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If God Can Hear Your Most Inner Thoughts… Why are Praise Bands so Loud?. Jan Moore, Elizabeth Lewis, Courtney Smejdir , & Kassandra Johnson University of Nebraska Kearney. Disclosures. Jan Moore is a Professor at UNK
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If God Can Hear Your Most Inner Thoughts… Why are Praise Bands so Loud? Jan Moore, Elizabeth Lewis, Courtney Smejdir, & Kassandra Johnson University of Nebraska Kearney
Disclosures • Jan Moore is a Professor at UNK • Treasurer for Academy of Rehabilitative Audiology • UNK provided standard faculty and student travel funding to attend ASHA • No funding or support to conduct the study • No commercial ties to industry • No conflicts of interest
Research Team • Jan Moore • Professor, University of Nebraska Kearney • Elizabeth Lewis • Courtney Smejdir • Kassandra Johnson • All undergraduate student researchers at the time of the study • All graduate students at UNK or UNL
Background • Contemporary or Praise Band services have been an increasingly popular worship style for Protestant faiths over the last 20 years. • Gone are the days of an acoustic guitar and “Michael Row the Boat Ashore” • Now we have full-fledged rock bands at worship services
Pertinent Background • Noise-induced S/N hearing loss has been well documented in • Rock musicians • Orchestral musicians • Band musicians • Just living in NYC • Silva & Cabral (2011) found priests in Brazilian churches were are risk for hearing loss due to noise levels.
How Churches Respond to Concerns about Sound Levels • A quick search of the internet yields considerable interest in this topic within the Church community. • Churches consistently tell members the music level does not exceed OSHA standards • 5 dB rule (time/intensity trade off) in contrast to a 3 dB rule recommended by the NIOSH/CDC • How do they know that? • Do they monitor their members’ hearing overtime?
Churches blame their members • “If it is too loud for you there is something wrong with your hearing.” • Churches say “discomfort” does not mean “harm.” • Churches actually provide hearing protection
One church calculated that one service was 13% of the daily OSHA dose • Average dose was 9—11% • Clergy and band was 35% of their dose for 2 services. • Why would you want your service to contribute anything to someone’s daily dose?
On a very personal note, I wrote to my church and expressed my concern about the loudness level. • If mothers are trying to cover their infant’s ears during a service, it is just too loud. • Minister exceeds 90 dB A during the sermon • The wooden pews vibrate during the music
Public Health Issue • We are interested in investigating the risk of hearing loss in praise band members, clergy, and parishioners (including children) who attend these services. • NIH’sIt’s a Noisy Planet public health initiative suggests any exposure above 85 dB (A) can lead to hearing loss over time. • Our team looks at exposure to noise in churches as a public health issue
UNK Praise the Lord Project • Does the noise level at contemporary services suggest there is a risk for permanent S/N hearing loss consistent with noise exposure? • What are the challenges in measuring noise in the contemporary services
UNK Praise the Lord Project • Do parishioners, clergy, and other worship staff exhibit a change in hearing (TTS) following these services? • Is there long-term hearing loss over time? • What is the best method to detect change?
Method • The noise levels of 3 Protestant church services were sampled • UNK Christian Student Fellowship (CSF) • First United Methodist Church (FUMC) • Evangelical Free Church (E-Free) • Services were recorded in the fall during the liturgical season of After Pentecost • Covert recordings • Multiple recordings at each site
Method • No special services (Easter, Christmas) • Catholic Church services were excluded due to the standardization of their order of worship • Contemporary Services typically have • More music • Longer durations of continuous music • Dosimetry • LENA
Dosimetry • Quest NoiseProTMDosimeter • 2-hour run time • Individual sessions for songs to try to isolate the contribution of the music to the noise levels measured • Slow time response • Calibrated • Obtained Min, Max, Average and Dose information for each service
LENATM • Language Environmental Analysis • LENA Research Foundation • Boulder, CO • Lena Pro digital recorder • Application is in language development • Adult words, child words, turn-taking • Records time spent in noise and electronic media • 5-minute intervals for analysis
Lena Results • Lena was utilized in one service to look at noise segments in 5-minute intervals. • Over half of the service—30 minutes—was music. • Essentially a concert.
Lena Results • Lena also allows the measurement of the signal in the 5-minute intervals • The dB levels as recorded by Lena indicated levels exceeded 85 dB A for all segments • Compression within the microphone of the digital recorder. • Designed for speech not noise
Results • Our results suggest the loudness levels in contemporary services puts people at risk for N/I S/N hearing loss • Who is at risk? • Clergy • Band members • Parishioners • How often do you attend?
Challenges • How to measure the parts of the services which are loud? • Duration of the music? • How do we measure change in hearing? • Which methods? • Conventional audiometry? • OAE? • How often? • Pre-Post • Yearly
What is the Public Health Message? • We can’t control much of the noise we are exposed to in our lives • The environments that we can control should be safe • Institutions should be committed or at least interested in not contributing to N/I S/N hearing loss. • Those environments would include schools, churches, & public places
Comments? • Suggestions? • Questions? • mooreja2@unk.edu