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Lecture 13

Lecture 13. Video Editing Short Movie Example Meaning – Basic Film Editing Compress Time Create Illusion of Continuity Create Illusion of Cause & Effect Parallel Editing Motivate Cuts. Short Movie Example. NIKE AD

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Lecture 13

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  1. Lecture 13 • Video Editing • Short Movie Example • Meaning – Basic Film Editing • Compress Time • Create Illusion of Continuity • Create Illusion of Cause & Effect • Parallel Editing • Motivate Cuts

  2. Short Movie Example • NIKE AD • Click onhttp://www.scils.rutgers.edu/~aspoerri/Teaching/MPOnline/Video/Please click on “nikead.wmv” link to play video (it may take a while) • Count the number of image changes (within the same scene or between scenes)

  3. Film Editing – Tools & Devices • Illusion of Motion • Continuity of Direction of Motion & Speed • Total > Medium > Close-up Shot • Continuity of Location of Focus • Continuity of Line of Sight

  4. Hi – I am in a rush

  5. Illusion of Motion

  6. Illusion of Motion

  7. Motion Out of Frame

  8. Where Does Boy Reappear? His Direction of Motion?  ? ? 

  9. Direction of Motion Continuity

  10. Need to Maintain Speed Continuity

  11. Illusion of Motion

  12. Illusion of Motion

  13. Total Shot

  14. Medium Shot

  15. Close-up Shot

  16. Total > Medium > Close-up  Spatial Alignment

  17. Total Shot

  18. Medium Shot with Poor Spatial Continuity

  19. Close-up with Poor Spatial Continuity - Jumpy

  20. Current Location of Focus

  21. Maintain Location of Focus

  22. Continuity of Location of Focus

  23. Line of Sight between Protagonists

  24. Angle of Line of Sight Continuity

  25. Camera on Same Side of Line of Sight

  26. Do not CrossLine of Sight

  27. Establishing Line of Sight

  28. CrossingLine of Sight – Seesaw

  29. Maintaining Angle and Line of Sight

  30. Camera Again on Same Side of Line of Sight

  31. Film Editing – Tools & Devices (cont.) • Frame Grid • Action  Reaction • Cut-Away & Audio L-cut • Establishing Subjective POV

  32. The Frame Grid

  33. Action

  34. Reaction

  35. Action or Cut-Away

  36. Reaction or Jump in Time (Audio L-cut)

  37. Stop The “Argument”

  38. Direction and Angle of Gaze

  39. Subjective Point of View

  40. Film Editing - Create Illusion of Continuity • Compress Time by Selecting "Highlights" • Viewer Fills In • "Real time" = "Screen time" • Maintain Continuity for: • Location of Focus • Motion & Speed • Line of Sight • Theme: similarity in subject & background in terms of shapes, color, texture, motion • Leverage Conventions & Viewer Expectations

  41. Create Illusion of Cause & Effect • Sequence Shots • Use Continuity Principles • Viewers Create Relationships that Do Not Exit in Reality

  42. Close-up of Face

  43. Subjective Point of View

  44. Effect

  45. Cause?

  46. Effect!

  47. Parallel Editing • Cut Back and Forth between Different Storylines • Creates Illusion of Events Happening at the Same Time • Enhances Anticipation or Anxiety

  48. Two Protagonists

  49. In Discussion

  50. Boy

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