enhancement • Digital film restoration using distributed cluster computing resources • Training and methodologies for next generation media professionals

  11. Digital Cinema at Calit2 • 200 seats • 1GE to every seat • 4K 10000-lumen Sony SXRD • 10.2 sound • 10GE networking to the projector servers: • NTT JPEG2000 • Zaxel Zaxstar • Dell/Nvidia graphics

  12. CineGrid Node at Keio University/DMC, Tokyo Sony 4K Projectors Olympus 4K Cameras Imagica 4K Film Scanner SXRD-105 4K Projector NTT JPEG2000 Codec

  13. Presentation in 4K • Sony’s SXRD 4K projector (5000 or 10000 lumens) • R for Digital Cinema HD-SDI inputs, S for DVI inputs • JVC’s 4K projector (3500 lumens) • Good for rear projection--see it at SC07 • Chimei’s Quad-HD LCD panels • Toshiba, Astro Design, Barco(?),others • Sharp’s DCI 4K LCD displays • DCI Cinema Specification (10-bit color, etc.) • OptIPortal Tiled-display for more than 4K Source: Dr. Ohta, Keio University

  14. Shooting 4K: Digital Motion Picture Cameras • Olympus OctaVision (Quad-HD: 3840 x 2160) • Developed 5 years ago • Real-time transmission of quad-HD • Dalsa Origin II • Cinema lens is available • De-Bayering is necessary • RED Coming: Sony 4K Camera Source: Dr. Ohta, Keio University

  15. Live 4K Video via JPEG2000 (Sender) 4K motion picture camera HD-SDI SW 4K JPEG2000 Encoder 4 x HD-SDI 1-10 Gb/s Only way to do this today ADAT (to HDSP 9652) JPEG2000 Board Source: Dr. Ohta, Keio University

  16. Live 4K Video via JPEG2000 (Receiver) 4K Auditorium 4K JPEG2000 Decoder 1-10 Gb/s 4K Projector ADAT from HDSP 9652 JPEG2000 Board Source: Dr. Ohta, Keio University

  17. Everyday 4K Pre-encoded File Streaming Streaming Server 4K JPEG2000 Decoder 1Gb/s E ADAT form HDSP 9652 Encoded File WAV File Source: Dr. Ohta, Keio University

  18. Shooting Scene in Milan

  19. Production Workflow Recording(Olympus OctaVision Case) Optical Fiber (up to 300 meters) HD-SDI Duomo CSC Rec. 709 D65 G2.2 Rec. 709 D65 G2.2 Rec. 709 D65 G2.2 17” LCD HD CRT HD CRT Converter WFM WFM 4K HDD Recorder Station RAID5 RAID5 Olympus Octavision Camera Olympus Recorder 4K HDD Recorder Portable 3840x2160 24Psf 10bit lin 3840x2160 29.97 Psf 10bit lin 3840x2160 24Psf 10bit UDR File naming & Numbering Back Up Source: Dr. Ohta, Keio University BNC carries HD-SDI 10-bit 4:2:2 single-link SMPTE 292M Optical fiber carries: 4 HD-SDI

  20. Post Production Workflow Example GbE HDSDI Screening Milano Rome Rec. 709 D65 G2.2 Rec. 709 D65 G2.6 HD CRT Screen (SXRD) DCDM DCP 16bit Tiff DSM DCI Compliant Server XSAN Quantel iQ (Pablo) Doremi Encoder 4096x2160 24Psf 10bit DPX lin 4096x2160 24Psf 12bit jpeg2000 lin 3840x2160 24Psf 16bit Tiff 4096x2160 24Psf 16bit Tiff Import Selected images Offline & Online Editing Digital Color Grading Final Cut Pro Finishing (Titling etc.) 4K Rendering Resize 4K to 1280x720 Exchange Format ? Offline Editing (rough) Select and Delete Images Source: Dr. Ohta, Keio University

  21. 4K Pure Cinema Joint Field Trial 2005WB-NTT-TOHO via CineGrid Japan US NTT GemNet2 1 Gbps Tokyo Seattle CineGrid 1 Gbps Osaka Yokosuka Los Angeles Key center Distribution center1 （ＮＴＴ West） Distribution center 2 (NTT) GDMX* （WBEI） Key management Dubbing, Subtitling ＮＴＴ’s Fiber network NTT’s Fiber network Compression, Encryption, File wrapping 1 Gbps 1 Gbps Studio （WBEI） 1 Gbps Theater B （Toho） Theater C （Toho） Theater A （Toho） Burbank Daiba Color adjust, Quality control Takatsuki Roppongi * Global Digital Media Xchange

  22. CineGrid@AES October 2006 LDAC Premiere Theater Keio DMC Tokyo DVTS Sony DV Sony 4K Yamaha Mixers Olympus 4K Camera Audio Sync NTT JPEG2000 CODEC and Server CineGrid California Networks CineGrid International Networks Sync NTT JPEG2000 Servers ProTools Audio Server USC LA UCSD San Diego

  23. CineGrid @ AES 2006Keio Wagner Society String Ensemble

  24. Holland Fest (6/20-22/07) on CineGrid • “ERA LA NOTTE” Star soprano Anna Maria Antonacci sang solo madrigals from the Italian baroque in the setting of a theatrical concert (http://www.hollandfestival.nl/#festival/voorstelling/9043 ) • 4K transmission • JPEG2000 Compressed (500Mb/s) via IRNC/C(ON)2/CAVEwave to Calit2 on Wednesday • Uncompressed via IRNC/JGN2 to Keio on Friday (8bGb/s) • DVCPRO-HD transmission • Compressed (135MB/s) via IRNC/C(ON)2/CAVEwave to Calit2 on Thursday • Replicated and sent to USC, UW, UIC, Ryerson, (Stockholm), Barcelona, (Prague) as 135Mb/s streams, decoded by PCs • All done with vlans set up in a week or so

  25. Swimming Fiber the Last 500m to the Muziekgebouw Photo: Ronald van der Pol

  26. starlight Qvidium gateway AJA COLOR CORRECTION SETUP – GLIF Demo HD-SDI 2x GE SONY SXRD projector PC with iHDTV 10 GE Baselight output GE HD-SDI i-Link Baselight GE GE HD-SDI DVCPRO HD Camera Videoconf input HD-SDI e300 GE 10GE Remote baselight console PC with iHDTV 2x GE C7604 Videoconference output GE i-Link GE Qvidium gateway DVCPRO HD Camera Videoconf input PC with Qvidium SW Videoconference output PC with Qvidium SW

  27. Summary: CineGrid on GLIF • A new goal for GOLEs: global access to cinema production & post production • Geographic location need no longer be a barrier to your customers creating with the highest media production quality • You can bring your local talent and facilities to distant places • You can show support for your projects nationally and internationally • You will point to increased revenue and employment growth in your media industries working with world-wide collaborators, as well as observable bandwidth utilization of GLIF-style networks

  28. Thank You Very Much! • Our planning, research, and education efforts are made possible, in major part, by funding from: • US National Science Foundation (NSF) awards ANI-0225642, EIA-0115809, and SCI-0441094 • State of California, Calit2 UCSD Division • State of Illinois I-WIRE Program, and major UIC cost sharing • Argonne National Laboratory and Northwestern University for StarLight networking and management • National Lambda Rail, Pacific Wave and CENIC • NTT Network Innovations Lab • Cisco Systems, Inc. • Pacific Interface, Inc.

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