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Burlesque. A satirical treatment of usually revered subject matter which is made ridiculous through use of caricature [lampoon, spoof, mock, parody] In theatrical usage, it originally referred to a play that parodied some contemporary dramatic fashion or event
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Burlesque • A satirical treatment of usually revered subject matter which is made ridiculous through use of caricature [lampoon, spoof, mock, parody] • In theatrical usage, it originally referred to a play that parodied some contemporary dramatic fashion or event • Later applied to a bawdy genre of variety entertainment that eventually came to feature striptease as its main attraction (late 19th cent)
Victorian Burlesque • British theatrical form popular from 1830s-1890s • A burlesque in the original sense, to parody a well-known opera, play, or ballet in a risqué style • Light entertainment with music, the plots of which were frivolously modeled on those of history, literature, or classical mythology • 1840s – Lydia Thompson and the British Blondes tours the U.S. to great acclaim • American performers adapt it and meld it with the minstrel show format
Format Borrowed the structure of the Minstrel show Three Parts: • Part One – a series of songs and comic sketches & monologues • Part Two, the “olio” – assorted variety acts such as acrobats, jugglers, magicians, and instrumental & vocal soloists • Part Three – chorus numbers or sometimes a burlesque of a current play or politics
Characteristics • Designed exclusively for an adult male audience • Slapstick sketches • Comedians • Chorus numbers • All jokes and humor were (pick one): coarse, rude, vulgar, crass, bawdy, ribald, crude. • “Daring” or “Sensational” solo dances • Daring in their titillating nature and boundary pushing costumes…or lack thereof.
Metamorphosis • Over time, strip tease dancers became the main featured attractions in Burlesque shows • Minsky’s National Winter Garden became the most famous of NYC Burlesque Theatres • 1st in U.S. to add a runway into the audience • “Burlesque As You Like It – Not a Family Show” • Prohibition hurt business immensely • Essentially out of business by the 1940s (NYC)
Famous Performers • W.C. Fields • Al Jolson • Fanny Brice • Mae West • Bert Lahr • Jackie Gleason • Phil Silvers • Gypsy Rose Lee • Margie Hart
Vaudeville • Another iteration of variety entertainment • Consisted of a series of unrelated acts, such as: • Singers • Dancers • Comedians • Magicians • Acrobats • Trained animals • Jugglers
Where’d That Name Come From? • The term “vaudeville” is believed to be a corruption of the 15th century vaux-de-vire, which were satirical songs sung to popular tunes • Originated in the Val-de-Vire, or Vau-de-Vire, in Normandy, France • Eventually developed into a form of light musical drama, with spoken dialogue interspersed with songs known as comédies de vaudeville • Became popular throughout Europe
Metamorphosis (redux) • The term vaudeville is appropriated by American producers of variety shows in order to lend an air of sophistication to their productions…after all, it’s a French word, so anything its applied to must be classy, right? • Develops as a cleaned up version of burlesque
Tony Pastor1837–1908 • Considered the Father of Vaudeville • A professional performer since the age of 6 • P.T. Barnum’s American Museum • minstrel shows • the circus • First performed in a variety show in 1861 • Opened his own variety theatre in 1865 • Advertised his show as “the first specialty and vaudeville theatre of America, catering to polite tastes, aiming to amuse, and fully up to current times and topics.”
Keith and Albee • B.F. Keith (1846-1914) and E.F. Albee (1857-1930) • Individual careers as impresarios before teaming up • Built Boston’s extravagant Bijou Theatre (1885) • Created the “continuous performance” model • Like Pastor, emphasized “clean” entertainment • Won support and funding from the Catholic church • Established the most powerful circuit of theatres throughout the NE and midwest
Revue • Another variation, or sub-genre, of variety • Derived from French medieval street fairs at which events of the year were passed in comic review • Consider obvious connection to modern satiric presentations of “The Year in Review” • Very popular at Paris’ Folies-Bergère • The Passing Show (1894) is considered the first successful American "review“ • The French spelling was adopted by Ziegfeld to lend an air of European chic to his productions
Florenz Ziegfeld(1869-1932) • Impresario who created The Ziegfeld Follies • The Follies were a series of spectacular revues • über-sophisticated, visually ambitious variety show • “Editions” of the Follies ran from 1907-1931 • The Follies were characterized by: • Lavish spectacle in both scenery and costumes • An emphasis on “Glorifying the American Girl” • Costumes occasionally revealing, but always stunning • A-List talent of starring singers, dancers, actors, comics • Also produced the landmark musical Showboat in 1927