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Classical Greek / Roman. Greek idealism Balance Perfect proportions Human perfection Technicality. Byzantine Christian / Late Roman. Favored symbolism over realism Highly religious Keen on production rather than content Lack of perspective. Medieval Byzantine / Gothic.
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Classical Greek / Roman • Greek idealism • Balance • Perfect proportions • Human perfection • Technicality
Byzantine Christian / Late Roman • Favored symbolism over realism • Highly religious • Keen on production rather than content • Lack of perspective
Medieval Byzantine / Gothic • Rigorous religious conventions • Expressive use of line, color and patterns • Judged by richness of materials and skill
Renaissance • Classical ideals of beauty and form • Anatomical and scientific accuracy • Sensual and psychologic response to color and composition • Appreciation of classical content as theme
Mannerism • Personal and idealized form of beauty • Exaggerated physiques • Contorted figures Portrait of Laura BattiferriBronzino
Baroque • Realistic subjects, spectacular action • Powerful emotions • Asymmetric and diagonal composition • Chiaroscuro David with the head of GoliathCaravaggio
Rococo • Grandeur • Highly ornate • Pompous • Reaction to Baroque, lighter, brighter, simpler themes The progress of loveFragonard
Neoclassic • Return to classics • Historical accuracy • Heroism, Virtue, Patriotic themesas allegories to contemporary thought Napoleon crossing the AlpsJacques Louis David
Romanticism • Expression of emotion through motion and color • Emotive sensual themes • Imagination and individuality • Beauty and power of nature instead of classical mythology The Fighting Temeraire JMW Turner
Realism • Focused on everyday reality • Objective truth, reflection of social reality • Visual reality Arrangement in Grey and Black No. 1 Whistler
Impressionism • Colourful • Effects of colour and light in nature • Captures the atmosphere and weather • Shadow isn’t dark • Worked outdoors The White Water Lillies Claude Monet
Postimpressionism • Emotional • Structural • Symbolic • Spiritual • Rebelled against limitations in impressionism Café Terrace at Night Vincent Van Gogh
Expressionism • Highly emotional • Highly spiritual • Distorted shapes • Exaggerated colors • Colors as a depiction of feelings • Deepening roots towards a self-consciousness The Red Tower at Halle Kirchner
Abstract Art • Abstraction, semi or total. • Deconstructs elements to its basics • Uses visual elements to signify meaning • Has several branches to follow: Violin and Pitcher Braque
Cubism • Ignores tradition of perspective • Shows several views at once AmbroiseVallard Pablo Picasso
Futurism • Favouredindustrialisation, technology, transportation • Noise, speed, energy of urban lifestyle • The object moves around, not the artist. The Rhythm of the Violinist GiacomoBalla
Suprematism • Purely geometric • Rejects representational images • Pure forms have greater power Suprematism Kazimir Malevich
De Styjl • Harmony • Universal • Deeply spiritual Composition with White and Yellow Piet Mondrian
Dadaism • Anti-art • Alive and not corrupted to tradition • Pastiche • Against order Tatlin at home Raoul Hausman
Surrealism • Positve response to dadaism • Liberate imagination through subconscious • Draw the “superior reality” the “su-reality” • Images of dreams Time Transfixed René Magritte
Abstract Expressionism • Spiritual • Automatism • Known as Action-Painting Full Fathom Five Jackson Pollock
Pop Art • Brash • Colorful • Young • Fun • Hostile to the establishment • Consumer culture Cambell’s Soup 1 (Tomato) Andy Warhol
Op Art • Optical • Abstract • Illusionistic • Illusion of movement Gestalt 4 Victor Vasarely
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