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HOLLYWOOD ON HOLLYWOOD - MA Programme, Kultur - Fall Term 2007-2008 - Course Leader (CL) Dr. ALAN TAYLOR (Oxon). Today’s Audience…?. Berlin/J.F.K.-I, F.U locals? Familiar faces? Students, and…? ECTS EU colleagues?
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HOLLYWOOD ON HOLLYWOOD - MA Programme, Kultur - Fall Term 2007-2008 - Course Leader (CL) Dr. ALAN TAYLOR (Oxon) kinowords.edublogs.org
Today’s Audience…? • Berlin/J.F.K.-I, F.U locals? • Familiar faces? Students, and…? • ECTS EU colleagues? • BA into MA…eh…? • American and Film Studies…eh…? kinowords.edublogs.org
The J.F.K-I. FU Berlin kinowords.edublogs.org
WEEK: ONE Welcome to a New Academic Year & Introduction Coverage Course Leader Working Procedures & Expectations kinowords.edublogs.org
HW on HW Coverage • 1917-1928: Pioneers, Silents • 1928-1939: The Classic Period • 1946-1960: Age of Struggle • 1960-1969: Dis-illusion • 1969-1980: The New Hollywood • 1980-2000: Corporate Hollywood Core Texts: Bordwell, The Classic Hollywood Cinema, 1991 kinowords.edublogs.org
20th Century U.S.A. Industrial Context • “Mass production is the focusing upon a manufacturing product of the principles of power, accuracy, economy, system, continuity and speed…and the normal result is the productive organization that delivers in quantities a useful commodity of standard material, workmanship and design at a minimum cost”. • Henry Ford, in Bordwell, 1991. p. 91 kinowords.edublogs.org
Hollywood: Art & Commerce • “Efficiency experts trained in other industries are usually baffled when they try to fit the making of a movie to their standard rules. • The fact is, a movie is essentially a hand-craft operation, a one-of-a-kind custom job – but it must be made on the factory basis, with production-line economics, if we’re to hold the price down within reach of most of the people. • The job is to do this without losing the picture’s individuality”. • Dore Schary, MGM Producer, 1950 kinowords.edublogs.org
20th & 21st Century Project Management TIME • H. Gannt, 1917 • F. Taylor • H. Ford Q COST PROCESS kinowords.edublogs.org
Course Balance: Text & Context INDUSTRY DEVELOPMENT 1919 – 2007 Organisation Censorship Technologies Audiences MATERIAL ANALYSIS Sequence Style Genre Narrative Film Theories kinowords.edublogs.org
Shared Viewing Texts • The Bad and the Beautiful, 1953 • The Player, 1992 kinowords.edublogs.org
Production Processes kinowords.edublogs.org
Course Leader Profile kinowords.edublogs.org
Representative, Germany: Cinemasports New York, Sofia, Frankfurt/Main, London, San Francisco, Detroit, Vancouver, Moscow, Belfast, Berlin, Los Angeles, Paris, Mainz… kinowords.edublogs.org
CL: Book Author,2005 & 2007: Peter Lang Frankfurt /New York kinowords.edublogs.org
Invited Workshop Leader: Teaching the Teachers…. Media Education Across the Curriculum Eire, Estonia, Portugal, Spain, Sweden, Cyprus, Turkey, Italy EU/Kulturring, e. V, Berlin - April 2007 W: http://www.mediaeducation.org kinowords.edublogs.org
Course Leader (CL) TEACHING: 1991-2008 • UK: Teacher, Lecturer & Curriculum Manager Film Studies, Media Production, Anglo-American Literature • Germany: Guest Lecturer 2000-2008 - J.F.K, Institute, FU Berlin - Filmwissenschaft, Mainz University • Bulgaria: Guest Lecturer 2004, New Bulgarian University 2008, St. Kliment, Sofia University kinowords.edublogs.org
CL Qualifications BA joint hons American Studies & English Literature • The University of Keele Diploma/MA • The London Film School PGCE - The Department of Education, • The University of Oxford MA - Media Education • IOE, University of London PhD - Cinema Studies • Johannes Gutenberg University, Mainz kinowords.edublogs.org
Questions? • Who…? • What…? • When…? • How…? • Why…? • Beach………? kinowords.edublogs.org
Student Credits, 1 • All students / Attendance & Contributions - 80% plus attendance & - 2 short essays (500-800 words each) Essay 1. A film sequence as located on the course webpage Essay 2. A short essay – from a menu of three options - TBA • Research Paper (RP) & Sprechstundes… - Inspired by Conference Subjects 2007/2008 - One page Abstract Draft to CL - 20 pages / 5,000-5,500 words: PDF & print copy • See: JFK-I Page: http://kinowords.edublogs.org kinowords.edublogs.org
Student Credits, 2 Research Papers, Samples Spring/Summer 2007, from: • International Symposium on Media & Politics, Ege University • City in Film: Architecture, Urban Space and the Moving Image, Liverpool, UK • European Cultural Studies Conference, Sweden • Perspectives and Challenges for Cinema and Media Studies, Vienna • Shifting Landscapes of Film and Media…Istanbul • 20 Years of Propaganda?…?????????? • Media Events, Globalization and Cultural Change, Bremen kinowords.edublogs.org
EXPECTATIONS for ALL WRITTEN WORK 1. All Margins are uniformly set at 2.5 2. The body of the text will be blocked to the right margin 3. Gap Lines are set at 1.5 4. Fonts are Times New Roman, Size 12 5. All pages are numbered, bottom right 6. Key details are included on the HEADER and FOOTER 7. Quotes are laced into the text. Over three lines they are granted their own central column. 8. Word count: 4 sides = 1,000 words so the RP = 5,000 -5,500 words. FOR MORE DETAILS SEE PDF ON COURSE WEBSITE (CWS) kinowords.edublogs.org
ACT: Applied Critical Thinking kinowords.edublogs.org
Film Industry – The 21st Century Paradigm? “It’s the edge that knows more than the middle” Gary Hamel, Guru & Author: “The Future of Management”, 2007 kinowords.edublogs.org
…Vaya con dios E. a.taylor@balliol.oxon.org But no Smilies! :) kinowords.edublogs.org