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Francisco Goya Self-Portrait , 1773 Oil on canvas, 86 x 60 cm. Francisco Goya (1746- 1828). Regina Martirum, 1780-81. Cupola fresco. Basilica del Pilar, Zaragoza. Oronoz, Madrid. The Parasol 104 cm x 152 cm 1777.
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Francisco Goya Self-Portrait, 1773Oil on canvas, 86 x 60 cm Francisco Goya (1746- 1828)
Regina Martirum, 1780-81. Cupola fresco. Basilica del Pilar, Zaragoza. Oronoz, Madrid
Las Meninas, after Velázquez, ca. 1778Etching, drypoint, burin, roulette, and aquatint; working proof of the third state 16 x 12 3/4 in. (40.5 x 32.5 cm) • To improve his own work, Goya studied the works of Velázquez. • He made a series of etchings from Velázquez’s portraits, like this one of Las Meninas.
The Family of the Infante Don Luis, 1784, Oil on canvas, 630 x 838 cm
The Duke and Duchess of Osuna and their Children 225 cm x 174 cm 1787-1788 • The Duke and Duchess of Osuna hired Goya to paint several pictures for the country house. • This portrait helped establish him as the most fashionable portrait painter in Spain.
Manuel Osorio Manrique de Zuñiga(1784–1792), possibly 1790sOil on canvas 50 x 40 in. (127 x 101.6 cm) • Goya earned a good living painting portraits of wealthy Spanish people. • At this time, he had also been appointed painter to the king. • What do you think is happening in this picture? • Is the bird in danger?
Carlos III in Hunting Costume 207 cm x 126 cm • Carlos III was the best king Spain was to have for years. • He was honest, deeply religious, hardworking, and loved to hunt. • He was ready to try new ideas, and opened Spain to the Enlightenment. • Goya’s realistic portrait shows his affection for the king.
The Meadow of San Isidro. 41.9 cm x 90.8 cm, 1787 • This painting has been called Goya’s first masterpiece. • It shows a crowd gathered to celebrate the feast day of San Isidro, the patron saint of Madrid.
The 2nd of May 1808 in Madrid: the charge of the Mamelukes 268,5 cm x 347,5 cm 1814
The 3rd of May 1808 in Madrid: the executions on Principe Pio hill 268 cm x 347 cm 1814
The Disrobing of Christ (El Espolio), oil on canvas (1577-1579) by El Greco, 68.1 in x 112.2 in. The Taking of Christ, (1798), by Goya, oil on canvas.
The Sleep of Reason Produces Monsters: Plate 43 of The Caprices (Los Caprichos), 1799, Etching, aquatint, drypoint, and burin Image: 8 7/16 x 5 7/8 in. (21.5 x 15 cm) • After a serious illness, Goya was totally deaf for the last 35 years of his life. • He became obsessed with depicting the suffering caused by the Spanish court and church in his late paintings and etchings.