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Camera/Editing beyond the cut. Last year we learned about the basic editing techniques that construct plausible time and space for ‘realistic’ narratives. The Cut Match on action Eyeline match 180 degree rule Crossfade. Camera/Editing beyond the cut.
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Camera/Editing beyond the cut • Last year we learned about the basic editing techniques that construct plausible time and space for ‘realistic’ narratives. • The Cut • Match on action • Eyeline match • 180 degree rule • Crossfade
Camera/Editing beyond the cut • We can move on now to examine some of the techniques that are used in contemporary editing. • These techniques do not necessarily work to create ‘seamless’ narrative. Some of them quite the opposite.
Jump cut http://uk.youtube.com/watch?v=HVlZjJfXYfU http://www.youtube.com/watch?v=BPQ9ZOrXjzY
Whip cut http://www.metacafe.com/watch/1023480/editing_illusions_the_whip_cut_tutorial/ http://uk.youtube.com/watch?v=u-X-WXN43Us
Infinity sweep http://uk.youtube.com/watch?v=YIoBK2I181g
Dolly zoom http://uk.youtube.com/watch?v=Y48R6-iIYHs http://uk.youtube.com/watch?v=iv41W6iyyGs
Split view http://www.youtube.com/watch?v=MnFOJb2-ebQ
Split screen http://uk.youtube.com/watch?v=3RMp32GPWww http://uk.youtube.com/watch?v=obgdj9ZXnYM
Jog/shuttle through the non important action As seen in Green Wing