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Economic Foundations for Entertainment, Media, and Technology

Explore the economic foundations of vertical integration in the entertainment, media, and technology industries. Learn about its applications, benefits, motivation, and costs, as well as real-life examples of vertical integration in markets such as professional sports, traditional publishing, and financial services. Discover how companies like Universal Studios and Viacom have used vertical integration to gain a competitive edge.

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Economic Foundations for Entertainment, Media, and Technology

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  1. Economic Foundations for Entertainment, Media, and Technology Organization of Firms in E&M IndustriesVertical Integration

  2. Vertical Integration in Markets Financial Services Professional Sports Traditional Publishing Final Consumers

  3. This one’s not a wrap! The benefit of integration

  4. Create Something That Was Not There Before ORLANDO, Fla. — Pull down your lap bars: Universal Studios, the theme park chain now controlled by Comcast, is rolling out new weapons in its battle against Walt Disney Parks and Resorts — and Disney is fortifying its defenses. Universal’s parks have always languished in the shadow of mouse ears, and that will not change anytime soon. Disney has eight parks in California and Florida that attract over 73 million visitors each year, with summer the busiest season. Universal operates three parks, with annual attendance totaling about 18 million. But, Universal is starting to look a lot less puny. A $265 million Harry Potter-themed addition to its resort here sent 2010 attendance soaring 30 percent over the year before, draining attention from Walt Disney World in the process. Universal is now racing to replicate the attraction at its parks in California and Japan while expanding the boy wizard’s presence in Orlando. To maintain momentum, Universal — with more Comcast money — is introducing a swarm of offerings.

  5. Vertical Integration in E&M • Analysis • Where is it observed? • What are the benefits / motivation? • What are the costs? • Applications • Alleged conspiracy of Apple and 5 publishers • Cablevision and home delivery of cable generally • End to end production • Internet service providers and cable operators • The movie business (at several stages)

  6. Vertical Integration in Entertainment and Media • Vertically integrated firms • Viacom, Paramount, Blockbuster • CBS, Showtime: • Disney and ABC • Comcast and NBC/Universal • Clear Channel and Live Nation • Nokia and Loudeye • Microsoft and Nokia (and Loudeye) • What are the gains?

  7. Digital Comix The Seattle-based online company has admired ComiXology and its reader experience for years, said David Naggar, Amazon vice president of content acquisition and independent publishing. He called ComiXology's panel-to-panel "Guided View" technology "the Rolls-Royce in the space.” "It felt like a really strong ability for us to work together and learn from each other," Naggar said. ComiXology will continue to exist as a wholly owned subsidiary of Amazon based in New York City, says CEO David Steinberger, who co-founded ComiXology in 2007. Naggar said there is no timeline for consumers on either the Kindle platform or those with the ComiXology app to notice a difference in their reading experiences. "ComiXology is a strong, healthy business," he said. "There are no plans beyond seeing what we can do to help that business grow, and see what are the ways ComiXology can help Kindle, as well." Foreclosure

  8. The Dolans’ ongoing efforts to buy back the stock of the full company do not relate to this vertical integration. (It does focus its meaning, however.) Cablevision Knicks Rangers Liberty CSC Holdings and Optimum TV: The cable system Optimum Online Homes Radio City Enter. Rainbow Media Lightpath Businesses The Wiz Madison Square Garden FSN Sports Networks to Comcast, Feb. 2007 Clearview Cinemas (Now Bow Tie Cinema, 2013)

  9. Implications of Strongly Multistaged Production:A Motivation for Vertical Integration • Where are the profits created • Where are the profits captured? • Applications: • Book production • Movies • Recorded music • Television

  10. Viacom < Paramount

  11. Larry Gerbrandt is chief content officer and senior analyst at Kagan World Media, a research firm that covers the movie business. http://www.pbs.org/wgbh/pages/frontline/shows/hollywood/interviews/gerbrandt.html Viacom vertically integrated its movie release windows (2001) Viacom is as good an example as any of vertical integration. Paramount produces the movie. In the case of Sumner Redstone, he personally is one of the largest exhibitors in the country. His National Amusements is one of the largest consumers of movies. So it made a lot of sense for him to own not only a studio, but also the other businesses that Viacom has. In the case of Viacom, they also own Blockbuster, so the movies go from Sumner Redstone's theaters to Blockbuster stores. The next window after that, aside from a small pay-per-view window, it then goes to Showtime, its pay window. And then now with CBS, the next window after that is a network window and then it goes, could go into syndication on the CBS TV stations. So, in theory, a hit Paramount film can actually play on virtually every one of its windows on a Viacom property. And in each case, they can maximize the revenue that is generated from that. Of course, they can't program 100 percent of all of those assets with just Paramount. They do have to go out and source films from other studios. But at least for what Paramount generates, they extract pretty much maximum revenue or, more important, maximum profit at each window of exhibition. The large question of all of this is what is the benefit of this integration? E.g., why would Viacom want to own Blockbuster?

  12. Benefits of Vertical Integration All arise from some market failure • Lower transaction costs: Firm organizational limitations • Transactions involving information • Avoidance of government restrictions, taxes, or regulations. • Extension of market power (forward or backward) • Avoidance of upstream market power • Assurance of steady or reliable input supply • Murdoch’s purchase of Manchester United • Internalization of market failures • Franchising reduces problems of free riding

  13. BSkyB News’ View of Manchester United Murdoch Soccer Deal Sets Up Bigger Play Goals for Media Empire Motivate $1-Billion Purchase of Famed Team MARJORIE MILLER, Times Staff Writer LONDON--There is one reason media mogul Rupert Murdoch would spend $1 billion and change to buy Britain's most revered soccer team--more than three times what he paid for the Los Angeles Dodgers--and it is not just to tweak the noses of Manchester United fans.      Even more than potential profits, owning one of the leading teams in the world's most popular sport gives Murdoch's News Corp. enormous clout with broadcasters worldwide, while guaranteeing that its games never leave the company's flagship satellite service, British Sky Broadcasting, an international cable news and entertainment network that is the dominant pay television source in Britain. Manchester United was purchased in 2004 by Malcolm Glazier for $1.44 billion.

  14. Costs of Vertical Integration • Private costs • Loss of economies of scale • Organizational complexity • Assumption of risk • Social costs • Creation or extension of market power (1948 Paramount case – forced divestiture of theaters by studios) • Possible cartelization

  15. Foreclosure by Backward Integration?  Echo Nest Music Data Service      Pandora Spotify Rhapsody Beats

  16. A Football Mini-Case Study The XFL – 4th and Long Football History The Major Player: NFL National Football League (NFL) 1920, 10 teams, Akron, Ohio American Football League (AFL) 1960, AFL merged with NFL, 1966, one schedule, 1970. The Competitors and Entrants • WFL: 1974-1975 • USFL: 1983-1985 • World League: 1991 • Arena Football League: 1987 – (a couple incarnations) • XFL: 2001 (RIP) • UFL: 2009 - 6 teams, 2012 – 4 teams. • Formative. • Attempted sale of 30% interest to NFL failed • Ceased operation in 2012 with only 5 teams existing

  17. Football LeagueNFL XFL Labor Pool Labor Pool Other inputs NFL Draft WWF/NBC NY LA CLE CHI Homes ABC NBC ESPN FOX Is it vertical integration? Is it a cartel in the labor market? Why were salaries so low compared to NFL? What does WWF bring to the party? Homes

  18. About the XFL: Economics • What was the form of entry? – What was the product? Innovation? • What was the market structure? • Production structure? • What was the demand? (What market segment)? • Was the product priced? How? • Why was there no profit? Why did it fail?

  19. The Real XFL – 2007, 2010, 2012, 2013 2014 – A Texas Minor League: XFLFootball.com, but …

  20. Professional Football Monopoly • Monopoly based on • Economies of scale at several points • Barriers to entry • Vertical integration, foreclosure • Attempt(s) to enter • Strategy • Success (or lack of) – Why?

  21. Concert Production Live Nation's mission is to maximize the live concert experience. Our core business is producing, marketing and selling live concerts for artists via our global concert pipe. Live Nation is the largest producer of live concerts in the world, annually producing over 16,000 concerts for 1,500 artists in 57 countries. The company sells over 45 million concert tickets a year and expects to drive over 60 million unique visitors to LiveNation.com in 2008. Live Nation is transforming the concert business by expanding its concert platform into ticketing and building the industry's first artist-to-fan vertically integrated concert platform.

  22. Ticketmaster

  23. A Merger Made in Heaven?

  24. Vertically Integrated Live Nation • The Back End • Frontline Management: Madonna, Jay-Z, Nickelback, Miley Cyrus, The Eagles, 200+ others • The Venues • Gibson Amphitheater, The House of Blues… • The Tickets: Ticketmaster • The Secondary Market (Scalpers): Tickets Now • The Issue: Is there market power? • British competition authority thinks so – rejected the merger in the UK http://www.reuters.com/article/industryNews/idUSTRE59F4CO20091016

  25. Antitrust approval of Live Nation-Ticketmaster mandated that tickets be made available to Anschutz Entertainment Group.

  26. Vertical Integration in Sports Broadcasting: League Networks?

  27. Alternative Distribution: What does the NFL gain by becoming the network?

  28. WWE Is Now a Network

  29. The Paramount Case (1948) • Block booking • Forward integration: theaters • Backward integration: the “studio system” (An exercise in monopsony power) • The Case http://www.cobbles.com/simpp_archive/1film_antitrust.htm

  30. Echoes of Paramount • Paramount, 1920s – 1940s  The Paramount Case • ABC and CBS backward integration into the movie business, 1970s when the cost of a film for network broadcast rose 800% from 1961-1967. Produced 50% of their own output from 1967-1971. • Does this strategy reduce cost? • Violated Paramount • Violated the FCC’s Fin-Syn rules. (To be revisited later.) • 1980s studios reintegration into exhibition: 1986, MCA bought 50% of Cineplex-Odeon. 1987, Columbia bought all of TriStar. • 1980’s Time Inc. bought Warner Bros. linking cable networks and studios. Then, Turner Broadcasting. • 20th Century Fox acquired built Fox broadcasting. • Sony (electronics) acquired Columbia Pictures. (Shades of The Wiz?) • IN EACH CASE, IS THERE A CLEAR BENEFIT?

  31. Nor is this one.

  32. Comcast Redux, October 2009 • Comcast • (Cable & Internet) • Regional sports networks • E Entertainment • + NBC Universal (minus Vivendi) • Backwards: • Universal pictures • Forward: • Telemundo, NBC, MSNBC, CNBC, USA Network • Hulu (partly owned by NBC) • Sideways: Universal Theme Parks • Horizontal (2014) Time Warner Cable

  33. Yahoo Integration – More or Less

  34. Vertical Disintegration: Yahoo Music is no more. Outsourced to CBS.

  35. Yahoo music is not music; it is about music

  36. Vertical Disintegration: AOL

  37. Market Structure Evolves Millions of songs!

  38. Music Download – Backward Integration FRANKFURT, March 25 (Reuters) - German retailer Metro AG has taken a controlling stake in Britain's 24-7 Entertainment, which supplies technology used in music downloads, Metro said on Wednesday. 24-7 managed 93 million downloads in Europe last year. The London based company operates 41 download stores in 13 countries and has licenses with more than 12,000 record labels.

  39. More Backwards Integration Nokia and Loudeye Corp. announced that they have signed an agreement for Nokia to acquire Loudeye for approximately USD 60 million. Loudeye is one of the global leaders of digital music platforms and digital media distribution services. By acquiring Loudeye, Nokia can offer consumers a comprehensive mobile music experience, including devices, applications and the ability to purchase digital music.The multi-function mobile device will become the preferred medium for enjoying music and Nokia is leading this trend. With music optimized products like the Nokia N91 and other Nokia devices, Nokia sold more than 15 million music enabled devices in the 2nd quarter, making it the world's largest manufacture of digital music players.

  40. Microsoft owns Nokia … and Loudeye One Year Later …

  41. Entertainment and Media: Markets and Economics Coming Soon: A Theater Near You http://www.marketplace.org/topics/business/movie-theaters-move-beyond-ticket-price

  42. Coming Soon: A Theater Near You • Studios and Exhibitors • The Problem of “Holdup” • Incentives of the Two Parties • Vertical Integration • Forward by the Studios • Backward by the Exhibitors • Bollywood’s Boycott of Major Theater Chains

  43. Evolution of a Holdup Problem FX2 -30% What about Bob? +22% Backdraft -28% City Slickers -13% Robin Hood -29% Naked Gun -44% Terminator 2 -35% Hot Shots! -26% The Mummy Returns -50% Shrek even Pearl Harbor -50% Swordfish -30% Lara Croft -59% Fast and Furious -50% A.I. -52% Cats and Dogs -45% Legally Blonde -46% Jurassic Park III -56% Planet of the Apes -60% In ’80s and ‘90s: (1) 15,000 new screens were built – increase to 36,000 by 2000 (2) Nearly all theater chains were in bankruptcy (3) Movie distribution contracts give up to 80% of the first week’s “box office” to studios. Summer 1991 Summer 2001 Dropoff in 2nd Week Revenues of the Number one Movie, by Week

  44. Same Market Results: 10/2009

  45. A number of movie theater circuits are refusing to put tickets on sale for Iron Man 3 even though its one of this summer’s most anticipated hits when it opens May 3rd. That’s because Disney decided to leverage the film in order to renegotiate the studio’s future terms with the chains beginning with this humongous Marvel blockbuster. I’m told that AMC, one of America’s largest exhibitors, is among those holding out even though the Robert Downey Jr movie opens wide in North America in just 17 days. Some chains were selling advance tickets — and then stopped. Distributors tell me Disney hasn’t negotiated its terms with the movie chains in several years — not even for Summer 2012′s huge tentpole The Avengers — so the studio thinks it’s due for a new overall deal on future Disney titles. http://www.bloomberg.com/news/2013-04-26/disney-settles-dispute-with-exhibitors-over-iron-man-3-.html

  46. Solutions to Holdup Diversify the specific capital: What else can you do with a movie theater? Vertical integration Theaters and the Paramount case Sony and Leows Theaters

  47. NationalCinemedia.com Fathom Business Events

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